No Maps for These Territories (2000)

Follows author and cyberpunk pioneer William Gibson, on a digital North American road trip.

Director:

Mark Neale

Writer:

Mark Neale

Stars:

William Gibson, Jack Womack, Bruce Sterling

Cast

Cast overview, first billed only:
William Gibson	...	Self
Jack Womack	...	Self
Bruce Sterling	...	Self
William S. Burroughs	...	Self (archive footage)
Claudine Kielson	...	Self
Jonah Geschwind	...	Self
Bono	...	Self
The Edge	...	Self
Tom Hajdu	...	Self
Nick Conroy	...	Interviewer, Cowboy, Michael Jackson Impersonator
Kimberly Blair	...	(as Kim Blair)
Daniel Eppard	...	Self
Jenna Mattison	...	Movie Star
Mary Buffet	...	Self
Nicholas Erasmus	...	Self

Storyline

Follows author and cyberpunk pioneer William Gibson, on a digital North American road trip.

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Genres:

Documentary

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Details

Country:

UK

Language:

English

Release Date:

4 October 2000 (Canada)

Company Credits

Production Co:

Mark Neale Productions

Technical Specs

Runtime:

89 min

User Reviews

A Profound and Moving Statement About the Human Condition

You don't need to be a fan of William Gibson to get a lot out of "No Maps for These Territories." Taking the simple form of Gibson expounding on a raft of subjects from the backseat of a car en route from Los Angeles to Vancouver, intercut with a breathtaking visual melange to illustrate his points, "Maps" is a good reminder of how truly profound have been the changes in the world in the last few years, as well as what it means to be human -- the only animal that makes maps, after all.

Despite the whole "cyberpunk" label (which he rejects, anyway) Gibson comes across as intelligent, thoughtful and a rather nice person, and he looks at least a good decade and a half younger than his mid-50's baby-boomer age. And his description of his writing process is the most accurate distillation of how creativity works that I've ever heard. There isn't any BS coming from this back seat; Gibson speaks from the heart and it shows.

Oddly enough, it's the hardcore fans who might be the most disappointed in this film. Gibson is almost self-deprecating in talking about his work and his fame. But it's a film that deserves to be seen, and listened to with great attention. It's also done with a stunning style that adds to, rather than distracts from, the content. The film begins with frenetic, quick-cut images, but ends up in a beautiful, elegiac mood as we drive down a fog-shrouded bridge while U2's Bono reads from Gibson's unpublished Memory Palace. The end result is moving, haunting and worth many repeat viewings to take it all in.