7.4/10
29,850
125 user 102 critic

24 Hour Party People (2002)

Trailer
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ON DISC
In 1976, Tony Wilson sets up Factory Records and brings Manchester's music to the world.

Writer:

Frank Cottrell Boyce (screenplay)
1 win & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Steve Coogan ... Tony Wilson
John Thomson ... Charles
Paul Popplewell ... Paul Ryder
Lennie James ... Alan Erasmus
Shirley Henderson ... Lindsay
Mark Windows Mark Windows ... Johnny Rotten
Paddy Considine ... Rob Gretton
Raymond Waring ... Vini
Ron Cook ... Derek Ryder
John Simm ... Bernard Sumner
Danny Cunningham Danny Cunningham ... Shaun Ryder
Dave Gorman ... John the Postman
Ralf Little ... Hooky (Peter Hook)
Andy Serkis ... Martin Hannett
Nigel Pivaro Nigel Pivaro ... Actor at Granada
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Storyline

Manchester 1976: Cambridge educated Tony Wilson, Granada TV presenter, is at a Sex Pistols gig. Totally inspired by this pivotal moment in music history, he and his friends set up a record label, Factory Records, signing first Joy Division (who go on to become New Order) then James and the Happy Mondays, who all become seminal artists of their time. What ensues is a tale of music, sex, drugs, larger-than-life characters, and the birth of one of the most famous dance clubs in the world, The Hacienda - a mecca for clubbers as famous as the likes of Studio 54. Graphically depicting the music and dance heritage of Manchester from the late 70's to the early 90's, this comedy documents the vibrancy that made Mad-chester the place in the world that you would most like to be. Written by IGB

Plot Summary | Plot Synopsis

Taglines:

The unbelievably true story of one man, one movement, the music and madness that was Manchester.


Motion Picture Rating (MPAA)

Rated R for strong language, drug use and sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

20 September 2002 (USA) See more »

Also Known As:

24 ores gemates rock See more »

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Box Office

Opening Weekend:

£265,428 (United Kingdom), 7 April 2002, Limited Release

Opening Weekend USA:

$34,940, 11 August 2002, Limited Release

Gross USA:

$1,130,379, 13 October 2002
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Appeared on Entertainment Weekly's list of The 50 Best Movies You've Never Seen in the Jul 16, 2012 issue. See more »

Goofs

According to Tony Wilson on the DVD commentary, the scene showing neo-fascists attending a Joy Division concert or them causing a riot, as implied by the film, never occurred. See more »

Quotes

[first lines]
Tony Wilson: Is it a bird? Is it a plane? No, it's the latest craze sweeping the Pennines, and I've got to be honest, I'd rather be sweeping the Pennines right now.
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Connections

References Get Carter (1971) See more »

Soundtracks

Blue Monday
Written by Stephen Morris, Peter Hook, Bernard Sumner and Gillian Gilbert
Copyright Be Music
By kind permission of Warner/Chappell Music Ltd
Performed by John Simm
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User Reviews

Worth multiple viewings and a little homework
24 June 2003 | by DestroyTheFivesSee all my reviews

I get the general sense from reading some of the reviews that people didn't like this movie because it didn't provide any instant gratification or personal meaning. That's probably true for people who don't know Joy Division, New Order, or the Happy Mondays, but I think it's totally unfair to discredit this film on a basis of a lack of prior knowledge. Many great films and novels aren't great because you get them on the first try, and I think that this movie follows the same path. If you didn't like it the first time, take a look at an old Tony Wilson interview or a concert tape of Joy Division and you will instantly see the quality production and acting that went into this film. Ian Curtis/Joy Division are portrayed with an eerily haunting accuracy (down to the instruments they play, which are rumoured to be the originals from the late 1970s) and you can tell that the cast really did their homework. The concert scenes are spectacularly energetic, the sets (especially the Hacienda) are ripped right out of the time period. Comic relief isn't overlooked, as the dry humour of Steve Coogan and the rest of the cast is pursued to the dime. The unscripted dialogue is also quite good, which is another indication of the actors' homework. This movie is worth the time: it details a very important time and place in pop music history that is often overlooked in the wake of much larger, more commercialized scenes. Rave and post-punk may be fading today, but one need only take a look at the charts to see its influence. Go out and get this movie, learn a little about it, and you will be impressed.


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