24 Hour Party People (2002)

In 1976, Tony Wilson sets up Factory Records and brings Manchester's music to the world.

Director:

Michael Winterbottom

Writer:

Frank Cottrell Boyce (screenplay)

Stars:

Steve Coogan, Lennie James, John Thomson

1 win & 13 nominations.

Cast

Cast overview, first billed only:
Steve Coogan	...	Tony Wilson
John Thomson	...	Charles
Paul Popplewell	...	Paul Ryder
Lennie James	...	Alan Erasmus
Shirley Henderson	...	Lindsay
Mark Windows	...	Johnny Rotten
Paddy Considine	...	Rob Gretton
Raymond Waring	...	Vini
Ron Cook	...	Derek Ryder
John Simm	...	Bernard Sumner
Danny Cunningham	...	Shaun Ryder
Dave Gorman	...	John the Postman
Ralf Little	...	Hooky (Peter Hook)
Andy Serkis	...	Martin Hannett
Nigel Pivaro	...	Actor at Granada

Storyline

Manchester 1976: Cambridge educated Tony Wilson, Granada TV presenter, is at a Sex Pistols gig. Totally inspired by this pivotal moment in music history, he and his friends set up a record label, Factory Records, signing first Joy Division (who go on to become New Order) then James and the Happy Mondays, who all become seminal artists of their time. What ensues is a tale of music, sex, drugs, larger-than-life characters, and the birth of one of the most famous dance clubs in the world, The Hacienda - a mecca for clubbers as famous as the likes of Studio 54. Graphically depicting the music and dance heritage of Manchester from the late 70's to the early 90's, this comedy documents the vibrancy that made Mad-chester the place in the world that you would most like to be.

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Plot Keywords:

manchester | drugs | violence | suicide by hanging | snorting cocaine | 

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Taglines:

The unbelievably true story of one man, one movement, the music and madness that was Manchester.

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Genres:

Biography | Comedy | Drama | Music

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Motion Picture Rating (MPAA)

Rated R for strong language, drug use and sexuality

Details

Country:

UK

Language:

English

Release Date:

20 September 2002 (USA)

Also Known As:

24 ores gemates rock

Filming Locations:

Mam Tor, High Peak Estate, Derbyshire, England, UK

Box Office

Opening Weekend:

£265,428 (United Kingdom), 7 April 2002, Limited Release

Opening Weekend USA:

$34,940, 11 August 2002, Limited Release

Gross USA:

$1,130,379, 13 October 2002

Company Credits

Production Co:

Revolution Films,Baby Cow Productions,The Film Consortium

Technical Specs

Runtime:

117 min

Sound Mix:

Dolby Digital

Color:

Black and White Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

As a nod from Tony Wilson and Factory Records, the film was given its own Factory catalogue number (FAC 401). The film's website is tagged as FAC 433.

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Goofs

In the film Tony Wilson is seen at the funeral of Ian Curtis however in real life he could not attend the funeral as he was given the task of looking after Annik Honore, Ian's lover from Belgium, so that she would not attend the funeral and cause upset. She had come to see Ian before he flew with the band to America for the tour.

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Quotes

[first lines]
Tony Wilson: Is it a bird? Is it a plane? No, it's the latest craze sweeping the Pennines, and I've got to be honest, I'd rather be sweeping the Pennines right now.

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Connections

Featured in Front Row: Nihal Arthanayake, Viv Groskop and Wolf Alice (2017)

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Soundtracks

Kinky Afro
Written by Shaun Ryder, Paul Ryder, Mark Day, Paul Davis and Gary Whelan
Copyright London Music
By kind permission of Warner/Chappell Music Ltd
Performed by Happy Mondays
Licensed courtesy of London Records 90 Ltd

User Reviews

From punk to rave in northern England - a pulsating, highly original, thoroughly entertaining mess of a film.

24 Hour Party People is the story of Factory Records, a defiantly eccentric independent record label based in Manchester, England, which discovered acts as influential and diverse as Joy Division and the Happy Mondays.

The film is shot in mock-documentary style and narrated by Tony Wilson (Steve Coogan), the founder of Factory. Coogan portrays Wilson's double life as music svengali and cheesy local TV reporter to brilliant comic effect. Although Brits will draw the inevitable parallels between Coogan's Wilson and his ultra-naff TV persona, Alan Partridge, Coogan actually has Wilson off to a tee. Arrogant and pompous, Cambridge-educated Wilson is master of the pseudish sound bite (when he realises they have no tickets for a concert in his nightclub, he retorts `Did they have tickets for the Sermon on the Mount? Of course they didn't, people just turned up because they knew it would be a great gig'). But he also has a perceptive eye for the zeitgeist and his vision to create the Hacienda club transformed Manchester into Madchester, for a brief time the music capital of the world.

The story really starts with an early Sex Pistols gig in Manchester, attended by only 42 people, most of whom went on to have an influence on the Manchester music scene of the next 10 years. Wilson was in the audience, together with members of the band who went on to form the brilliant post-punk pioneers Joy Division. The first part of the film is really focussed on them and their manager, the aggressive and cantankerous Rob Gretton ( played by Paddy Considine), and their producer, the irascible acid-casualty Martin Hannett (another superb cameo by Andy Serkis) - both of whom are no longer alive. Joy Division's lead singer, Ian Curtis, is portrayed so accurately by Sean Harris that it's positively eerie, and the scenes of the band playing in rundown venues seem remarkably true to life and capture effectively the rawness and intensity of their live performances. The film also deals, rather insensitively, with the death of Curtis, who's feet we see swinging after he has strung himself up on a rope in his house. This segues uncomfortably into a town crier announcing his death to the world, and ends with scenes showing Curtis's body in a coffin at the crematorium.

From then on, the story continues with Joy Division's reincarnation as New Order and the building of the Hacienda nightclub, and the sometimes disastrous business decisions made by Wilson and Factory. When New Order released Blue Monday, the record sleeve was so expensive to produce they lost money on every copy sold. The single went on to become the biggest-selling 12' of all time, paradoxically crippling Factory in the process. The first nights at the Hacienda were also calamitous, with bands playing in front of single-figure audiences. Eventually however, the druggy indie dance kings Happy Mondays arrived on the scene, and acid house was born. Suddenly the Hacienda was the place to be and the Madchester rave scene became famous all over the world. The scenes of drugs-and-sex-excess on the Monday's tour bus and the re-creation of the Hacienda club nights are superbly portrayed.

The final part of the film tells how gang violence led to the closure of the club and the drug-riddled misadventures of the Mondays, especially their singer Shaun Ryder, led to their downfall and had severe financial implications for Factory Records (Wilson had inexplicably sent them to Barbados to record their last Factory album). Eventually, Factory was sold, lock, stock and barrel, to another label (who were perturbed to find Wilson had not signed any contracts with any of the Factory bands, effectively giving the artists total creative freedom).

24 Hour Party People is a real rollercoaster ride. There are some brilliant acting performances, punctuated by cameos from real members of the Manchester music scene (such as Howard Devoto and Mark E. Smith). The merging of legend and reality may make it difficult for people unfamiliar with events to work out what actually happened. But this is no accurate, austere documentary, but a touching, sometimes surreal, and often very, very funny, anarchic portrayal of a time and a place and it's music. Oh, and of course, the soundtrack is fantastic.