Red Silk (Video 1999) Poster

(1999 Video)

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3/10
Threadbare Jess Franco film
sep10516 January 2011
This is a rather threadbare Jess Franco film which was apparently intended as a comic caper film. After watching it my first impression was that it couldn't have taken more than a few days and a budget in the low tens of thousands to shoot. The small cast, long long takes (particularly of the nude scenes) and talky nature all implied limited budget despite the offsetting value of scenic southern Spain.

A pair of female private eyes/sex cabaret workers get involved in an art theft and a kidnapping. Nothing really happens in the film in terms of action and consequently the two women, talking about things we should be seeing, represent 80-90% of the film. The performances by Lina Romay and Christie Levin are broad and apparently amusing to them since the endlessly break into hoots about things that aren't remotely funny. The theory that a laughing performance creates a comedy film also effects the rest of the actors in the art sub-plot while, in contrasting tone, the actors in the kidnapping subplot are somber (offset, of course, by the leading ladies hooting).

As noted above there is copious nudity, full frontal, and simulated sex (mostly girl-girl). However, viewers interested in that aspect should be aware that half of the nudity is contributed by Lina Romay. While, in this feminist age, I acknowledge the right of short, overweight, fiftyish women with butch haircuts, to appear nude on film, I should note that it may be an acquired taste for some male viewers.

Technically the official DVD release was fine with respect to the photography, music etc. but I have major reservations about the dubbing. I've seen hundreds of dubbed European films, dubbed using professional "voice" performers, and never had difficulty with the dubbing. Here, in what I can only assume is a budget issue, they have not used professional voices but presumably friends and family. The result in rapid English through thick Spanish accents. This requires more effort than the dialogue is worth. Possibly the film is better in the original Spanish but I can't say.
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4/10
Kind of Red Lips
BandSAboutMovies21 February 2022
Warning: Spoilers
Gina (Lina Romay) and Tina (Christie Levin, Broken Dolls) are female private eyes who go from smuggling artwork to a kidnap and murder case, all while just trying to make enough money that they can get out of the business.

Why yes, Jess Franco is making Two Undercover Angels again.

There's a rich guy who chains his wife up and makes his own snuff films and hey, if he dies, he dies, and the girls get rich off him but then wreck their car and wake up and it's all a dream, so then they tell you - the viewer - how to hire them.

This was one of the One Shot movies that Franco made and man, there's a Geocities quality website for when this came out and this makes me like this movie way more than I did before I saw the site.

Some people decry the quality of this movie. As for me, it makes me think of how lucky Jess Franco was. He found not only a way to get his partner to make out with younger women while he watched, he was able to make money - well, never enough - from it.
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2/10
Spoilers follow ...
parry_na28 July 2017
Warning: Spoilers
I am a huge fan of the eccentric films of Jess Franco, and a defender and admirer of the work from his later years. Far from comfortably sliding into respectability or mainstream, he became possibly more perverse, more extreme and as a result, more 'niche'. 'Red Silk', a sex farce starring crew-cut Lina Romay and Christie Levin as Gina and Tina, a pair of flirtatious detectives, is, however, pretty dreadful.

There are many elongated sex-scenes accompanied by Casio-style Bingo Hall music; there's a character who IMDb lists as Kalman (Paul Lapidus), a young man dubbed unconvincingly by the elderly, virtually toothless Jess; the accents are very thick and at times impenetrable. And yet, all this wouldn't really matter if there was a spark of something vaguely arresting, or frightening … or even a storyline. But there is nothing.

Usually, a Franco production will display at least a few moments of eccentricity, of weirdness, a set-piece or location, which lifts you out of the superficial micro-budget world on offer and invites you to see things through Franco's eyes. There's nothing to dissuade you to view this as an 'outsider' would view it, nothing to draw you beyond the point of a first-time Franco-viewer and see before you only what there is: a bad production. Bad dubbing, incoherent storyline, unengaging situations, and nonsensical performances: the list goes on.

It gives me no joy to say this, but at the very best, the constantly horny twosome's perpetual giggling at anything suggestive is irritating; at worst, it is a Spanish-accented Benny Hill mentality way past its sell-by date. At least Lina shines as she always did, and is the best and most talented performer here.

Jess Franco made many, many films and I've enjoyed all of them to varying degrees. This, however, is the exception. At least it is cheerful, I'll give it that.
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10/10
Surprisingly smart Franco fare. Actually hilarious
petergaribaldi24 April 2003
When a couple of over-the-hill and down-on-their-luck female private eyes stumble from an art smuggling caper into a kidnap & murder plot, they throw caution (and common sense) to the wind and try to turn a profit instead of solving the crime. Lina Romay is absolutely hilarious as one of the crooked gumshoes. Christy Levin is the pretty member of the duo and she plays the dumb-as-a-doorknob angle just right against Romay's crafty bobo. As with a lot of Franco's recent films, there's a bit of nudity (too much nudity in some cases) but that shouldn't deter you from enjoying the film. It's a One Shot Productions film and that usually means that someone was keeping an eye on Franco to make sure he paid attention to detail and that's a good thing. Even better, One Shot doesn't stop Franco when he wants to go overboard, so when Levin wants to distract a potential witness by showing him she's "number one," you get to see it all in very disturbing detail.

Call now? Yes, Call now! It's a joke. Watch the film and you'll get it.
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