6.3/10
186
2 user 10 critic

Der schöne Tag (2001)

A day in the life of the 21 years old Deniz, who aims to become an actress and makes her living by dubbing movies. After she has split with her old boyfriend she gets to know Diego and spends the evening with him.

Director:

Thomas Arslan

Writer:

Thomas Arslan
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Cast

Credited cast:
Serpil Turhan ... Deniz
Bilge Bingul Bilge Bingul ... Diego
Florian Stetter ... Jan
Selda Kaya Selda Kaya ... Leyla
Hafize Uner Hafize Uner ... Mutter von Deniz
Hanns Zischler ... Regisseur
Elke Schmitter Elke Schmitter ... Frau im Café
Rest of cast listed alphabetically:
Simone Bär Simone Bär ... Regiassistentin
Jon Handschin Jon Handschin ... Mann in U-Bahn
Sibylle Hubatschek-Rahn Sibylle Hubatschek-Rahn ... Synchronregisseurin
Natalie Peters Natalie Peters ... Freundin von Diego
Stefan Pethke Stefan Pethke ... Taxifahrer
Katja Thimm Katja Thimm ... Synchroncutterin
Benedict Weber Benedict Weber ... Synchronsprecher
Nicole Winterbauer Nicole Winterbauer ... Castingassistentin
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Storyline

A day in the life of the 21 years old Deniz, who aims to become an actress and makes her living by dubbing movies. After she has split with her old boyfriend she gets to know Diego and spends the evening with him.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

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Details

Country:

Germany

Language:

Turkish | German

Release Date:

18 October 2001 (Germany) See more »

Also Known As:

A Fine Day See more »

Filming Locations:

Germany See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color
See full technical specs »
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Did You Know?

Connections

References À Nos Amours (1983) See more »

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User Reviews

 
Pretentious, over-arty, purposeless, and boring
9 October 2001 | by cdriverSee all my reviews

I do NOT advocate and hesitate even calling attention to the idea of seeing A Fine Day by Thomas Arslan. This film appeals to a very small niche of viewers: the pretentious. This story of a day in the life of Deniz, a young, disenchanted Berliner and her myriad relational problems, is the kind of purposeless over-arty film that keeps most people away from film festivals. In classic German cinematic fashion, facial expressions are kept to a minimum, which is fine if it?s still stimulating your brain or heart, which it is not. This is just people breaking up and thinking about breaking up. That is it; no revelations, no intricacies, and probably about twenty of the approximately eighty minutes look suspiciously like a mass transit advertisement, culminating in this ridiculous train scene: 1: She looks. He looks. Their gazes lock for an intense moment before breaking. 2: He looks. She looks. Their gazes lock for an intense moment before breaking. 3: Repeat steps 1 through 2, four or five times at least. There is some merit along the lines of exploring emotional expectations in breaking up, but that is about it. Of course, the thing could be brilliantly ironic because of its lack of expected emotion? but I would not bet on it.


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