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The Importance of Being Earnest (2002)

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In 1890s London, two friends use the same pseudonym ("Ernest") for their on-the-sly activities. Hilarity ensues.

Director:

Writers:

(play), (screenplay)
2 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Algy
... Jack
... Gwendolen
... Cecily
... Lady Bracknell
... Dr. Chasuble
... Miss Prism
... Lane
... Merriman
... Gribsby
... Pew Opener
... Dowager
... Young Lady Bracknell
Guy Bensley ... Young Lord Bracknell
Christina Robert ... Duchess of Devonshire
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Storyline

Two young gentlemen living in 1890's England use the same pseudonym ("Ernest") on the sly, which is fine until they both fall in love with women using that name, which leads to a comedy of mistaken identities... Written by arson83

Plot Summary | Add Synopsis

Taglines:

Everybody Loves Ernest... But Nobody's Quite Sure Who He Really Is.

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG for mild sensuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Official Facebook | Official site |  »

Country:

|

Language:

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Release Date:

21 June 2002 (USA)  »

Also Known As:

Ernst sein ist alles  »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$500,447, 27 May 2002, Limited Release

Gross USA:

$8,378,141, 29 September 2002
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Though cut from the revised version, the gardener Molton can be seen in the background of many scenes. See more »

Goofs

When ladies confront men about the name confusion in the garden, Gwendolyne asks Jack if he really is named John (instead on Jack). Jack replies that he is indeed John. See more »

Quotes

[in the end credits]
Jack: Algy, you're always talking nonsense.
Algy: It's better than listening to it.
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Crazy Credits

During the credits the main characters attend the funeral of the late departed Bunbury. Rupert Everett and Colin Firth argue while singing "Lady Come Down". See more »

Connections

Version of The Importance of Being Earnest (1938) See more »

Soundtracks

Lady Come Down
Music written by Charlie Mole
Lyrics by Oscar Wilde
Performed by Colin Firth and Rupert Everett
Courtesy of Fragile Music Ltd.
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User Reviews

 
Goes Over like a Lead Balloon...
26 July 2011 | by See all my reviews

This sad disappointment of a movie is what happens when you gather a group of top-notch actors together, give them one of the wittiest and funniest plays in the English language, and then put them under the direction of a film-maker who does not trust his material (which is a shame) and who furthermore believes that by tweaking it he may "improve" on it and render it more palatable for modern audiences (which is a scandal).

To do director Oliver Parker some justice, "The Importance of Being Earnest" is a lighter-than-air comedy of social mores and is -- in its very essence -- not cinematic, but theatrical, as was its creator, Oscar Wilde. The witty absurdities tossed off by Wilde's characters can only truly become airborne in a theatrical milieu. An attentively listening theater audience engages in a sympathetic act of complicity with the actors on stage, one in which "the delighting ear outstrips the wicked tongue." But a movie camera is an eye, not an ear; it cannot provide the necessary complicity that would allow Wilde's arch dialogue to levitate. Robbed of that complicity, the characters die and the dialogue falls flat. Perhaps it is too much to expect this play ever to be given a 100% successful cinematic make-over.

Parker cannot be faulted for trying to translate this play into a cinematic medium; he is, however, guilty of ham-handed 're-writes,' unnecessary excursions, ill-considered excisions, and a feckless attempt to jam his cast into cinematic "dress" that doesn't fit them and that leaves them looking foolish.

Watching this film, I felt badly for all the fine actors ensnared in it. I'm betting Judi Dench has a superb Lady Bracknell somewhere in her... but it isn't on display here.

My advice is to skip this movie if you're considering seeing or renting it. Try the much better '52 Anthony Asquith movie with an amusingly rebarbative Edith Evans at the top of her form.


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