Sent from the city to investigate the murder of a teenage girl in a small Alaska town, a police detective (Pacino) accidentally shoots his own partner while trying to apprehend a suspect. Instead of admitting his guilt, the detective is given an unexpected alibi, but this "solution" only multiplies the emotional complexity and guilt over his partner's death. He's also still got a murder to solve, in addition to the blackmail and framing of an innocent bystander being orchestrated by the man they were chasing. There's also a local detective (Swank) who is conducting her own personal investigation... of his partner's death. Will it all come crashing down on him?Written by
greg Dean Scmitz
Both Robin Williams and director Christopher Nolan have a connection to the comic book character Batman. Williams was originally slated to play the Joker in Batman (1989) and was later approached to play the Riddler in Batman Forever (1995), while Nolan later directed the Dark Knight Trilogy. See more »
At the beginning, when Ellie Burr is telling Dormer how she knows about his past cases, she asks if the scar on his neck is where Ronald Langley cut him during the Leland Street Murders case, but then immediately says that the Leland Street Murders were her case study at the academy. If so, she should have known that that was where he was cut. (This could be attributed to the character's nervousness at meeting Dormer.) See more »
There's just nothing down there. Nothing. I haven't seen a building in, like, 20 minutes. Look at that.
We're not on vacation, Hap. Remember?
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Not As Good as Original, But Still A Good, Dark Tale
I erred in giving into temptation to watch the original Norwegian "Insomnia" on IFC just a couple of weeks before seeing this Hollywood re-make directed by indie-credible "Memento" Christopher Nolan with a very effective Academy Award-winning cast.
The original movie had a tiny budget and also an excellent cast, led by the terrific Swede Stellan Skarsgård, growing as pale as that relentless sunshine during the course of the film; the usually haggard-looking Al Pacino interprets his insomnia visually through an ever more haggard face.
Though the original film isn't given as the source material until well into the closing credits, this follows the main thrust of the story closely. The changes, though, are both subtle and significant and intriguingly as American as Sam Spade when the mise en scene gets moved to Alaska (actually shot in Vancouver). Significantly, there is less sex and more morality.
Hilary Swank's character is more naive than her counterpart; Martin Donovan's character's role is more central to the story and, of course, Robin Williams gets more screen time than his original counterpart, as the conflict is less in the lead's mind and more on the screen as a duel. The plot twists are done differently so I shamefully got confused between the two movies.
While not as overwhelming as the original, I do think this version should rank right up with the great detective/cop-does-the-right-thing movies, and the plot makes more sense than "The Big Sleep."
(originally written 6/16/2002)
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