In 1915 a genocide happened in the Ottoman Empire and about 1.5 million Armenians were systematically murdered by the government of the Young Turks. This is a movie about the life of a ... See full summary »
The iconic "1915 Armenian Genocide" was originally produced in 1980 (digitally restored and re-released in 2010) is based on the eyewitness accounts of four survivors whose compelling story... See full summary »
Aurora Mardiganian, a young and beautiful Armenian girl, lives with her parents in the Turkish city of Havpoul. Her father, a prosperous merchant, was preparing to send her to the West to ... See full summary »
Anna Q. Nilsson
A US Senator's son (Jaime Kennedy) who attempts to forget the break up of his fiancée, is forced to vacation in Turkey by his best friends. A para-sailing trip mishap lands him in a small ... See full summary »
Internationally known director Carla Garapedian follows the rock band System of a Down as they tour Europe and the US pointing out the horrors of modern genocide that began in Armenia in 1915 up though Darfur today.
Set during the last days of the Ottoman Empire, The Promise follows a love triangle between Michael, a brilliant medical student, the beautiful and sophisticated Ana, and Chris - a renowned American journalist based in Paris.
Charlotte Le Bon,
People tell stories. In Toronto, an art historian lectures on Arshile Gorky (1904 -1948), an Armenian painter who lived through the Armenian Genocide in the Ottoman Empire. A director invites the historian to help him include Gorky's story in a film about the genocide and Turkish assault on the town of Van. The historian's family is under stress: her son is in love with his step-sister, who blames the historian for the death of her father. The daughter wants to revisit her father's death and change that story. An aging customs agent tells his son about his long interview with the historian's son, who has returned from Turkey with canisters of film. All the stories connect. Written by
Ali, actor playing Jevdet Bey:
[to Edward Saroyan]
I think the Turks had a real reason to believe that the Armenians were a threat to their security. I mean, their eastern border was threatened by Russia and, I mean, if they believed that the Armenians were gonna betray them, so this was their war. Populations get moved around all the time.
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Closing disclaimers: 1) The historical events in this film have been substantiated by holocaust scholars, national archives, and eyewitness accounts, including that of Clarence Ussher. 2) To this day, Turkey continues to deny the Armenian Genocide of 1915. See more »
Written by Gord Downie (as Gordon Downie) and Atom Egoyan
Performed by Gord Downie (as Gordon Downie)
From the album "Coke Machine Glow"
Courtesy of Wiener Art Records - copyright 2000
Copyright 2000 - Wiener Art (SOCAN)/Egoyan Ego Film Arts (SOCAN) See more »
I don't have a dog in the historic fight here, but expected to learn something I didn't know from the film. As a history buff, I had high hopes of insight into the historic context of the time, the actions taken by the two sides, how they viewed the situation, and/or why they did what they did.
Instead, the opportunity was squandered on a long, drawn out, absolutely boring melodrama involving some obscure family conflict, a gratuitous if titillating sex scene, some bizarre injection of homosexuality and atheism creating stress in an aging character with nothing at all to do with the history, and a lot of drippy and pointless personal drama. The only history to be seen consisted of one dimensional Turks and Armenians shooting each other, especially the former shooting and raping civilians of the latter.
The actual historical actors were like cartoon characters. One might, for example, have liked to know that the American doctor was doing in the middle of Turkey. Or why the Turk commander felt he needed to do what he did. Instead, the historic conflict is treated with all the depth of a Road Runner cartoon, while the main focus is on some kid and his girlfriend going through an emotional life crisis. Either, done well, might have been interesting. Both mashed together and done poorly are like a cherry pie with asparagus filling.
Boring, unenlightening, and patched together, it was as if someone had taken some cheap footage of war from a century ago and randomly spliced in parts of various soap operas. What a waste of an opportunity.
This movie just sucked. I don't usually express my opinion that way, but frankly it just sucked. I can understand why either side with a political axe to grind might feel compelled to love or hate the film, but having none I found it almost unwatchably boring.
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