Adaptation. (2002)

A lovelorn screenwriter becomes desperate as he tries and fails to adapt 'The Orchid Thief' by Susan Orlean for the screen.

Director:

Spike Jonze

Writers:

Susan Orlean (book), Charlie Kaufman (screenplay)

Stars:

Nicolas Cage, Meryl Streep, Chris Cooper

Won 1 Oscar. Another 64 wins & 100 nominations.

Cast

Cast overview, first billed only:
Nicolas Cage	...	Charlie Kaufman / Donald Kaufman
Tilda Swinton	...	Valerie Thomas
Meryl Streep	...	Susan Orlean
Chris Cooper	...	John Laroche
Jay Tavare	...	Matthew Osceola
Litefoot	...	Russell (as G. Paul Davis)
Roger Willie	...	Randy
Jim Beaver	...	Ranger Tony
Cara Seymour	...	Amelia Kavan
Doug Jones	...	Augustus Margary
Stephen Tobolowsky	...	Ranger Steve Neely (scenes deleted)
Gary Farmer	...	Buster Baxley
Peter Jason	...	Defense Attorney
Gregory Itzin	...	Prosecutor
Curtis Hanson	...	Orlean's Husband

Storyline

While his latest movie Being John Malkovich (1999) is in production, screenwriter Charlie Kaufman is hired by Valerie Thomas to adapt Susan Orlean's non-fiction book "The Orchid Thief" for the screen. Thomas bought the movie rights before Orlean wrote the book, when it was only an article in The New Yorker. The book details the story of rare orchid hunter John Laroche, whose passion for orchids and horticulture made Orlean discover passion and beauty for the first time in her life. Charlie wants to be faithful to the book in his adaptation, but despite Laroche himself being an interesting character in his own right, Charlie is having difficulty finding enough material in Laroche to fill a movie, while equally not having enough to say cinematically about the beauty of orchids. At the same time, Charlie is going through other issues in his life. His insecurity as a person doesn't allow him to act upon his feelings for Amelia Kavan, who is interested in him as a man. And Charlie's twin ...

---

Plot Keywords:

magical realism | metafiction | voice over inner thoughts | meta film | loner | 

---

Taglines:

From the creator of Being John Malkovich, comes the story about the creator of Being John Malkovich.

---

Genres:

Comedy | Drama

---

Motion Picture Rating (MPAA)

Rated R for language, sexuality, some drug use and violent images

Details

Official Sites:

Sony Pictures

Country:

USA

Language:

English Latin

Release Date:

14 February 2003 (USA)

Also Known As:

The Orchid Thief

Filming Locations:

Los Angeles Center Studios - 450 S. Bixel Street, Downtown, Los Angeles, California, USA

Box Office

Budget:

$19,000,000 (estimated)

Opening Weekend USA:

$384,478, 8 December 2002

Gross USA:

$22,498,520

Cumulative Worldwide Gross:

$32,801,173

Company Credits

Production Co:

Beverly Detroit, Clinica Estetico, Good Machine

Technical Specs

Runtime:

115 min 81 min (TV)

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The flower shown during the time-lapse sequence at the end of the movie is called Amelia (an Osteospermum).

---

Goofs

In the beginning of the film, when John is trudging through the swamp searching for orchids, he is seen up to his armpits in water. Once out of the water, when the park enforcement officer approaches them, the water line on LaRoche's shirt is clearly seen as just above the waist - about a foot lower than the point to which he was submerged.

---

Quotes

[first lines]
Charlie Kaufman: [voiceover] Do I have an original thought in my head? My bald head. Maybe if I were happier, my hair wouldn't be falling out. Life is short. I need to make the most of it. Today is the first day of the rest of my life. I'm a walking cliché. I really need to go to the doctor and have my leg checked. There's something wrong. A bump. The dentist called again. I'm way overdue. If I stop putting things off, I would be happier. All I do is sit on my fat ass. If my ass wasn't fat I would ...

---

Crazy Credits

"We're all one thing, Lieutenant. That's what I've come to realize. Like cells in a body. 'Cept we can't see the body. The way fish can't see the ocean. And so we envy each other. Hurt each other. Hate each other. How silly is that? A heart cell hating a lung cell." - Cassie from THE THREE

---

Connections

Referenced in The 75th Annual Academy Awards (2003)

---

Soundtracks

The Cat Came Back
Written by Henry S. Miller

User Reviews

actors & director create startling and original film

"Adaptation" is an off-the-wall film with a startling second half. Overall, the film is darkly comic, but viewers get an unexpected dose of movie action and violence before everything is said and done.

It's fair to say that there is a fair amount of violence in the film, and even when you know it's coming, you're still caught off guard. Spike Jonze is merciless in this regard. Some of the scenes are incredibly graphic, in fact.

There is a certain adolescent male tone to the film (the violence + sexual fantasy + masturbation). This is partially due to characterization and partially due to the director's own aesthetic and perspective. It's not a bad thing, necessarily, either. It just feels as if an unassuming (white male) kid who grew up thinking a lot about girls and watching movies where stuff blowed up made this film... See it and you'll know what I'm saying.

The script is crazy. Absolutely zany. Akin to "Being John Malkovich" really. Fortunately, this well gives opportunity for Nic Cage, Meryl Streep, and Chris Cooper to really be free with their art.

Cage has a difficult role, portraying two very different identical twin brothers. Cage is at the emotional core of the film. If his performance doesn't resonate, the film doesn't work. I thought Cage was excellent. And that the script really gives him some wonderful, challenging material to work with. His first scene with Tilda Swinton (looking gorgeous!) is excellent.

Meryl Streep...well, what can be said. She's fantastic. She exudes a tiredness and connectedness and hopelessness and sadness, evolving the character brilliantly over the course of the film.

Similarly, Chris Cooper brings a humanity to the role of the Orchad Thief, really grounding the narrative and making it all believable. Again, he's given a brilliant opening scene and he works wonders with it. Throughout, he is believably arrogant, lonely, vulnerable, and just plain real. Cooper's performance is as rich as any other I've seen this year; truly, truly sublime.

"Adaptation" is certainly not for everyone. If you're looking for something starkly different and simmering with originality, give this film a try, though. Amidst some cloying self-referential clap-trap, there are actually some really freshing film moments.