The story of how the novel "Mrs. Dalloway" affects three generations of women, all of whom, in one way or another, have had to deal with suicide in their lives.
Post-WWII Germany: Nearly a decade after his affair with an older woman came to a mysterious end, law student Michael Berg re-encounters his former lover as she defends herself in a war-crime trial.
In the waning days of the American Civil War, a wounded soldier embarks on a perilous journey back home to Cold Mountain, North Carolina to reunite with his sweetheart.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Director:
Phyllida Lloyd
Stars:
Meryl Streep,
Jim Broadbent,
Richard E. Grant
A New York socialite, deeply troubled and in denial, arrives in San Francisco to impose upon her sister. She looks a million, but isn't bringing money, peace, or love...
Director:
Woody Allen
Stars:
Cate Blanchett,
Alec Baldwin,
Peter Sarsgaard
A look at the lives of the strong-willed women of the Weston family, whose paths have diverged until a family crisis brings them back to the Oklahoma house they grew up in, and to the dysfunctional woman who raised them.
Director:
John Wells
Stars:
Meryl Streep,
Dermot Mulroney,
Julia Roberts
Julia Child's story of her start in the cooking profession is intertwined with blogger Julie Powell's 2002 challenge to cook all the recipes in Child's first book.
In 1951, Laura Brown (Julianne Moore), a pregnant housewife, is planning a party for her husband, but she can't stop reading the novel "Mrs. Dalloway". Clarissa Vaughan (Meryl Streep), a modern woman living in present times is throwing a party for her friend Richard (Ed Harris), a famous author dying of A.I.D.S. These two stories are simultaneously linked to the work and life of Virginia Woolf (Nicole Kidman), who's writing the novel mentioned before.Written by
Jonas Reinartz <jonas.reinarzt@web.de>
Leonard Woolf's dash from the house in Richmond, leading up to the railway station scene took him through St. John's Churchyard and Sutton Place in Hackney, London (fourteen miles) to Loughborough (one hundred fourteen miles), all in the space of a minute of screentime. A ten second dash through Sutton Place took the best part of day's filming with several antique vehicles parked in the resident's parking bays; a handful of costumed pedestrians; plastic antique covers for concrete lamp posts, and lots of sticky black tape to cover door bells and other modern door furniture. As he races past, we see several Georgian houses with original, and quite rare sash window shutters. Sutton Place was a good choice as a uniform terrace of houses still bearing features of yesteryear. See more »
Goofs
When Louis Waters visits Clarrisa Vaughn, she gives him water with ice and a lemon, in later shots you see neither a lemon or ice, and later you see just a lemon and no ice. See more »
Quotes
[first lines]
Virginia Woolf:
[Narrating the letter]
Dearest, I feel certain that I am going mad again. I feel I can't go through another one of these terrible times and I shant recover this time. I begin to hear voices and can't concentrate. So, I am doing what seems to be the best thing to do. You have given me the greatest possible happiness. You have been in every way all that anyone could be. I know that I am spoiling your life and without me you could work and you will, I know. You see I can't even write ...
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When I asked him about this one, the young chap in the video rental shop said it was just about the best film on the shelves at the time. I had no idea about it whatsoever and just went with his recommendation. He wasn't wrong - it is impossible to fault at any level: Acting, dialogue, costumes, locations, soundtrack, scenery, settings or storyline.
Films like this don't come along too often - beautifully made in an almost understated way, it relates to no major event or cataclysm, it chronicles no turning-point in history and it poses no worrying conundrum for the future. It is simply a quietly-told story that will criss-cross between various points in time and take you deep into the characters' emotions and portray the effect that they have on their lives. When you have seen and come to understand the events that take place, by the time it concludes it will leave you feeling refreshed and perhaps a little better in touch with the emotions in your own life - just like good films should, but sadly, so rarely do...
Easily 9 out of 10 - If you watch this one, you will not regret the time spent.
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When I asked him about this one, the young chap in the video rental shop said it was just about the best film on the shelves at the time. I had no idea about it whatsoever and just went with his recommendation. He wasn't wrong - it is impossible to fault at any level: Acting, dialogue, costumes, locations, soundtrack, scenery, settings or storyline.
Films like this don't come along too often - beautifully made in an almost understated way, it relates to no major event or cataclysm, it chronicles no turning-point in history and it poses no worrying conundrum for the future. It is simply a quietly-told story that will criss-cross between various points in time and take you deep into the characters' emotions and portray the effect that they have on their lives. When you have seen and come to understand the events that take place, by the time it concludes it will leave you feeling refreshed and perhaps a little better in touch with the emotions in your own life - just like good films should, but sadly, so rarely do...
Easily 9 out of 10 - If you watch this one, you will not regret the time spent.