A young and parentless girl adopts a 'dog' from the local pound, completely unaware that it's supposedly a dangerous scientific experiment that's taken refuge on Earth and is now hiding from... Read allA young and parentless girl adopts a 'dog' from the local pound, completely unaware that it's supposedly a dangerous scientific experiment that's taken refuge on Earth and is now hiding from its creator and those who see it as a menace.A young and parentless girl adopts a 'dog' from the local pound, completely unaware that it's supposedly a dangerous scientific experiment that's taken refuge on Earth and is now hiding from its creator and those who see it as a menace.
- Nominated for 1 Oscar
- 12 wins & 28 nominations total
Daveigh Chase
- Lilo
- (voice)
Chris Sanders
- Stitch
- (voice)
- (as Christopher Michael Sanders)
Tia Carrere
- Nani
- (voice)
David Ogden Stiers
- Jumba
- (voice)
Kevin McDonald
- Pleakley
- (voice)
Ving Rhames
- Cobra Bubbles
- (voice)
Jason Scott Lee
- David Kawena
- (voice)
Susan Hegarty
- Rescue Lady
- (voice)
Amy Hill
- Mrs. Hasagawa
- (voice)
Emily Anderson
- Woman
- (voice)
Jack Angel
- Alien Guard
- (voice)
Bill Asing
- Man
- (voice)
Erica Beck
- Mertle's Friend
- (voice)
Bob Bergen
- Officer
- (voice)
- (as Robert Bergen)
Steve Blum
- Hammerhead Guard
- (voice)
- (as Steven Jay Blum)
Summary
Reviewers say 'Lilo & Stitch' explores themes of family, belonging, and love, emphasizing the concept of "ohana" and unconventional relationships. It addresses single-parent struggles and the challenges of raising a child post-loss. The film promotes tolerance, understanding, and acceptance of differences, highlighting that everyone can find a family. It also values cultural heritage and community, set against a Hawaiian backdrop. The movie balances heartfelt moments with humor, and the performances, particularly Lilo's, are praised for their authenticity and charm.
Featured reviews
"Lilo & Stitch" is unusual for a Disney animated movie in that it actually seems to take place in the real world (not to mention the present day), despite the latter half of the title being a genetic creation from another galaxy. Devoid of almost everything that people come to expect when the name "Walt Disney Pictures" appears on screen - which is not to say we're in "Golgo 13" territory here - this, as did "The Emperor's New Groove," suggests that though the box office takings may go down, the House of Mouse may yet pull another "Beauty and the Beast" on us one day.
The movie's a breath of fresh air not only in its setting - it's set on the Hawaiian island of Kauai - but also in its characters; Lilo is a little girl being brought up by her big sister Nani following their parents' death (offscreen), and the movie's not afraid to indicate that it's tough for both of them. They, along with their social worker Cobra Bubbles and friend David, constitute a rare sighting of proper human beings in Disney cartoons (see also, surprisingly, Lucky Piquel from "Bonkers"), the reward writer-directors Chris Sanders and Dean DeBlois get for putting the emphasis on the emotions rather than on the chase element of the plot (Stitch/Experiment 626 was created by a scientist in violation of the laws of his planet; when Stitch escaped, his creator and an "E-arth" expert were sent to bring him back) or on the potential for slapstick - though it's there and it's certainly used, the focus is purely on heart.
The realness of the movie means that "Lilo & Stitch" often feels like a live action movie that just happens to be drawn (at one point Stitch sees a 1950s SF movie on TV, and the movie in question is shown as a genuine film clip). Usually that's a bad thing if the 'toon in question strives to be realistic, but in this case there are so many elements that don't come naturally - seen any koala/dog hybrid-Elvis Presley wannabes on the beach lately? - that it still works. If there's a downside, it's that the scenes of the alien pursuers are for the most part almost a distraction... but even then the human element ups the involvement, with the added bonus of there being no real "bad guys" per se (yes, I said bonus - it's nice to see a Disney movie where there isn't a traditional black-hatted villain, just people doing their jobs).
And if all else fails, take into consideration the fact that it's also often genuinely funny; the fact that it never condescends to its audience; the fact that you actually have real Hawaiians (the voices of Tia Carrere and Jason Scott Lee) as key Hawaiian characters; and the fact that the songs used here actually have a purpose (to add dimension to our heroes - Lilo is a major fan of Elvis and tries to reach Stitch through the King), something many live-action movies often forget. "Lilo & Stitch" would be something worth seeing even if it wasn't a Disney film; seeing that it is... moving forward was always one of Walt's credos. It's encouraging to see that they're actually capable of following his ethos without the help of Pixar.
One major flaw though: in spite of the presence of Elvis, Wynonna and Alan Silvestri, the British release version has well-known song-murderer Gareth Gates slaughtering "Suspicious Minds" over the end credits. Thank heaven someone invented the "mute" button.
The movie's a breath of fresh air not only in its setting - it's set on the Hawaiian island of Kauai - but also in its characters; Lilo is a little girl being brought up by her big sister Nani following their parents' death (offscreen), and the movie's not afraid to indicate that it's tough for both of them. They, along with their social worker Cobra Bubbles and friend David, constitute a rare sighting of proper human beings in Disney cartoons (see also, surprisingly, Lucky Piquel from "Bonkers"), the reward writer-directors Chris Sanders and Dean DeBlois get for putting the emphasis on the emotions rather than on the chase element of the plot (Stitch/Experiment 626 was created by a scientist in violation of the laws of his planet; when Stitch escaped, his creator and an "E-arth" expert were sent to bring him back) or on the potential for slapstick - though it's there and it's certainly used, the focus is purely on heart.
The realness of the movie means that "Lilo & Stitch" often feels like a live action movie that just happens to be drawn (at one point Stitch sees a 1950s SF movie on TV, and the movie in question is shown as a genuine film clip). Usually that's a bad thing if the 'toon in question strives to be realistic, but in this case there are so many elements that don't come naturally - seen any koala/dog hybrid-Elvis Presley wannabes on the beach lately? - that it still works. If there's a downside, it's that the scenes of the alien pursuers are for the most part almost a distraction... but even then the human element ups the involvement, with the added bonus of there being no real "bad guys" per se (yes, I said bonus - it's nice to see a Disney movie where there isn't a traditional black-hatted villain, just people doing their jobs).
And if all else fails, take into consideration the fact that it's also often genuinely funny; the fact that it never condescends to its audience; the fact that you actually have real Hawaiians (the voices of Tia Carrere and Jason Scott Lee) as key Hawaiian characters; and the fact that the songs used here actually have a purpose (to add dimension to our heroes - Lilo is a major fan of Elvis and tries to reach Stitch through the King), something many live-action movies often forget. "Lilo & Stitch" would be something worth seeing even if it wasn't a Disney film; seeing that it is... moving forward was always one of Walt's credos. It's encouraging to see that they're actually capable of following his ethos without the help of Pixar.
One major flaw though: in spite of the presence of Elvis, Wynonna and Alan Silvestri, the British release version has well-known song-murderer Gareth Gates slaughtering "Suspicious Minds" over the end credits. Thank heaven someone invented the "mute" button.
There is a little Hawaiian girl named Lilo, she enjoys diving, surfing and folk dancing. And she desperately wants a friend, even not just a friend, she wants to have a soul mate. A flying saucer crashes near her house and a strange creature emerges. Actually it is a hostile alien whose the only aim is to destroy life on earth. Their paths cross. What happens when the little earth girl and the extra-terrestrial maniac meet? A funny, heart-warming story of friendship, love, family ties
To be frank I was not going to see this animated film considering it to be "little kids stuff". But when eventually I saw it I realized how wrong I was. Disney proves its reputation for making "family friendly" films because this is the film in which each family member, whether it be a child or a parent, can find something for him/herself to enjoy and think about. A couple of words about music. Since Lilo is a huge Elvis fan, the soundtrack contains a lot of his songs. It is a hard task to make songs written rather long ago fit in the modern film but the producers succeeded! Recommended to all!
A very entertaining animated comedy for the whole family. A little Hawaiian orphan girl named Lilo(Daveigh Chase)adopts a precocious "pet" that is actually an extra-terrestrial experiment known as 626 and soon to be named Stitch. Lilo's guardian is her sister(Tia Carrere)who his having troubles with the child welfare case worker(Ving Rahmes). Stitch has his own troubles being an alien creature on the run. Lilo shares with Stitch her obsession of Elvis Presley and several of the King's classic tunes are scattered throughout to keep the pace rolling. A very different kind of Disney film well worth watching.
I don't know why the animators decided to use the ballroom scene from Beauty and the Beast to advertise the film. It did put me off seeing it, but when I eventually decided to do so, I am glad I did. I thought Lilo and Stitch a warm and entertaining film, with beautiful animation with the Hawiian coast. The characters were engaging and funny, especially Jumbaa(wonderful voice work from David Ogden Stiers, in fact all the voice work was terrific, the other standout being Tia Carrere) and Pleakley. Their scenes were hilarious, like Pleakley getting bitten by mosquitoes. This is all helped by a superb script, that mixes hilarious and poignant brilliantly. The music is lovely and quite nostalgic. I thought I would never say that, but it honestly does add to the sense of fun. Both Lilo and Stitch are engaging, and there are plenty of bonding scenes with them together, that makes the film often moving(I was genuinely touched by Lilo telling Stitch about her parents and the significance of the Ugly Duckling story). I have two criticisms with the movie, and they are that at times it is a bit slow, and the climax is a tad rushed. But both flaws are redeemed by the film's good nature, emotional heart and spirit. I will award Lilo and Stitch an 8/10, for entertainment and warmth. Bethany Cox
It feels like ages since Disney gifted us with numerous gems like 'Bambi', 'The Little Mermaid', 'The Lion King' etc (to name only a few) but things haven't been going too well for them in the last 20ish years. The other day I saw 'Tarzan and Jane' and I was mortified at how awful it was. Not just in term of its content, but even the animation looked very amateur. 'Lilo and Stitch' is a gem to have emerged from Disney after a long long time. Sadly, Disney has gone back to churning the usual crap and the success of trash like 'High School Musical' can assure us that we cannot expect anything great from Disney for a while longer.
'Lilo and Stitch' presents a very new style of animation with a new story. The characters, setting and music are all very refreshing. It's quite a nice touch of Disney to reintroduce Elvis to the younger generation. I loved most of the songs including Wynonna's version of 'Burning Love'. the only song i hated was A-Teens version of 'Fools Rush In'. Those bitches totally ruin that song. I didn't listen to the rest of the songs during the end credits but i hear that those too have been ruined by non-talents of the current-day. The setting in Hawaii is beautiful. I know it's only animation but it makes one want to go live there. The Hawaiian culture is very nicely portrayed.
The characters are very unique, real and lovable. We can recognize the little brat we once were in Lilo. She's a brat and gives her sister one hell of a time but also has a soft spot. She clearly loves her sister and is pretty much a lonely child. The sisters relationship was very real. Nani is pretty much the sole guardian struggling to make a living and raise her sister. This was also another point that 'Lilo and Stitch' lightly tackle, real life situations where an elder sister is trying to be a good parent to her little sis while she is also threatened by a social worker and tries to balance her worklife and life at home (which is clearly dysfunctional). At the same time we also see that she hardly has time for any romantic relationships. Stitch is one of the most unique characters of a Disney film. He is pretty much like an outsider who doesn't get along with anyone in the beginning, mostly through faults of his own but gradually forms a close bond with Lilo and Nani (kind of like me when I was a teen except that instead of Lilo and Nani I had a few good friends). The voice cast (that includes names like Tia Carrere, David Ogden Stiers Ving Rhames and even Chris Sanders who created the film) do a fine job giving life to their characters.
'Lilo & Stitch' is sheer entertainment. It tackles some relevant themes such as family value, the need to belong and unconditional love but it is well handled and doesn't do it in a way that will bore the kids. It's as much a movie for kids as it is for adults. It all started with Chris Sanders's (who also dubbed for Stitch) idea and he deserves full credit for it. Just think of the beautiful line often repeated in the film. 'Ohana means family, and family means NO ONE gets left behind'. Simple words yet such a powerful line. And it's coming from a Disney film. A real gem indeed.
'Lilo and Stitch' presents a very new style of animation with a new story. The characters, setting and music are all very refreshing. It's quite a nice touch of Disney to reintroduce Elvis to the younger generation. I loved most of the songs including Wynonna's version of 'Burning Love'. the only song i hated was A-Teens version of 'Fools Rush In'. Those bitches totally ruin that song. I didn't listen to the rest of the songs during the end credits but i hear that those too have been ruined by non-talents of the current-day. The setting in Hawaii is beautiful. I know it's only animation but it makes one want to go live there. The Hawaiian culture is very nicely portrayed.
The characters are very unique, real and lovable. We can recognize the little brat we once were in Lilo. She's a brat and gives her sister one hell of a time but also has a soft spot. She clearly loves her sister and is pretty much a lonely child. The sisters relationship was very real. Nani is pretty much the sole guardian struggling to make a living and raise her sister. This was also another point that 'Lilo and Stitch' lightly tackle, real life situations where an elder sister is trying to be a good parent to her little sis while she is also threatened by a social worker and tries to balance her worklife and life at home (which is clearly dysfunctional). At the same time we also see that she hardly has time for any romantic relationships. Stitch is one of the most unique characters of a Disney film. He is pretty much like an outsider who doesn't get along with anyone in the beginning, mostly through faults of his own but gradually forms a close bond with Lilo and Nani (kind of like me when I was a teen except that instead of Lilo and Nani I had a few good friends). The voice cast (that includes names like Tia Carrere, David Ogden Stiers Ving Rhames and even Chris Sanders who created the film) do a fine job giving life to their characters.
'Lilo & Stitch' is sheer entertainment. It tackles some relevant themes such as family value, the need to belong and unconditional love but it is well handled and doesn't do it in a way that will bore the kids. It's as much a movie for kids as it is for adults. It all started with Chris Sanders's (who also dubbed for Stitch) idea and he deserves full credit for it. Just think of the beautiful line often repeated in the film. 'Ohana means family, and family means NO ONE gets left behind'. Simple words yet such a powerful line. And it's coming from a Disney film. A real gem indeed.
Did you know
- TriviaHawaii-born cast members Jason Scott Lee and Tia Carrere helped the writers with dialog and accents.
- GoofsDespite having been born and raised in Hawaii, Lilo speaks unaccented English, unlike her sister Nani who has a Hawaiian accent. There are several plausible "in-universe" explanations for this discrepancy (which are not mutually exclusive): Nani had spent a lot more time with her parents before they died, so she was more influenced by their accents than Lilo; Lilo has a lot of non-Hawaiian classmates as shown in the beginning of the movie (thereby being exposed to non-accented English), while Nani may have gone to an all-Hawaiian school; Lilo displays an unusually high interest in American movies and songs, particularly those of Elvis, and given her anti-social attitude it's reasonable that she's affected by this media a lot more than an average child.
- Crazy creditsThe Disney logo features a green beam of light, and the logo gets beamed up.
- Alternate versionsIn international versions, the headline of the newspaper Jumba is reading ("Idiot Scientist Under Arrest") is printed in an alien language.
- ConnectionsEdited into Zenimation: Water (2020)
- SoundtracksCan't Help Falling In Love
Written by Luigi Creatore, Hugo Peretti, and George David Weiss
Performed by A*Teens (as the A*Teens)
Produced by Mark Hammond
A*Teens appears courtesy of Stockholm Records
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Lilo &Stitch
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $80,000,000 (estimated)
- Gross US & Canada
- $145,794,338
- Opening weekend US & Canada
- $35,260,212
- Jun 23, 2002
- Gross worldwide
- $273,147,061
- Runtime1 hour 25 minutes
- Color
- Sound mix
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