IMDb RATING
7.2/10
2.1K
YOUR RATING
A rock musical version of the Passion Play seen from the point of view of Judas.A rock musical version of the Passion Play seen from the point of view of Judas.A rock musical version of the Passion Play seen from the point of view of Judas.
IMDb RATING
7.2/10
2.1K
YOUR RATING
Videos1
Pete Gallagher
- First Priestas First Priest
- (as Peter Gallagher)
Matt Cross
- Apostleas Apostle
- (as Matthew Cross)
- …
- Directors
- Writer
- Tim Rice(book)
- All cast & crew
- See more cast details at IMDbPro
Storyline
The Passion of Jesus Christ as seen through the eyes of Judas. This popular rock musical is based on the 1996 London/2000 Broadway revivals of the show, directed by Gale Edwards. Re-orchestrated and set to modern times, it is not the Superstar of the 70's but rather one for the 21st Century. —Anonymous
- Genres
- Certificate
- Unrated
- Parents guide
Did you know
- TriviaJérôme Pradon (Judas) admitted in an interview that he did not have the voice for the part of Judas and that he would not be able to play Judas in a real stage production.
- ConnectionsFeatured in The 100 Greatest Musicals (2003)
Top review
Generally okay production
An interesting production, with a more "modernized" style (which was deliberate on the producers' and director's part, if you watch the post-tape "making of"). All the musical numbers are there, and that's always the strongest part of any JCS production. Glenn Carter is mostly harmless. Jerome Pradon gives it all, but no one seems able to decide exactly what his character's motivation is. He ranges from sarcastic and demeaning towards Jesus early on, towards a more "tortured" aspect as he is drawn into the betrayal.
Fred Johanson and Renee Castle are probably the strongest consistent performers throughout. Rik Mayall seems weak as Herod, apparently cast here more as a novelty than anything. The Herod scene also demonstrates one of Carter's problems: he seems incapable of reacting here, almost unsure of _how_ he's supposed to be reacting, like Pradon throughout. Carter seems more concerned that he'll be stepped on by the Herod dancers then the fact he's on trial for his life.
The staging is well done. The costuming is somewhat debateable. Okay, they wanted to update for the 21st century, but do we really need Roman guards dressed like Darth Vader and Pharisees dressed like Cenobites from Hellraiser? There's a curious de-emphasis on dancing and choreography: only the Herod piece is really strong here. The "Simon Zealotes" and "Jesus Christ Superstar" numbers are irritatingly static.
None of this really gets in the way of enjoying the core songs and book, however. I'd recommend it if you're a fan of Rice & Webber.
Fred Johanson and Renee Castle are probably the strongest consistent performers throughout. Rik Mayall seems weak as Herod, apparently cast here more as a novelty than anything. The Herod scene also demonstrates one of Carter's problems: he seems incapable of reacting here, almost unsure of _how_ he's supposed to be reacting, like Pradon throughout. Carter seems more concerned that he'll be stepped on by the Herod dancers then the fact he's on trial for his life.
The staging is well done. The costuming is somewhat debateable. Okay, they wanted to update for the 21st century, but do we really need Roman guards dressed like Darth Vader and Pharisees dressed like Cenobites from Hellraiser? There's a curious de-emphasis on dancing and choreography: only the Herod piece is really strong here. The "Simon Zealotes" and "Jesus Christ Superstar" numbers are irritatingly static.
None of this really gets in the way of enjoying the core songs and book, however. I'd recommend it if you're a fan of Rice & Webber.
helpful•152
- Gislef
- Apr 12, 2001
Details
- Release date
- Country of origin
- Official site
- Language
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 47 minutes
- Color
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