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A Beautiful Mind (2001)

PG-13 | | Biography, Drama | 4 January 2002 (USA)
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After John Nash, a brilliant but asocial mathematician, accepts secret work in cryptography, his life takes a turn for the nightmarish.

Director:

Ron Howard

Writers:

Akiva Goldsman, Sylvia Nasar (book)
Popularity
844 ( 169)
Top Rated Movies #142 | Won 4 Oscars. Another 33 wins & 67 nominations. See more awards »

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Cast

Cast overview, first billed only:
Russell Crowe ... John Nash
Ed Harris ... Parcher
Jennifer Connelly ... Alicia Nash
Christopher Plummer ... Dr. Rosen
Paul Bettany ... Charles
Adam Goldberg ... Sol
Josh Lucas ... Hansen
Anthony Rapp ... Bender
Jason Gray-Stanford ... Ainsley
Judd Hirsch ... Helinger
Austin Pendleton ... Thomas King
Vivien Cardone ... Marcee
Jillie Simon ... Bar Co-Ed (as Jill M. Simon)
Victor Steinbach Victor Steinbach ... Professor Horner
Tanya Clarke ... Becky
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Storyline

From the heights of notoriety to the depths of depravity, John Forbes Nash, Jr. experienced it all. A mathematical genius, he made an astonishing discovery early in his career and stood on the brink of international acclaim. But the handsome and arrogant Nash soon found himself on a painful and harrowing journey of self-discovery. After many years of struggle, he eventually triumphed over his tragedy, and finally - late in life - received the Nobel Prize. Written by Universal Pictures and DreamWorks Pictures

Plot Summary | Plot Synopsis

Taglines:

I need to believe that something extra ordinary is possible... See more »

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for intense thematic material, sexual content and a scene of violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

4 January 2002 (USA) See more »

Also Known As:

A Beautiful Mind See more »

Filming Locations:

Bayonne, New Jersey, USA See more »

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Box Office

Budget:

$58,000,000 (estimated)

Opening Weekend USA:

$2,501,096, 23 December 2001, Limited Release

Gross USA:

$170,742,341

Cumulative Worldwide Gross:

$313,542,341
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

When Nash works at MIT his office is room 101, like the infamous torture room of the Ministry of Love in George Orwell's 1984. See more »

Goofs

Strictly speaking, John Nash didn't win the Nobel Prize because there isn't a prize for Economics or Mathematics. (Alfred Nobel who willed his estate to the Nobel foundation saw no need for a prize in mathematics.) In 1969 the Swedish Central Bank established the "The Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel". This prize is presented in the same ceremony and is therefore often mistaken for a proper Nobel Prize. It is even often referred to as the "Nobel Prize in Economics" in daily conversation; the fictional character of President Jed Bartlet on The West Wing was also presented as a Nobel Prize winner (for economics) with the show also not making the real-world distinctions. See more »

Quotes

[first lines]
Helinger: Mathematicians won the war. Mathematicians broke the Japanese codes... and built the A-bomb. Mathematicians... like you. The stated goal of the Soviets is global Communism. In medicine or economics, in technology or space, battle lines are being drawn. To triumph, we need results. Publishable, applicable results. Now who among you will be the next Morse? The next Einstein? Who among you will be the vanguard of democracy, freedom, and discovery? Today, we bequeath America's future ...
See more »

Connections

Referenced in De slimste mens ter wereld: Episode #6.16 (2015) See more »

Soundtracks

Columba aspexit
Written by Hildegard von Bingen (as Hildegard of Bingen)
Performed by Emma Kirkby and Gothic Voices
Edited and Directed by Christopher Page
Courtesy of Hyperion Records Limited, London, England
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Frequently Asked Questions

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User Reviews

 
Powerful, quiet, effortless Crowe
23 January 2002 | by dfranzen70See all my reviews

A Beautiful Mind

Director Ron Howard has experience in playing with his audience's heartstrings. Remember in Apollo 13, when the fate of the astronauts was uncertain? (Ok, so if you remember your recent history, you knew.... but still!) Or remember in Parenthood, when Steve Martin's kid was about to make the crucial catch? Ol Opie can still pluck those strings with the best of them. (And you know, he'll never stop being called Opie, even by those of us who never saw The Andy Griffith Show during its initial run.) And plucking heartstrings is not a bad thing at all, not when you can do it in such a sincere, noncloying way as the masterful Beautiful Mind presents to its viewers.

John Nash is a mathematics prodigy who has a decided knack at solving previously unsolvable problems. He's socially dysfunctional, rarely looking anyone in the eye, but pours all of his energy - and soul - into producing one original idea, an idea that will distinguish him from all of the other mathemathical minds at Princeton University.

But John, like most who have had movies made about them, had his ups and downs. He meets and falls for a beautiful student of his named Alicia (Jennifer Connelly), and they produce a baby. But John also suffers from tremendous delusions and is diagnosed with a form of schizophrenia. Schizophrenia's a tough disease, folks - it's still not fully understood, and Nash was diagnosed with it in the middle of last century. He spends time in a sanitarium, as doctors struggle to find a cure.

Russell Crowe is absolutely powerful as the confused and confusing Nash. Although the marquee says "Russell Crowe", you'll immediately forget this is the hunky guy from Gladiator. I mean after all, he's playing some nerdy scientist dude! But Crowe completely disappears in the role, and he's unforgettable. Actors kill for roles like this one, because it gives them a chance to show off their acting chops. For many actors, this is the kiss of death, because then they're exposed as poor thespians. But not for Crowe; if anything, this proves once and for all that he's a grand master of acting. I realize that sounds like overkill for him, but I think that when actors are labeled as a "hunk" - their skills as actors aren't seen as very substantial. Hey, looking darn good worked against Tom Selleck, and to a degree it has worked against Crowe as well.

And he ages well, too. The movie takes place over a fairly extended period of time, ending with Nash's acceptance of the Nobel Prize in 1994. The makeup on Nash is neither garish nor schmaltzy; he looks completely genuine. And that's the essence of Crowe's performance. It's sincere, never trying to win over the audience with a sly wink here or a toss of the hair there. Crowe shows remarkable poise, elegance, and is utterly astounding in the role.

His supporting cast is more than able. Jennifer Connelly is better than I thought she would be; in most roles, she's the eye candy. But this role had meat to it, and she held her own. It wasn't an easy role to play, and she pulled it off. And her scenes with Crowe do have that movie magic that each of us looks for when we go to movies, that one moment, that compatible chemistry that leaves audiences mesmerized.

And yes, this does have some very, very touching moments. The final scene, while predictable (even if you don't know the outcome in real life), will bring more than one tear to the eye. Yes, I'll admit it, it got me right here. But it's okay; I did that old 'guy-crying-in-movie-theater' trick. If you feel the brime falling from the lid, you make a motion toward your cheek and then you scratch vigorously; people might think you have a skin infection and move away slowly, but at least they won't think you're a girly man.

At any rate, it's certainly one of the best movies of the year. Everything's in place: the direction, the photography, and especially the acting.


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