7.4/10
12,294
62 user 83 critic

Read My Lips (2001)

Sur mes lèvres (original title)
She is almost deaf and she lip-reads. He is an ex-convict. She wants to help him. He thinks no one can help except himself.

Director:

Jacques Audiard

On Disc

at Amazon

7 wins & 12 nominations. See more awards »

Videos

Photos

Learn more

More Like This 

Crime | Drama | Music
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

Will Thomas still lead a life of crime and cruelty, just like his thuggish father, or will he pursue his dream of becoming a pianist?

Director: Jacques Audiard
Stars: Romain Duris, Aure Atika, Emmanuelle Devos
Drama | Comedy
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

Set in France at the end of World War II Albert Dehousse finds out his father wasn't a war hero and his mother is a collaborator. He leaves his wife and goes to Paris. Gradually he ... See full summary »

Director: Jacques Audiard
Stars: Mathieu Kassovitz, Anouk Grinberg, Sandrine Kiberlain
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

Simon is a sales representative about fifty. When Mickey, his cop friend, is being shot, he leaves everything to find the murderers. Two years before, Marx, an old gambler, met Frederic, a ... See full summary »

Director: Jacques Audiard
Stars: Jean-Louis Trintignant, Jean Yanne, Mathieu Kassovitz
A Prophet (2009)
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A young Arab man is sent to a French prison.

Director: Jacques Audiard
Stars: Tahar Rahim, Niels Arestrup, Adel Bencherif
Dheepan (2015)
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

Dheepan is a Sri Lankan Tamil warrior who flees to France and ends up working as a caretaker outside Paris.

Director: Jacques Audiard
Stars: Jesuthasan Antonythasan, Kalieaswari Srinivasan, Claudine Vinasithamby
Rust and Bone (2012)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

Put in charge of his young son, Alain leaves Belgium for Antibes to live with his sister and her husband as a family. Alain's bond with Stephanie, a killer whale trainer, grows deeper after Stephanie suffers a horrible accident.

Director: Jacques Audiard
Stars: Marion Cotillard, Matthias Schoenaerts, Armand Verdure
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

Employees of a beauty parlor in search of love and happiness.

Director: Tonie Marshall
Stars: Nathalie Baye, Bulle Ogier, Samuel Le Bihan
Music
    1 2 3 4 5 6 7 8 9 10 -/10 X  

The third live album of Raphael (Raphaël Haroche) and musicians from the concert at the Coopérative de Mai, Clermont-Ferrand, France, December 4, 2010.

Director: Jacques Audiard
Stars: Toby Dammit, Elsa Fourlon, Raphaël Haroche
Edit

Cast

Cast overview, first billed only:
Vincent Cassel ... Paul
Emmanuelle Devos ... Carla
Olivier Gourmet ... Marchand
Olivier Perrier Olivier Perrier ... Masson
Olivia Bonamy ... Annie
Bernard Alane ... Morel
Céline Samie Céline Samie ... Josie
Pierre Diot Pierre Diot ... Keller
François Loriquet François Loriquet ... Jean-François
Serge Onteniente Serge Onteniente ... Mammouth (as Serge Boutleroff)
David Saracino David Saracino ... Richard Carambo
Christophe Vandevelde Christophe Vandevelde ... Louis Carambo
Bô Gaultier de Kermoal Bô Gaultier de Kermoal ... Le Barman
Loïc Le Page Loïc Le Page ... Quentin
Nathalie Lacroix Nathalie Lacroix ... L'Employée ANPE
Edit

Storyline

Young secretary Carla is a long-time employee of a maryam property development company. Loyal and hardworking, first to arrive and last to leave, Carla is beginning to chafe at the limitations of her career and is looking to move up. But as a 35-five-year-old woman with a hearing deficiency, she is not sure how to climb out of her humdrum life, though she is confident in her own abilities. Into her life comes Paul Angeli, a new trainee she decides to hire. Paul is 25 years old and completely unskilled, but Carla covers for him when the need arises because of his other qualities - he's a thief, fresh out of jail and very good-looking. It's a case of good meeting bad. Written by Sujit R. Varma

Plot Summary | Plot Synopsis

Taglines:

Il va lui apprendre les mauvaises manières... Elle lui apprendra les bonnes. See more »


Motion Picture Rating (MPAA)

Rated R for language, violence and some sexual content | See all certifications »

Parents Guide:

View content advisory »
Edit

Details

Country:

France

Language:

French

Release Date:

26 July 2002 (USA) See more »

Also Known As:

Read My Lips See more »

Filming Locations:

France See more »

Edit

Box Office

Budget:

FRF 49,000,000 (estimated)

Opening Weekend:

$909,354 (France), 19 October 2001

Opening Weekend USA:

$27,080, 7 July 2002, Limited Release

Gross USA:

$1,359,133, 1 December 2002
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
Edit

Did You Know?

Goofs

When she passes out she is wearing a sweater set, she is revived by unbuttoning her blouse, but is back in the sweater set to meet with her boss. See more »

Alternate Versions

UK distributor Pathe changed the subtitles (the film was only shown in its original French version with subtitles) to remove two uses of very strong language in order to qualify for a 15 rating. An uncut 18 was available. See more »

Connections

Referenced in Un heureux événement (2011) See more »

Soundtracks

The Child
Written by Alex Gopher
Performed by Alex Gopher
(c) Tong/Edward B Marks
(p) 1999 Disque Solid
Courtesy of V2 Music and Disques Solid
"The Child" contains a sample of "God Bless the Child"
Written by Billie Holiday and Arthur Herzog Jr.
Performed by Billie Holiday
Used courtesy of Edward B. Marks Music Inc and MCA Records
Under license from Universal Music Special Markets, Inc.
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Smell my shirt
12 January 2004 | by DeeNine-2See all my reviews

For those of you who have seen this rather extraordinary romantic thriller noir, my review title is self-explanatory: this is cinema verité for the 21st century. For those of you who haven't, let me note that this begins slowly, so stay with it. You won't regret it.

What French director Jacques Audiard has done is create a taunt noir thriller with a romantic subplot intricately woven into the fabric of the main plot, told in the realistic and nonglamorous manner usually seen in films that win international awards. In fact, Sur mes lèvre did indeed win a Cesar (for Emmanuelle Devos) and some other awards. For Audiard character development and delineation are more important than action, yet the action is extremely tense. The romance is of the counter-cultural sort seen in films like, say, Kalifornia (1993) or Natural Born Killer (1994) or the Aussie Kiss or Kill (1997), a genre I call "grunge love on the lam" except that the principles here are not on the road (yet) and still have most of their moral compasses intact.

Vincent Cessel and Emmanuelle Devos play the nonglamorous leads, Paul and Carla. Carla is a mousy corporate secretary--actually she's supposed to be mousy, but in fact is intriguing and charismatic and more than a wee bit sexy. But she is inexperienced with men, doesn't dance, is something of a workaholic who lives out a fantasy life home alone with herself. She is partially deaf and adept at reading lips, a talent that figures prominently in the story. She is a little put on by the world and likes to remove her hearing aid or turn it off. When she collapses from overwork her boss suggests she hire an assistant. She hires Paul, who is just out of prison, even though he has no clerical experience. He is filled with the sort of bad boy sex appeal that may recall Jean-Paul Belmondo in Godard's Breathless (1959) or even Richard Gere in the American remake from 1983. We get the sense that Carla doesn't realize that she hired him because she found him attractive. When Carla gets squeezed out of credit for a company deal, she gets Paul to help her turn the tables. From there it is but a step to a larger crime. Note that Carla is unconsciously getting Paul to "prove" his love for her (and his virility) by doing what she wants, working for her, appearing in front of her girl friends as her beau, etc.

The camera work features tense, off-center closeups so that we see a lot of the action not in the center of our field of vision but to the periphery as in things partially hidden or overheard or seen out of the corner of our eyes. Audiard wants to avoid any sense of a set or a stage. The camera is not at the center of the action, but is a spy that catches just enough of what is going on for us to follow. Additionally, the film is sharply cut so that many scenes are truncated or even omitted and it is left for us to surmise what has happened. This has the effect of heightening the viewer's involvement, although one has to pay attention. Enhancing the staccato frenzy is a sparse use of dialogue. This works especially well for those who do not speak French since the distraction of having to follow the subtitles is kept to a minimum.

Powering the film is a script that reveals and explores the unconscious psychological mechanisms of the main characters while dramatizing both their growing attraction to each other and their shared criminal enterprise. But more than that is the on-screen chemistry starkly and subtly developed by both Devos and Cessel. It is pleasing to note that the usual thriller plot contrivances are kept to a minimum here, and the surprises really are surprises.

See this for Emmanuelle Devos whose skill and offbeat charisma more than make up for a lack of glamor, and for Vincent Cessel for a testosterone-filled performance so intense one can almost smell the leather jacket.

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)


56 of 59 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 62 user reviews »

Contribute to This Page



Recently Viewed