6.6/10
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Ararat (2002)

R | | Drama, War | 6 December 2002 (USA)
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1:32 | Trailer

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Interrogated by a customs officer, a young man recounts how his life was changed during the making of a film about the Armenian genocide.

Director:

Atom Egoyan

Writer:

Atom Egoyan
12 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Simon Abkarian ... Arshile Gorky
Charles Aznavour ... Edward Saroyan
Christopher Plummer ... David
Arsinée Khanjian ... Ani
Setta Keshishian Setta Keshishian ... Dinner Guest / Wailing Mother
David Alpay ... Raffi
Shant Srabian Shant Srabian ... Dinner Guest #3 / Doctor #1
Marie-Josée Croze ... Celia
Elias Koteas ... Ali / Jevdet Bay
Brent Carver Brent Carver ... Philip
Max Morrow ... Tony
Christie MacFadyen Christie MacFadyen ... Janet
Dawn Roach Dawn Roach ... Customs Officer
Garen Boyajian ... Young Gorky
Lousnak Abdalian Lousnak Abdalian ... Gorky's Mother
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Storyline

People tell stories. In Toronto, an art historian lectures on Arshile Gorky (1904 -1948), an Armenian painter who lived through the Armenian Genocide in the Ottoman Empire. A director invites the historian to help him include Gorky's story in a film about the genocide and Turkish assault on the town of Van. The historian's family is under stress: her son is in love with his step-sister, who blames the historian for the death of her father. The daughter wants to revisit her father's death and change that story. An aging customs agent tells his son about his long interview with the historian's son, who has returned from Turkey with canisters of film. All the stories connect. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

In a world full of denial, how do you determine who's telling the truth? See more »

Genres:

Drama | War

Motion Picture Rating (MPAA)

Rated R for violence, sexuality/nudity and language | See all certifications »
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Details

Official Sites:

egofilmarts.com [Canada] | Miramax | See more »

Country:

Canada | France

Language:

English | Armenian | French | German | Turkish

Release Date:

6 December 2002 (USA) See more »

Also Known As:

Araratas See more »

Filming Locations:

Canada See more »

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Box Office

Opening Weekend USA:

$211,130, 17 November 2002, Limited Release

Gross USA:

$1,554,566, 26 January 2003
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Charles Aznavour plays a character named Edward Saroyan. In the famous François Truffaut film Shoot the Piano Player (1960) Aznavour played a lead character with a very similar name: Edouard Saroyan. See more »

Quotes

David: There's no way of confirming that a single word that you've told me is true.
See more »

Crazy Credits

Closing disclaimers: 1) The historical events in this film have been substantiated by holocaust scholars, national archives, and eyewitness accounts, including that of Clarence Ussher. 2) To this day, Turkey continues to deny the Armenian Genocide of 1915. See more »

Connections

Referenced in Escape from the Newsroom (2002) See more »

Soundtracks

P.L.U.C.K.
(Politically Lying, Unholy, Cowardly Killers)
Performed by System of a Down
Written by Daron Malakian (as Malakian) / Serj Tankian (as Tankian) / Shavo Odadjian (as Odajian) / John Dolmayan (as Dolmayan)
DDevil Music (ASCAP)/ System of Down (ASCAP)/ Sony/ ATV Tunes LLC,
All rights on behalf of DDevil Music, System of A Down & Sony/ ATV Tunes LLC
Administered by SONY/ ATV Music Publishing, 8 Music Square West, Nashville, TN 37202
All rights reserved. Used by Permission
See more »

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User Reviews

Underrated
2 December 2003 | by bbowensSee all my reviews

I really liked this movie. I've read review's by Berardinelli, Ebert, NYTimes, and Wash Post, and they are unduly critical, possibly based on the director's capabilities. However, I feel that the characters and the story interweaved masterfully, and that the relationship of Christopher Plummer and his gay son are an interesting parallel with the intolerance of the Turk's (majority Muslim's) and the Armenian's (minority Christian's); Also, the way that Raffi carried his hatred second-hand and that hatred got even more trumped up with the Elias Koteas current-day character was effective in showing how these clashes can sustain over generations upon generations.

Another superb aspect of the film was how the cinematic production within the movie acted as the segway between the current and past events because the actors are also characters in the "main" movie; that's a structural piece of "real" cinematic mastery.


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