In 1987 serial murderer and rapist Abbot Hayes disappeared from the morgue. Shortly afterwards, a zombie plague swept his hometown and many lost their lives in the ensuing battle. Now, ...
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A re-edited version of Night of the Living Dead (1968) by a few members of its creative team, excluding director George Romero. It cuts 15 minutes from the original and replaces it with 15 minutes of newly-shot footage.
Wilson Friels, a wealthy big-game hunter, funds an expedition deep in the Florida Everglades to search for a lost tribe of Native Americans, the Calusa. He hires Brinson Thomas, a local ... See full summary »
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
There is panic throughout the nation as the dead suddenly come back to life. The film follows a group of characters who barricade themselves in an old farmhouse in an attempt to remain safe from these bloodthirsty, flesh-eating monsters.
Director Alan Smithee takes us on an irreverent (and unauthorized) romp through George A. Romero's classic Night of the Living Dead, the film that spawned the modern zombie craze and a thousand "of the living dead" remakes and rip-offs.
Late at night, a woman is kidnapped by an unknown assailant and taken back to his blood-spattered dungeon, where he turns her into a "flower of blood and flesh" through a series of dismemberment and evisceration.
In 1987 serial murderer and rapist Abbot Hayes disappeared from the morgue. Shortly afterwards, a zombie plague swept his hometown and many lost their lives in the ensuing battle. Now, fourteen years later, the aging residents of the town are trying to erase all traces of their past. But the arrival of a businessman who relocates the bodies of the local cemetery into a mass grave so he can build a car dealership riles up Abbot, who sets out to create his own army of the undead and take over.Written by
According to director Tor Ramsey, he was pressured a lot during the filming by Karen L. Wolf and John A. Russo, who made him use their friends as the film crew even though Ramsey wanted to hire other people. After screening the Directors Cut of the film, Wolf took the film away from Ramsey, hired a new editor and even looped many lines to correct the plot holes of the new cut. See more »
As a Black SUV parks in front of a building, the cameraman and two other people are seen reflected in the black paint of the vehicle's door. See more »
I ONLY watched this movie because I have always liked Tom Savini and wanted to see what he was up to. He was OK in his previous cheesy acting roles, like Dusk till Dawn and some Romero films like DOTD and Martin. Obviously his talent lies in special FX and not in acting, but I give the guy a little credit for acting too, just because he's Tom Savini. But why Tom... why?!?!?! I am shocked that he would have been associated with a movie as bad as this... I can't imagine it was for the money. Anyway, this movie is rubbish and I don't know what Tom was thinking when he signed on. I will never get that hour and a half of my life back.
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