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At the beginning of the scene where Tanguy rushes out the stairs and asks his mother for a shirt (she actually threw away), we can see Éric Berger's head as he's waiting in the stairs to appear. See more »
Etienne Chatiliez chose to broach a (rather dramatic) social phenomenon on a comedy tone: young adults who stay more and more longer with their parents. But his movie is far from the reality: these adults stay with their parents because they've got either financial problems, either psychological problems. But Tanguy doesn't suffer from both of these inconvenients, he comes from a quite wealthy family (his father is an architect and his mother a set designer. So, the movie articulates around a convenient but unlikely situation.
This doesn't stop Chatiliez from having made a lively movie, often funny, filled with numerous details that kick the bull's eye and powerful cues. In a way, his fourth movie (in thirteen years!) ranks in the tradition of his first film. You find a caustic and often cutting humor, some disagreeable situations for certain characters (and particularly his parents) and the destruction of a peaceful universe. All in all, Tanguy's parents wanted to make Tanguy's life impossible but they'll fall into their own trap.
The movie also enjoys a performance globally equal to the situation. Eric Berger, both nice and naive behind his student's glasses but also unaware of the problems he makes his parents endure. André Dussollier, entertaining in his role of exasperated and shattered father. However, Sabine Azéma hams it up a bit too often and his bombastic role fits badly to the screen.
At the end, Chatiliez showed talent, intuition and perspicacity to make an honorable success. You can just also regret that Tanguy's description lacks of vivacity and temperament. Maybe the fact of being (too much) keen on Chinese philosophy destroys anger or rebellion.
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