When beautiful, young Laura Palmer is found brutally savaged, murdered, and wrapped in plastic, the death of the Twin Peaks Homecoming Queen is big news in the small town. As the news spreads, FBI Special Agent Dale Cooper travels to the Northern Washington State town to solve this and other related cases.Written by
According to Robert Fischer's German Book "David Lynch - Die dunkle Seite der Seele" ("The Dark Side of the Soul") the pilot (the "series version") cost 3.8 million dollars, was shoot in March/April 1989 on location and at City Studios in Los Angeles and had its premiere on the Telluride Film Festival, Colorado in September 1989. See more »
Agent Cooper dictates into a tape recorder to "Diane", presumably for later transcription. He constantly flipflops between calling her "Diane" and "Diana." Something this impersonal is against the nature of a detective that infrequently makes knowledgeable errors. See more »
There was a theatrical release in Europe with nearly 20 minutes of extra footage which was never broadcast in the TV network version which features an extended surreal sequence of the confrontation with the One-Armed Man and Killer Bob as well as the dream-like sequence in the Red Room all of which was shown in parts in the second episode of "Twin Peaks" as a dream sequence. It is also available on video. Intended to be a standalone film, the movie version has a new ending that reveals the identity of the killer of Laura Palmer. The film version eliminates most of the supernatural aspects of the series, too, with the exception of a dream sequence at the end. Michael J. Anderson appears as "The Man from Another Place" and Frank Silva appears as Bob only in this extended version; they were introduced to the series later. See more »
I was ten years old when this show premiered on TV. I had a hot to trot fourth grade teacher who was fresh out of college (I had the biggest crush on her---oh, Ms. Beckett, where are you now?) who would come in the morning after an episode aired and share all the details with the advanced reading group I was in. THIS WAS IT. This was the greatest TV show ever made. I don't know how I talked my parents into letting me watch it (a few episodes involving BOB gave me nightmares), but since then I've rewatched it over and over and over again. Mystery, soap opera antics, mumbo jumbo, log ladies, midgets, damn fine coffee, cherry pie, cliffhangers and the best music ever composed for a TV series made the first season (which was HUGE in the ratings, and only seven episodes long as it was a mid-season replacement) the most memorable of any TV show in history. The second season got darker and weirder (which led to a drop in ratings, time slot shifts, and naturally more drops in the ratings). After the producers were forced by the network to solve the murder of Laura Palmer half way through the season (and what a f*** you to the powers to be that revelation was), wild soap opera antics ensued as a cover up for one of the most labyrinthine mythologies ever conceived (I'll take the agents of the Black and White Lodges over aliens and government conspiracies any day), and Lynch left the die-hard fans who clung on to the very end one doozy of a cliffhanger in the very last episode (WHERE'S ANNIE?).
After turning my friends on to Lynch with "Mulholland Drive" (which was ironically a failed TV pilot turned into a brilliant cinematic f*** you to the same powers that be that tried to ruin Peaks) they can't believe it when I tell them he made a TV show back when we were kids. "That must've been weird," they say. Oh, it was, weirder and more wonderful and brilliant than you could ever imagine.
Without this show there never would've been "The X-Files", "Northern Exposure", "Picket Fences" or the idea that TV could be thrilling, ground-breaking, quirky, and weird. Also recommended: Lynch's mind-boggling film prequel "Twin Peaks: Fire Walk with Me" that confounds beautifully and raises more questions than answers, "Blue Velvet" (the precursor to Peaks), and of course "Mulholland Drive."
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