With the aid from a New York City policeman, a top immigrant cop tries to stop drug-trafficking and corruption by immigrant Chinese Triads, but things get complicated when the Triads try to bribe the policeman.
In the rail yards of Queens, contractors repair and rebuild the city's subway cars. These contracts are lucrative, so graft and corruption are rife. When Leo Handler gets out of prison, he ... See full summary »
Rock-music lover and feature-film director Jonathan Demme takes on eccentric British singer-songwriter, Robyn Hitchcock, in an ambitious concert film. Setting up a stage in a New York ... See full summary »
Inspired by Mark Twain's morality tale 'The Mysterious Stranger,' 'Another Telepathic Thing' is a prismatic and complex dance-theater parable. At once cynical and spiritual, the work ... See full summary »
A young woman in Paris is about to divorce her husband when she discovers... he's dead; and all their money is gone. She meets a mysterious man, who tells her that the money was really his, and he wants it back, seemingly convinced that she's hiding the cash. Meanwhile, more people end up dead... Written by
When in the restaurant, Regina and "Alex" kiss, her head is tilted to her right and his to his right, a split second later, her head is tilted to her left and his to his left, they did not have enough time to change. See more »
Excuse me, does this belong to you?
Now what's he gone and done?
Well, he was creating a fairly sophisticated surveillance system behind the ladies' cabana.
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Just as the reference for Francois Truffaut's "Tirez sur le Pianiste" is shown, a shot of Truffaut's grave is inserted. See more »
This was strange. I had no idea what this film was about as it was a free loan and I just put in the machine, not even reading the back of the box. Well, obviously it didn't take long to figure out this was a re-make of the famous 1963 film "Charade."
It's not really bad on it's own but if you've watched and admired Charade a half dozen times as I have, this film isn't even close measuring up. Mark Wahlberg is no Cary Grant; Thandie Newton is no Audry Hepburn and Tim Robbins in no Walter Matthau.
Why settle for second-rate after having first-rate? I mean, why even bother? It's not like you are updating some old black-and-white movie to accommodate today's crowd which won't look at B&W. The original still looks good (on the Criterion DVD).
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