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Kulkulupa

Original title: Laissez-passer
  • 20022002
  • Not RatedNot Rated
  • 2h 50m
IMDb RATING
6.9/10
1.5K
YOUR RATING
POPULARITY
61,390
39,023
Kulkulupa (2002)
Home Video Trailer from Koch Lorber Films
Play trailer1:14
1 Video
10 Photos
BiographyDramaHistory

In Nazi-occupied France, two filmmakers solve the collaborationism dilemma differently.In Nazi-occupied France, two filmmakers solve the collaborationism dilemma differently.In Nazi-occupied France, two filmmakers solve the collaborationism dilemma differently.

IMDb RATING
6.9/10
1.5K
YOUR RATING
POPULARITY
61,390
39,023
  • Director
    • Bertrand Tavernier
  • Writers
    • Jean Devaivre(book)
    • Jean Cosmos(screenplay)
    • Bertrand Tavernier(screenplay)
  • Stars
    • Jacques Gamblin
    • Denis Podalydès
    • Charlotte Kady
Top credits
  • Director
    • Bertrand Tavernier
  • Writers
    • Jean Devaivre(book)
    • Jean Cosmos(screenplay)
    • Bertrand Tavernier(screenplay)
  • Stars
    • Jacques Gamblin
    • Denis Podalydès
    • Charlotte Kady
  • See production, box office & company info
    • 15User reviews
    • 28Critic reviews
    • 82Metascore
  • See more at IMDbPro
    • Awards
      • 7 wins & 3 nominations

    Videos1

    Safe Conduct
    Trailer 1:14
    Safe Conduct

    Photos10

    Kulkulupa (2002)
    Kulkulupa (2002)
    Kulkulupa (2002)
    Kulkulupa (2002)
    Kulkulupa (2002)
    Kulkulupa (2002)
    Kulkulupa (2002)
    Kulkulupa (2002)
    Jacques Gamblin in Kulkulupa (2002)

    Top cast

    Edit
    Jacques Gamblin
    Jacques Gamblin
    • Jean-Devaivre
    Denis Podalydès
    Denis Podalydès
    • Jean Aurenche
    Charlotte Kady
    • Suzanne Raymond
    Marie Desgranges
    • Simone Devaivre
    Ged Marlon
    • Jean-Paul Le Chanois
    Philippe Morier-Genoud
    • Maurice Tourneur
    Laurent Schilling
    • Charles Spaak
    Maria Pitarresi
    • Reine Sorignal
    Christian Berkel
    Christian Berkel
    • Dr. Greven
    Richard Sammel
    Richard Sammel
    • Richard Pottier
    Marie Gillain
    Marie Gillain
    • Olga
    Olivier Gourmet
    Olivier Gourmet
    • Roger Richebé
    Philippe Saïd
    Philippe Saïd
    • Pierre Nord
    Liliane Rovère
    Liliane Rovère
    • Mémaine
    Götz Burger
    Götz Burger
    • Bauermeister
    Serge Riaboukine
    Serge Riaboukine
    • Louis Née
    Didier Sauvegrain
    • Thirard
    Thierry Gibault
    • Paul Maillebeau
    • Director
      • Bertrand Tavernier
    • Writers
      • Jean Devaivre(book)
      • Jean Cosmos(screenplay)
      • Bertrand Tavernier(screenplay)
    • All cast & crew
    • Production, box office & more at IMDbPro

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      This film's dedication states that it is "Dedicated to those who lived through these events" [as depicted in this movie].
    • Goofs
      The film credits include references to a Lysander and a Dakota but Devaivre flies out in a de Haviland Dragon Rapide, and is parachuted back into France from what looks like a Lockheed Hudson (as it has twin tailfins, it cannot be a Dakota).
    • Connections
      Features La main du diable (1943)
    • Soundtracks
      Je crois entendre encore (from 'Pécheurs de perles')
      Composed by Georges Bizet

      Libretto by Eugène Cormon

      Sung by Tino Rossi

    User reviews15

    Review
    Review
    Featured review
    8/10
    Human Heroes of the French Film Community
    Albeit a lengthy film, Laissez-passer (aka Safe Conduct) is indeed a beautiful film that significantly shows a crucial time and history of WWII. While most films that we watch dealing with war and battles happen between troops with artillery flying everywhere, there are not many that devote themselves to the unsung battles. Laissez-passer takes a chance and tells two detailed stories of men that were willing to give up their lives for not just their country, but also their own personal beliefs. In this film we follow two members of the French film community as they decide for themselves how they will help their country survive this terrible nightmare.

    Outside of the opening sequence, there are little to no explosions in this film causing us to look beyond our normal images of war and see a more personal battle. The Germans were deeply rooted in their propaganda and used the French cinema to aid in their attempts to spread messages to all. Laissez-passer devotes its time to this film community's struggle to stay alive and fight for what they believe in. It is a heroic tale of personal endurance and passion. I am a huge film buff, and whenever possible I love learning more about other countries history of film. This film allowed me to see a war torn community pull together and keep a film dream alive. It is due to these persistent people that we can now enjoy French cinema today. Without them, it would have died during this era.

    What made this film stand out above any other were the characters. While I felt that Aurenche could have been developed a bit stronger and given more to contribute to the film (outside of just being a ladies man), it was Devaivre that I couldn't keep my eyes off. His story was so strong and important that I found myself rooting for him at any possible chance. Jacques Gamblin gives his character so much passion and power that at times you believe him to be this almost a superhero of the war. The ability to cycle several hundred miles, the ability to fight a cold as well as be a revolutionist, and on top of that juggle a full time job as an Assistant Director of a studio completely controlled by the enemy. Wow. I was completely blown away with how Gamblin controlled this already complex character. While I think others would have delivered a very jumbled mess of a man, Gamblin instead dove deeper and delivered one of the best performances of 2002. His ability to remain calm in the face of terror as well as be 100% devoted to his country was outstanding. When you think of humans and their ability to muster the courage to continue, he is a prime example. Overall, these two characters did carry this film on their shoulders. They showed two elements of wartime in the film industry. One showed the fighter, while the other was the lover. An interesting take on the two types of heroes, I just wish Aurenche would have been given more screen time. I wanted to know more about his character.

    Outside of the characters, you have a very strong story written by Jean Cosmos and Devaivre himself recollecting his story during this time. Adapting from his story allows us to feel more comfortable with the events and see them as truth instead of fiction. It allows us to see the struggles of the characters, instead of thinking that it is just Hollywood drama inserted into overwhelming events. I also enjoyed the fact that this was not a film riddled with explosions and the Rambo-esquire hero. The ability that director Bertrand Tavernier had to keep this film focused on the characters and the humanity of the situation was outstanding. He gave WWII a human feel from outside of the American perspective. He showed us what the world was like during this time while even showing some political satire of the lack of respect that the British had for the citizen soldier of France. Tavernier successfully gives the audience both a strong feeling of the war as well as a very insightful view of cinema in France during this time. I learned so much about what the French had to do for the Germans that it felt like a film history class. It was a refreshing and scary realization on a community that here in America we regard as indestructible. It only continued to show how war could hurt and infect even the most powerful of behemoths.

    Overall, I was very impressed with this film. While there were some jagged moments with the characters (more development would have been nice), I felt that the overall message and themes came through crystal clear. Tavernier brought the horror of this era out and showed the world that France fought with just as much passion and dedication as the rest of those involved. It is a dark chapter in France's history that was beautifully told by Tavernier.

    Grade: **** out of *****
    helpful•9
    5
    • film-critic
    • Jan 10, 2005

    Details

    Edit
    • Release date
      • January 9, 2002 (France)
    • Countries of origin
      • France
      • Germany
      • Spain
    • Languages
      • French
      • German
      • English
    • Also known as
      • Samarbetets pris
    • Production companies
      • Les Films Alain Sarde
      • Little Bear
      • KC Medien
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $25,440
    • Opening weekend US & Canada
      • $6,811
      • Oct 13, 2002
    • Gross worldwide
      • $1,713,421
    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • Runtime
      2 hours 50 minutes
    • Color
      • Color
    • Sound mix
      • Stereo
    • Aspect ratio
      • 2.35 : 1

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