The love life of Charlotte is reduced to an endless string of disastrous blind dates, until she meets the perfect man, Kevin. Unfortunately, his merciless mother will do anything to destroy their relationship.
Mary Fiore is San Francisco's most successful supplier of romance and glamor. She knows all the tricks. She knows all the rules. But then she breaks the most important rule of all: she falls in love with the groom.
A successful asset manager, who has just received a huge promotion, is blissfully happy in his career and in his marriage. But when a temp worker starts stalking him, all the things he's worked so hard for are placed in jeopardy.
An abused woman discovers that the dream man she married isn't who she thought he was. She and her daughter try to escape (aided by her previous boyfriend), but he pursues her relentlessly. Fearing also for the safety of her daughter, she decides that there's only one way out of the marriage: kill him.Written by
When Slim has a monologue in the car and Gracie is sleeping, actress Tessa Allen was actually asleep. The film makers tried while Tessa was awake but because they wanted to do long shots of Gracie sleeping it was hard for a young Tessa to keep her eyes completely still for the hour it took to film the scene. Instead, they waited until she had a nap and her mum picked her up and brought her into the car to film the scene. See more »
When Slim returns the page from Mitch's mistress, Darcelle, we see a close-up of Slim entering the number on the cell phone. The cell phone is different than the cell phone she was using in the previous and subsequent shots. See more »
All right, man against woman. Is that really fair?
Fair for whom?
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Jennifer Lopez's character `Slim' is by no means a representation of an empowered female. The film frames Slim in a way that boxes her into the stereotypical roles of first a lonely, low-income waitress swept off her feet by a charming, handsome `prince,' then a loving, caring mother, and finally a `fighter.' The close-up shots of Jennifer Lopez in her tight, belly-baring training outfit completely segment her body and remove the audience from the action. Instead of focusing on the actions themselves, the camera focuses on the body, forcing the viewer to act as both a surveyor and spectator. Of course, Jennifer Lopez is infamous for that bum of hers, but how many times must it flash across the screen before it takes on a larger character than Slim herself? This technique of segmenting Jennifer Lopez's body sends a message to the female audience that it is Slim's physical appearance that develops her as a strong woman and gives her the power to `fight' back, not her intellect. Even though Slim breaks away from the abusive relationship with her husband, she is still dependent on a male character throughout the film. First it is her fairytale-like father who supports her financially. Next her new lover, Joe, supports her emotionally. The scene in which Joe and Slim lie in bed together suggest that Slim is finally settled into her new life because she has a man at her side. Finally, it is her male trainer who `gives' her the ability to fight back. All in all, the film is a total flop in terms of taking on the serious social issue of domestic abuse and a woman's rise above it.
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