Back when the Earth was being overrun by glaciers, and animals were scurrying to save themselves from the upcoming Ice Age, a sloth named Sid, a woolly mammoth named Manny, and a saber-toothed tiger named Diego are forced to become unlikely heroes. The three reluctantly come together when they have to return a human child to its father while braving the deadly elements of the impending Ice Age.Written by
Tommy Lee Jones were considered for the role of Diego. See more »
After Sid, Manny, Diego and Roshan are trapped inside Diego's "shortcut" by the avalanche, Sid walks straight into a slab of ice at face height before falling down and getting his tongue stuck. When he gets up again a few seconds later, the slab of ice has disappeared. See more »
At one point in the credits it says "Ice Age Babies" and lists all the babies born to the crew during the course of production. This feature is copied from Pixar's animated films, which always list the "Production Babies" during their credits. See more »
The DVD has several deleted scenes:
The first scene is Sid waiting for Sylvia the sloth and faking that aardvarks have to pay tolls in order to get past his cave.
The second scene has Sid and Sylvia talking about a relationship, but Sid doesn't want one. He uses a few passing glyptos to literally push her away from him.
The sabers talk about their plan for attacking the humans. This scene apparently never even got past the "animation" stage.
An amusing scene set during Diego, Sid, and Manny's first night with the baby. Sid throws away the baby's diaper saying, "No more fruit for you!"
Oscar and Zeke, the two smilodons that talk to Diego in the following scene comment about the smell.
The aforementioned "Sid and the Ladies" scene also appears. Wedge says the reason it was cut was, "It stopped the picture cold and no one made a sound after that scene."
Another scene immediately followed the "Sid and the Ladies" scene where Sylvia finds Sid after the ladies have kicked him in the crotch. The scene then has Sid feigning death by provoking Diego. Sylvia realizes that he's breathing and tells Diego to eat him. This would have been Sylvia's final appearance in the film. This scene remains in the final version, only with the two rhinos Carl and Frank, who sniff Sid and determine that he is "dead" and stalk off, disappointed.
`Ice Age' emerges as one of the better animated films of recent years, cleverly designed and even more cleverly written. Scenarists Michael Berg, Michael J. Wilson and Peter Ackerman have devised a story set 20,000 years ago about an unlikely trio of companions who find themselves making a long trek through a harsh environment in an effort, ostensibly, to return a baby human to the tribe from which he has become separated. The triumvirate is made up of a deadpan, cynical mammoth, a wisecracking, over-the-top sloth (whose mile-a-minute mouth more than makes up for his legendary slowness) and a malevolent saber-tooth tiger, who learns a thing or two about friendship and teamwork before the adventure is over.
`Ice Age' is at its most amusing in those scenes in which the characters make prescient jokes about their own place in the evolutionary scheme of things. One particularly clever scene involves the three travelers discovering what looks like an underground museum of natural history encased in ice, replete with ancient creatures caught in naturally occurring, chain-of-life exhibits. Like most animated films set in the past, `Ice Age' derives much of its humor through the use of anachronism. We chuckle to hear these creatures applying modern, scientific knowledge to the pre-scientific era in which they are living.
The animators and designers have done a beautiful job in achieving just the right look for this tale. The backgrounds have a colorful, clean, streamlined look to them, and the animals themselves, in their appearance and design, provide a witty commentary on evolutionary history. Ray Romano, John Leguizamo and Denis Leary do superb voiceover work, each achieving just the right tone for the character he has been assigned to play. One could wish, perhaps, for a bit less sentimentality at the end, but that is a minor quibble in a film that works so well for both children and adults. The kids will revel in the cuteness of the animals and the clever action sequences, while adults will savor the sly knowingness of the evolutionary and historical in-jokes. Not bad in an era when most films can't find a way to please even ONE audience demographic.
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