When a man (Robbins) believes he has discovered that his wife is having an affair with his boss, it sets off a chain reaction of events. First he wanders into a ghetto where a robber (... See full summary »
John C. McGinley
Earl and Hank have only one thing in common: they're both L.A.P.D. rejects. One just got kicked out, the other can't even get in. After confronting each other on opposite sides of the law during a traffic stop that escalates out of control, these two luckless individuals end up partnered as lowly security guards. Despite being damned to the lowest rung of the law enforcement ladder, Earl and Hank uncover a sophisticated smuggling operation led by Nash and his band of thugs. When Earl and Hank get their hands on some hot property, they go on the run from, first the bad guys, then the L.A.P.D.--led by Lt. Washington and Detective McDuff. What these two unlikely partners do to law enforcement is a crime, but they just might save the day. That is, if they don't kill each other first.Written by
Sujit R. Varma
If you like movies packed with racial jokes, you're in for a hit. Or should I point out that the racism comes from Lawrence and goes on and on into stereotyping 'tha black bro'...? I'm 100% confused by what Lawrence tries to accomplish with this movie, besides doing a ninety minute round up about what he apparently would like everybody to believe to be 'the way that black people should act'. If all the displayed racism would come from his white opponent in this movie, I think it would have started a riot. It should be forbidden for anybody to produce these kind of racist-movies. Shame on you Lawrence.
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