Aram, an ex-soldier from the Armenian cause, has come to France to close an arms deal under secret service surveillance. Held responsible and banished by his faher for his brother's ... See full summary »
Aurora Mardiganian, a young and beautiful Armenian girl, lives with her parents in the Turkish city of Harpoot. Her father, a prosperous merchant, was preparing to send her to the West to ... See full summary »
Anna Q. Nilsson
"Aghet - A Genocide" - On the Armenian Genocide by the Young Turk government of the Ottoman Empire during World War I. It is based on eyewitness reports by European and American personnel ... See full summary »
The iconic "1915 Armenian Genocide" was originally produced in 1980 (digitally restored and re-released in 2010) is based on the eyewitness accounts of four survivors whose compelling story... See full summary »
Internationally known director Carla Garapedian follows the rock band System of a Down as they tour Europe and the US pointing out the horrors of modern genocide that began in Armenia in 1915 up though Darfur today.
People tell stories. In Toronto, an art historian lectures on Arshile Gorky (1904 -1948), an Armenian painter who lived through the Armenian Genocide in the Ottoman Empire. A director invites the historian to help him include Gorky's story in a film about the genocide and Turkish assault on the town of Van. The historian's family is under stress: her son is in love with his step-sister, who blames the historian for the death of her father. The daughter wants to revisit her father's death and change that story. An aging customs agent tells his son about his long interview with the historian's son, who has returned from Turkey with canisters of film. All the stories connect.Written by
Ararat (2002) premiered as part of the 'Official Selection' at the 55th Cannes International Film Festival in 2002, but it was not 'In Competition' for any awards. Atom Egoyan's prior feature [Felicia's Journey (1999)] and his subsequent feature [Where the Truth Lies (2005)], artistically less ambitious films, were both screened 'In Competition' at Cannes. The reasons for "Ararat" not being part of the 'Official Competition' in 2002 are still ambiguous: Some claim there was political pressure on the festival by Turkey, while Egoyan said he himself decided not to enter Ararat (2002) into the competition: "This film is dealing with a period of history that has never been represented before on film. The idea of subjecting that to the additional pressures of a jury - given all the pressures that are on this film already - seemed to be unnecessary." See more »
Ali, actor playing Jevdet Bey:
[to Edward Saroyan]
I think the Turks had a real reason to believe that the Armenians were a threat to their security. I mean, their eastern border was threatened by Russia and, I mean, if they believed that the Armenians were gonna betray them, so this was their war. Populations get moved around all the time.
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Closing disclaimers: 1) The historical events in this film have been substantiated by holocaust scholars, national archives, and eyewitness accounts, including that of Clarence Ussher. 2) To this day, Turkey continues to deny the Armenian Genocide of 1915. See more »
(Politically Lying, Unholy, Cowardly Killers)
Performed by System of a Down
Written by Daron Malakian (as Malakian) / Serj Tankian (as Tankian) / Shavo Odadjian (as Odajian) / John Dolmayan (as Dolmayan)
DDevil Music (ASCAP)/ System of Down (ASCAP)/ Sony/ ATV Tunes LLC,
All rights on behalf of DDevil Music, System of A Down & Sony/ ATV Tunes LLC
Administered by SONY/ ATV Music Publishing, 8 Music Square West, Nashville, TN 37202
All rights reserved. Used by Permission See more »
Ok, ok, we get the message. Jeesh!
"Ararat" is a messy story about Armenians making a film about Armenians and lecturing about Armenians while showing historical retrospectives about Armenians...etc. This convoluted hodge-podge of dramas has an obvious common denominator. Armenians. Specifically the genocidal killing of 1.5 million Armenians in 1915 during WWI by the Turks. The film fails as a history lesson as we could learn more in 15 minutes of Inet surfing. It fails as a drama because all the characters are overacted, everything is waaaaaay too serious, and the screenplay simply tries to do too much in too little time. For Armenians or those with an interest in Armenians only. (C+)
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