The Killer Barbies (Silvia, Billy, Muerte, Jeyper-man, and guest Bela Blasko) are playing at Tivoli World, a Wild West park in Spain. Komrade Irina [Lina Romay] and Komrade Ivan Ivanovich [... See full synopsis »
Twenty years ago an artist made a deal with a mysterious woman. In return for a successful life he would give his unborn daughter to her. Now with his daughter Lucy an adult, the strange woman has come to collect.
A publicist's agent seeking to secure the rights to a cult movie icon's life story travels to meet the actresses' surviving relatives. Upon making their acquaintance, the agent discovers that they live a life of unbridled hedonism.
While driving on tour late night through a lonely road in the countryside of Spain, the van of the punk band "Killer Barbys" has an accident and breaks down. A creepy old man invites the ... See full summary »
Blind Target is the story of a young woman who emigrated from the poor tiny Latin American country of San Hermoso only to strike it rich and famous as an author in the United States. When ... See full summary »
A former European actor Don Martin has retired with his disjointed "family" to his own private island, "The Paradise." After a few years, the entire group has disintegrated into shameless, selfish and dishonest personalities.
After receiving a tape from Doctor Spencer about a strange town called Sh*t City in the U.S. Southwest, journalist Alice Brown [Lina Romay] decides to travel there in order to interview him... See full synopsis »
Using new footage and out-takes ripped from his other One Shot Productions films, director Jess Franco attempts to make a Marquis De Sade anthology but somehow manages to cobble together incoherent bits of sexiness, crassness, ugliness and tedium. Quite obviously the least effort amongst his One Shot Productions films, it's widely understood that this is the one film Franco made for his American company that had no real involvement from his new producers - and it shows. Without the steadying hand of producers Peter Evanko or Kevin Collins, Franco is left to his old devices of zoom lenses on flabby butts and repetitive loops of images and sounds. There's no story, just images set to music that apparently was supposed to suggest a mood. Instead it merely suggests that now is a good time to take a nap.
Director, heal thyself. Viewers, stick to either the old Franco classics or to any of the other One Shot Productions films from his oeuvre.
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