Tape (2001)

Three old high school friends meet in a Michigan motel room to dissect painful memories from their past.

Director:

Richard Linklater

Writers:

Stephen Belber (screenplay), Stephen Belber (play)

Stars:

Ethan Hawke, Robert Sean Leonard, Uma Thurman

1 win & 1 nomination.

Cast

Complete credited cast:
Ethan Hawke	...	Vin
Robert Sean Leonard	...	Jon
Uma Thurman	...	Amy

Storyline

Twenty-eight year olds Jon and Vince, friends from high school, meet in Vince's seedy motel room in Lansing, Michigan. Jon had invited Vince to town from his current residence of Oakland to help celebrate the fact of his latest movie, independently shot, having a screening at the local film festival the following day, the first public screening of one of his movies. While Jon seems to have grown up in having this career path and a nice room in an upscale hotel provided by the festival, Vince, who, in preparing for the evening has already had a few beer by the time Jon arrives, hasn't, he who deals drugs for a living with no change on the horizon, and his girlfriend, who was supposed to accompany him to Lansing, having broken up with him, indirectly because of his immaturity. This divergence quickly becomes an issue of contention between the two. But as Vince's behavior is seemingly more and more substance affected, he having broken out the weed and coke, his intention with Jon may be ...

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Plot Keywords:

single set production | single location | high school | motel | filmmaker | 

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Taglines:

Some things can't be erased

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Genres:

Drama

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Motion Picture Rating (MPAA)

Rated R for language and drug content

Details

Country:

USA

Language:

English

Release Date:

12 July 2002 (Denmark)

Also Known As:

Amargo Reencontro

Filming Locations:

New York City, New York, USA

Box Office

Budget:

$100,000 (estimated)

Opening Weekend USA:

$28,424, 4 November 2001

Gross USA:

$490,475

Cumulative Worldwide Gross:

$515,900

Company Credits

Production Co:

Detour Filmproduction, IFC Productions, InDigEnt (Independent Digital Entertainment)

Technical Specs

Runtime:

86 min

Sound Mix:

Dolby SR

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The set is not an actual motel room, as many viewers assumed, but carefully constructed (and designed by Stephen Beatrice) on a sound stage and including many remarkable details, such as the curtain being cut around the air conditioner, and stains on the wall that betray missing pictures.

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Goofs

Vince closes and hides the blue box containing all his cocaine paraphernalia when Amy knocks on the door. However when she then calls the police, in his mad rush to exit, he once again closes and puts the blue box in his bag.

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Quotes

Vin: Do you have any idea how much those drugs cost?
Amy: There'll be other drugs, Vincent.
Vin: I know... but, I really liked those ones.

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Crazy Credits

The end credits move across the screen in the motions of tape inside a playing cassette.

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Connections

Featured in WatchMojo: Top 10 Movies Told in Real Time (2017)

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Soundtracks

I'm Sorry
Performed by Brenda Lee
Written by Ronnie Self and Dub Allbritten
Published by Universal Champion Music
Courtesy of MCA Records
Under license from Universal Music Enterprises
[Played during end credits]

User Reviews

What are we even talking about?

I'm a Linklater fan. Waking Life is among my top five favorite movies. The Before Trilogy awakened me to the true power of dialogue in film. This Linklater film, however, was way more frustrating than satisfying to watch, and the dialogue was, far too often, a mind-gamey labyrinth of petty sarcasm, passive-aggressive antagonizing, manipulation, and verbal circumnavigation. There were so few moments of clarity, if any, which to the writer's benefit, may have been the point. The prospect of this being the intention, for me, was the only redeeming factor of this movie.

Ten years out from high school, old but distant friends Vince (Hawke) and Johnny (Leonard) reunite in a hotel room in Lansing, MI for the debut of Johnny's first independent film at a nearby film festival. Vince is a somewhat volatile and immature Oakland drug-dealer who recently broke it off with his girlfriend of 3 years; his character is the defensive screw-up whose misery loves company. John is his foil, apparently more stable, idealistic, but whose sense of self isn't very concrete but can still come off inflated, especially when in the same room with Vince. Amy (Thurman) is an old fling for both male characters, but in a way that, whenever brought up, inspires ancient unresolved tensions centered on a nebulous incident in high school, the exploration of which drives the majority of the movie.

I think the dialogue was smart from the standpoint of it demonstrating the emotional and manipulative power that words can wield and the haziness of recollection, but in the broader scope of the movie, over time even the characters themselves got lost in what they were talking about! This is when even an iota of clarity could have saved the movie for me. But for me it never came, which felt unjustified because these are supposed to be ADULTS talking, and none of them can seem to muster a straightforward statement. Hence, this film left me resentfully asking the same question plaguing the characters to the end, "What are we even talking about?"