When a man (Robbins) believes he has discovered that his wife is having an affair with his boss, it sets off a chain reaction of events. First he wanders into a ghetto where a robber (... See full summary »
John C. McGinley
Earl and Hank have only one thing in common: they're both L.A.P.D. rejects. One just got kicked out, the other can't even get in. After confronting each other on opposite sides of the law during a traffic stop that escalates out of control, these two luckless individuals end up partnered as lowly security guards. Despite being damned to the lowest rung of the law enforcement ladder, Earl and Hank uncover a sophisticated smuggling operation led by Nash and his band of thugs. When Earl and Hank get their hands on some hot property, they go on the run from, first the bad guys, then the L.A.P.D.--led by Lt. Washington and Detective McDuff. What these two unlikely partners do to law enforcement is a crime, but they just might save the day. That is, if they don't kill each other first.Written by
Sujit R. Varma
More than four hundred thousand bottles of soft drinks and beer were used as background scenery, during the shoot-out in the warehouse. See more »
When the police car slams through the billboard and comes crashing to the ground, the rim falls off of the police car. Then when it is shown later on, the rim is back on the car. See more »
This is a beer keg. It doesn't make any sense.
It makes sense when you put together the pieces.
It's obvious. The CIA, they're smuggling alcohol into the inner city in an effort to further subjugate the black man.
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why is it martin lawrance always has to do black and white jokes in all of his films? brother this and brother that. frankly, im getting sick of it. also why isnt steve zahn on the cover of the dvd? finally i think steve is an under-rated actor. he rocks!
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