7.2/10
36,003
216 user 128 critic

Narc (2002)

Trailer
2:32 | Trailer

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When the trail goes cold on a murder investigation of a policeman an undercover narcotics officer is lured back to the force to help solve the case.

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Writer:

1 win & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Dan Leis ... Elvin Dowd
... Nick Tellis
... Walter Dandridge
Meagan Issa ... Little Girl
... Jeanine Mueller (as Lina Felice)
... Freeman Franks (as Alan C. Peterson)
... Liz Detmer
... Captain Cheevers
... Cecil Mitchum
... Michael Calvess
Gavyn Donaldson ... Tellis' Infant Son
Myles Donaldson ... Tellis' Infant Son
... Audrey Tellis
... Henry Oak
Thomas Patrice ... Officer Marcotte
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Storyline

An undercover narc dies, the investigation stalls, so the Detroit P.D. brings back Nick Tellis, fired 18-months ago when a stray bullet hits a pregnant woman. Tellis teams with Henry Oak, a friend of the dead narc and an aggressive cop constantly under the scrutiny of internal affairs. They follow leads, informants turn up dead, Nick's wife is unhappy he's back on the street, Henry's protective of the dead cop's wife. Nick reads and re-reads the case file, broods, watches Oak's heavy-handed style, sometimes joining in. The brass want to close out the case, Nick and Henry stay on it, and bits of evidence point them to an auto body shop. What actually happened; will Nick ever know? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for strong brutal violence, drug content and pervasive language | See all certifications »

Parents Guide:

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Details

Official Sites:

Paramount [United States]

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Language:

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Release Date:

10 January 2003 (USA)  »

Also Known As:

Narc: Calles peligrosas  »

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Box Office

Budget:

$7,500,000 (estimated)

Opening Weekend USA:

$63,303, 22 December 2002, Limited Release

Gross USA:

$10,460,089, 16 March 2003
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Jason Patric played an undercover Narcotics officer in the film 'Rush' in 1991. See more »

Goofs

Towards the end of the movie, Jason Patric breaks open the car window and, when he opens the door, the legs of several crewmembers are visible through the door's rearview mirror. See more »

Quotes

Henry Oak: The only thing you need to know about me is that I'm gonna bag the motherfuckers who killed Mike.
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Connections

Referenced in Nexus Generation: Fans & Filmmakers (2007) See more »

Soundtracks

Punk Ass
Performed by Sx-10 (as SX10)
Courtesy of Latin Thug/X-Ray Records
By Exclusive Arrangement with Media Creature Music
Written by Senen Reyes (as S Reyes) / Jeremy Fleener (as J Fleener) / Andy Zambrano (as A Zambrano)
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User Reviews

A really atmospheric and enjoyable thriller
16 February 2004 | by See all my reviews

Over a year after he was suspended during an investigation into a shooting when he was undercover, Nick Tellis is given an opportunity to redeem himself by joining an investigation into the murder of another undercover cop who's partner is a suspect. Nick and Henry Oak team up, investigating each other as much as the actual murder. They follow a lead from a junkie but begin to uncover clues that point to police weapons getting onto the black market and the suggestion that someone within the Detroit force is in bed with the junkies.

A small film with big budget problems gets picked up at Sundance and has Tom Cruise's name added to it as executive producer. Thank goodness that this film got bought up and received a bigger audience. It is a shame that more people didn't go and see it but it still isn't bad for a film that was almost shutdown mid-shoot due to budget problems (ie, they didn't have any!). The plot is a good cop thriller in the mould of the old 70's thrillers where the lines between good/bad, right/wrong are pretty blurred. The focus of the film is the mcguffin of the tunnel - what happened, who did what? but the film is much more than that, it has themes of family and scenes of violence and tension that move everything forward. It is easily one of the best films released in 2003. It manages to take a genre that is seen so often and make it feel fresh and enjoyable.

As both writer and director Carnahan is brilliant. His script is well written and has plenty of tough dialogue but it is the feel and look of the film that is brilliant. On top of the toning used to taint each scene (the job is mostly washed out blues, family scenes are reds but gradually lose their taint over the film) the film uses other tricks. The framing of shots are different for each character and it really adds to the film. If you like this film it is worth hunting out the DVD just for the extras, Carnahan talks in detail about the reasons behind the composition of some shots and it is impressive to hear and understand his thought process.

The cast are excellent, although really the film hinges on the two leads. Liotta is as good as he has ever been. It would be easy to just accept his performance as a `powerhouse' but it also has sensitivity, emotion and layers to it. Patric is also good, his themes with family and past are brought up well in a performance that accepts that he is very much secondary to Liotta. Support from Busta Rhymes is minor but he plays it very well, not at all like many hip hop stars who do movies to enhance their bling-bling gangsta personae. There are other solid support roles too, but it really is Liotta and Patric's film.

As a cop thriller this harks back to darker days and it is very effective, with a solid plot and a good sense of the unknown until some solid twists near the end. The film has an impressive style to it and, while Liotta deserves the praise, the success and feel of this film are down to the skills of Carnahan as both writer and director. With his talented and underpaid crew he has turned a good script into a great film.


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