7.4/10
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63 user 83 critic

Read My Lips (2001)

Sur mes lèvres (original title)
She is almost deaf and she lip-reads. He is an ex-convict. She wants to help him. He thinks no one can help except himself.

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7 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Paul
... Carla
... Marchand
Olivier Perrier ... Masson
... Annie
... Morel
Céline Samie ... Josie
Pierre Diot ... Keller
François Loriquet ... Jean-François
Serge Onteniente ... Mammouth (as Serge Boutleroff)
David Saracino ... Richard Carambo
Christophe Vandevelde ... Louis Carambo
Bô Gaultier de Kermoal ... Le Barman
Loïc Le Page ... Quentin
Nathalie Lacroix ... L'Employée ANPE
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Storyline

Young secretary Carla is a long-time employee of a property development company. Loyal and hardworking, first to arrive and last to leave, Carla is beginning to chafe at the limitations of her career and is looking to move up. But as a 35-five-year-old woman with a hearing deficiency, she is not sure how to climb out of her humdrum life, though she is confident in her own abilities. Into her life comes Paul Angeli, a new trainee she decides to hire. Paul is 25 years old and completely unskilled, but Carla covers for him when the need arises because of his other qualities - he's a thief, fresh out of jail and very good-looking. It's a case of good meeting bad. Written by Sujit R. Varma

Plot Summary | Plot Synopsis

Taglines:

She teaches him good manners. He teaches her bad ones. See more »


Motion Picture Rating (MPAA)

Rated R for language, violence and some sexual content | See all certifications »

Parents Guide:

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Details

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Language:

Release Date:

26 July 2002 (USA)  »

Also Known As:

Read My Lips  »

Filming Locations:

 »

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Box Office

Budget:

FRF 49,000,000 (estimated)

Opening Weekend:

$909,354 (France), 19 October 2001

Opening Weekend USA:

$27,080, 7 July 2002, Limited Release

Gross USA:

$1,359,133, 1 December 2002
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Goofs

When the man calls for Paul Angeli and then hangs up, Carla peers into the copy room and then hangs up the phone. As she is sitting at her desk, the reflection of a moving crane or boom mic extension is visible in the glass behind her. See more »

Connections

References Rear Window (1954) See more »

Soundtracks

Zobi la mouche
(William Orbit Remix)
Written by Noel Rota (as N. Rota) and Jean-Marie Paulus (as J.M. Paulus)
Performed by Les Négresses Vertes
(c) EMI Virgin Music Publishing France & SNC LNV
By kind permission of Editions EMI Virgin Music Publishing & Delabel Editions
(p) 1991 LNV
By kind permission of Virgin France
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User Reviews

 
Long Live Le Film Noir!!
30 September 2002 | by See all my reviews

If you're a fan of film noir and think they don't make 'em like they used to, here is your answer - they just don't make 'em in Hollywood anymore. We must turn to the French to remember how satisfying a well-made film from that genre can be. Read My Lips is a wonderfully nasty little gift to the faithful from director Jacques Audiard, featuring sharp storytelling and fine performances from Emmanuelle Devos and Vincent Cassel.

The basic plot could have been written in the 40's: dumb but appealing ex-con and a smart but dowdy femme fatale (who turns out to be ruthlessly ambitious) discover each other while living lives of bleak desperation and longing, manipulate each other to meet their own ends, develop complex love/hate relationship, cook up criminal scheme involving heist, double crosses, close calls and lots of money. All action takes place in depressing, seedy and/or poorly lit locations.

Audiard has fashioned some modern twists, of course. The femme fatale is an under-appreciated office worker who happens to be nearly deaf and uses her lip reading ability to take revenge on those who marginalize her. And where you might expect steamy love scenes you discover that both characters are sexually awkward and immature. Add in a bit of modern technology and music and it seems like a contemporary film, but make no mistake - this is old school film noir. It's as good as any film from the genre and easily one of the best films I've seen all year.


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