After a spate of grisly murders performed in an almost ritualistic way, the experienced survival expert and former military instructor, L.T. Bonham, is summoned to track down the elusive and shockingly familiar killer: one of his best pupils, Aaron Hallam. Holed up in the wet and tangled wilderness of Oregon's Silver Falls State Park, Aaron--now a tormented and delusional killing machine--will soon come face-to-face with his grizzled mentor, in a no-holds-barred hand-to-hand combat. Suddenly, age; experience; strength, and the feral will to survive, blur the line between a hunter and his prey. Now, who is the hunted?Written by
David and Peter Griffiths screenplay was a hot item in Hollywood. Optioned by producer James Jacks, the film did not go into production until Paramount agreed to finance the picture as a directing vehicle for William Friedkin. See more »
When Aaron is first standing in Irene's kitchen, she walks over to him and puts her hand on his back. In the next shot her hand is on his shoulder. See more »
God said to Abraham, "Kill me a son." Abe says, "Man, you must be puttin' me on." God say, "no"; Abe say, "what?" God say, "You can do what you want, Abe, but the next time you see me comin', you better run." Abe says, "Where do you want this killin' done?" God says, "Out on Highway 61."
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In Germany the film was released on DVD in its uncut form (rated "Not under 18") and in an edited version which has a "Not under 16" rating and misses ca. 5 minutes. See more »
The Man Comes Around
Written & Performed by Johnny Cash
Courtesy of American Recordings LLC, and The Island Def Jam Music Group
Under license from Universal Music Enterprises See more »
Hey, this is a good movie.
Hey, out there. You guys who slammed this in your reviews, did you see the same film I did? Not real? Improbable? Impossible? Huh. If those of you who found this thought-provoking film about two men on the edge of the social plane, one who is over the edge and the other given the task of hunting the first one down-- both men, socially disaffected and on their own, unbelievable and impossible, give some attention to Alston Chase's article in the June, 200, pp.41-65 of the Atlantic Monthly on Theodore Kaczynski, the Unabomber and the effects of his experiences being part of the ill-conceived and unethical study on human subjects during his undergraduate years there. The formula is simple: Take a bright, talented person who is teetering on the edge of emotional stability, fill them with lots of head stuff about social and environmental corruption, train in the technology of killing people and then, turn them loose. While no one wanted to turn Kaczynski into the unabomber, the circumstances, however well-intended, did. The film story of Aaron Hallum played by the competent Benicio Del Toro and his counterpart, L.T. Bonham, played by Tommy Lee Jones, bring this theme into clear focus. OK, if you are a shoot'em up thriller fan (as I self-confessedly admit to being), you might have missed the car chase, the sex and all that, but gang, it is a gripping and thought-provoking story. Not real? I submit, read the data on Columbine, The Minn Indian Res and the Unabomber and guess again. It's real. Damn real.
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