A high school baseball coach (Krumholtz) and a down-on-his-luck private investigator (Burns) form a bond as they scour New York City for the coach's wife, who's run away with a second-rate ... See full summary »
Johnny Rizzo, is about to trade his dream job in talk radio for some snooze-ville gig that'll pay enough to please his fiancée. Enter Uncle Terry, a rascally womanizer set on turning a ... See full summary »
Claudia has lived all her life in a small, seaside, blue-collar town, hanging out with the same group of friends since grade school. Now she's waiting tables in a greasy spoon to help ... See full summary »
Hell's Kitchen on Ash Wednesday, 1983. Rumors are flying that Francis Sullivan's younger brother Sean, dead for three years, has reappeared. If he wasn't killed by rivals, then old scores still need settling, putting Fran and Sean in danger. An upstart is pressuring the local mob boss, who's Fran's protector; Sean's wife, who thinks she's a widow, has gotten on with her life, but Sean has come back for her. The parish priest, part of the initial deception, is frightened. Bad guys with guns are closing in. Can Fran get Sean and his wife out of the city, avoid a war between rival factions, and hold onto new-found morality? Will the cross of ashes on his forehead protect him? Written by
`Ash Wednesday' is the latest installment by Actor/Writer/Director Edward Burns. The film was released in just a few theaters back in October of 2002. Because of its limited release, it did not have a `prayer' in making a profit. `Ash Wednesday' possesses the usual first-degree `Burnisms': Irish rituals, catholic guilt, sibling codependence, love triangle, and lots of Heineken chugging. Because of its serious dramatic tone, it did lack the witty banter of most of Burns' other films. Burns and Elijah Wood play Irish catholic brothers- Francis & Sean Sullivan. Francis must protect his younger brother Sean from an Irish mob who are suspicious that he is still alive even though he was presumed dead 3 years ago. The film is set in one entire Ash Wednesday in New York's Hells Kitchen during the early 80's. I do commend Burns by writing & directing out of the box and providing us a more dramatically intense film. However, Eddie please make sure you return and make more jocose romantic comedies because that is where your fire really burns! ****Excellent
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