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The Importance of Being Earnest (2002)

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In 1890s London, two friends use the same pseudonym ("Ernest") for their on-the-sly activities. Hilarity ensues.

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2 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Algy
... Jack
... Gwendolen
... Cecily
... Lady Bracknell
... Dr. Chasuble
... Miss Prism
... Lane
... Merriman
... Gribsby
... Pew Opener
... Dowager
... Young Lady Bracknell
Guy Bensley ... Young Lord Bracknell
Christina Robert ... Duchess of Devonshire
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Storyline

Two young gentlemen living in 1890's England use the same pseudonym ("Ernest") on the sly, which is fine until they both fall in love with women using that name, which leads to a comedy of mistaken identities... Written by arson83

Plot Summary | Add Synopsis

Taglines:

Everybody Loves Ernest... But Nobody's Quite Sure Who He Really Is.

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG for mild sensuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Official Facebook | Official site |  »

Country:

|

Language:

|

Release Date:

21 June 2002 (USA)  »

Also Known As:

Ernst sein ist alles  »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$500,447, 27 May 2002, Limited Release

Gross USA:

$8,378,141, 29 September 2002
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Though cut from the revised version, the gardener Molton can be seen in the background of many scenes. See more »

Goofs

Gwendolen is shown driving a car out to Jack's country house. However, later in dialog with Cecily taken from the original play, she mentions having taken the train out. Later, Lady Bracknell mentions them both returning by train, which would have left the car in the country. See more »

Quotes

Gwendolyn: In matters of utmost importance, style, not sincerity, is the vital thing.
See more »

Crazy Credits

After the funeral for Bunbury, Colin Firth's Earnest is seen getting a tattoo of "Gwendolyn" on his posterior See more »

Connections

Version of Kak vazhno byt seryoznym (1976) See more »

Soundtracks

Lady Come Down
Music written by Charlie Mole
Lyrics by Oscar Wilde
Performed by Colin Firth and Rupert Everett
Courtesy of Fragile Music Ltd.
See more »

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User Reviews

 
Should I see this film? It is rather Quixotic... but I think you should try.
11 June 2004 | by See all my reviews

Wealthy London bachelor Jack Worthing falls for Gwendolen, cousin of London socialite Algy, who has in turn fallen for Jack's ward, Cecily. Amongst other barriers to both relationships is the determination of both ladies to marry men called Ernest, leading Algy and Jack to pretend that Ernest is, indeed, their given name. Another stumbling block is the ubiquitous Lady Bracknell, Algy's aunt and Gwendolen's mother, who refuses to accept Jack as a suitor for her daughter because he was a foundling, discovered as a baby in a handbag at Victoria Station. Playwright Oscar Wilde put into Lady Bracknell's mouth some of the most delicious comments in stage history: "To be born, or at any rate bred, in a handbag, whether it had handles or not, seems to me to display a contempt for the ordinary decencies of family life that reminds one of the worst excesses of the French Revolution".

The story follows the ups and downs and deceits of the two men whilst they pursue Gwendolen and Cecily, dogged by Algy's creditors and Lady Bracknell, whose opposition to Jack's origins proves insurmountable. On the way we learn of Jack's brother who does not exist yet manages to die in a Paris boarding house, and Algy's invalid friend Bunbury who also never drew breath yet nevertheless explodes on the advice of his physician. The situation remains unresolved until the final scene, when all the protagonists have collided at Jack's country estate.

This interpretation of Oscar Wilde's play may not suit purists. Oliver Parker takes a few liberties with the original, adding a couple of off-the-wall touches such as Gwendolen having "Ernest" tattooed on her rear end. None of this detracts from the film precisely because this is a film and not a filmed play and as a stand-alone movie this is highly enjoyable fare and remains graced by Wilde's eternal and inimitable wit.

The cast, too, is outstanding. Reese Witherspoon as Cecily mastered an English accent and, along with Colin Firth as Jack, Frances O'Connor as Gwendolen and Judi Dench as Lady Bracknell (Aunt Augusta), is first-rate; the film also boasts Edward Fox, Tom Wilkinson and Anna Massey in supporting roles. Lastly, no-one plays Wilde's nihilistic, aristocratic and insouciant wasters quite like Rupert Everett, who was designed for such parts.

Oscar Wilde's play is timeless and priceless and his wit dominates the proceedings; matched to a cast with the acting talent of this troupe, it does not fail. Wilde and English period drawing room comedies are an acquired taste and, for those unsure of their nature, can be distinguished by the conspicuous absence of gunfire, vulgar Anglo-Saxonisms, explosions, wizards, references to def-con 2, giants, breasts, giant breasts and Steven Seagal: if any of these is your cup of tea, look elsewhere. If, on the other hand, you want to watch a team of gifted actors delivering with great aplomb some of the smartest dialogue in English literary history, The Importance of Being Earnest is not a bad way to spend an hour or two.

"Is Miss Cardew at all connected with any of the larger railway stations in London? I only ask because until yesterday I had no idea that there were any families or persons whose origin was a terminus."


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