Publicist Stuart Shepard finds himself trapped in a phone booth, pinned down by an extortionist's sniper rifle. Unable to leave or get help from the surrounding bystanders, Stuart negotiates with the caller that leads to a jaw-dropping climax.
Sent from the city to investigate the murder of a teenage girl in a small Alaska town, a police detective (Pacino) accidentally shoots his own partner while trying to apprehend a suspect. Instead of admitting his guilt, the detective is given an unexpected alibi, but this "solution" only multiplies the emotional complexity and guilt over his partner's death. He's also still got a murder to solve, in addition to the blackmail and framing of an innocent bystander being orchestrated by the man they were chasing. There's also a local detective (Swank) who is conducting her own personal investigation... of his partner's death. Will it all come crashing down on him?Written by
greg Dean Scmitz
Dorner displays abysmal handling of his service weapon, consistently violating the third of Cooper's four famous gun safety rules ("Keep your finger off the trigger till your sights are on the target."). What's more, the death of his partner is a direct result of Dorner violating the fourth rule ("Identify your target, and what is behind it. Never shoot at anything that you have not positively identified.") Given his age, it is possible that Dorner went to police academy before it was common for law enforcement agencies to require their staff to comply with Cooper's rules (i.e. before around 1985). That the young Burr, who leads the investigation of the incident, would neither mention Dorner's outrageous violations nor try to find out whether he had received updated weapons training is, however, utterly impossible. See more »
There's just nothing down there. Nothing. I haven't seen a building in, like, 20 minutes. Look at that.
We're not on vacation, Hap. Remember?
See more »
Not As Good as Original, But Still A Good, Dark Tale
I erred in giving into temptation to watch the original Norwegian "Insomnia" on IFC just a couple of weeks before seeing this Hollywood re-make directed by indie-credible "Memento" Christopher Nolan with a very effective Academy Award-winning cast.
The original movie had a tiny budget and also an excellent cast, led by the terrific Swede Stellan Skarsgård, growing as pale as that relentless sunshine during the course of the film; the usually haggard-looking Al Pacino interprets his insomnia visually through an ever more haggard face.
Though the original film isn't given as the source material until well into the closing credits, this follows the main thrust of the story closely. The changes, though, are both subtle and significant and intriguingly as American as Sam Spade when the mise en scene gets moved to Alaska (actually shot in Vancouver). Significantly, there is less sex and more morality.
Hilary Swank's character is more naive than her counterpart; Martin Donovan's character's role is more central to the story and, of course, Robin Williams gets more screen time than his original counterpart, as the conflict is less in the lead's mind and more on the screen as a duel. The plot twists are done differently so I shamefully got confused between the two movies.
While not as overwhelming as the original, I do think this version should rank right up with the great detective/cop-does-the-right-thing movies, and the plot makes more sense than "The Big Sleep."
(originally written 6/16/2002)
57 of 79 people found this review helpful.
Was this review helpful to you?
| Report this