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Adaptation. (2002)

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A lovelorn screenwriter becomes desperate as he tries and fails to adapt 'The Orchid Thief' by Susan Orlean for the screen.

Director:

Spike Jonze

Writers:

Susan Orlean (book), Charlie Kaufman (screenplay)
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Popularity
2,506 ( 772)
Won 1 Oscar. Another 64 wins & 100 nominations. See more awards »

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Cast

Cast overview, first billed only:
Nicolas Cage ... Charlie Kaufman / Donald Kaufman
Tilda Swinton ... Valerie Thomas
Meryl Streep ... Susan Orlean
Chris Cooper ... John Laroche
Jay Tavare ... Matthew Osceola
Litefoot ... Russell (as G. Paul Davis)
Roger Willie ... Randy
Jim Beaver ... Ranger Tony
Cara Seymour ... Amelia Kavan
Doug Jones ... Augustus Margary
Stephen Tobolowsky ... Ranger Steve Neely (scenes deleted)
Gary Farmer ... Buster Baxley
Peter Jason ... Defense Attorney
Gregory Itzin ... Prosecutor
Curtis Hanson ... Orlean's Husband
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Storyline

While his latest movie Being John Malkovich (1999) is in production, screenwriter Charlie Kaufman is hired by Valerie Thomas to adapt Susan Orlean's non-fiction book "The Orchid Thief" for the screen. Thomas bought the movie rights before Orlean wrote the book, when it was only an article in The New Yorker. The book details the story of rare orchid hunter John Laroche, whose passion for orchids and horticulture made Orlean discover passion and beauty for the first time in her life. Charlie wants to be faithful to the book in his adaptation, but despite Laroche himself being an interesting character in his own right, Charlie is having difficulty finding enough material in Laroche to fill a movie, while equally not having enough to say cinematically about the beauty of orchids. At the same time, Charlie is going through other issues in his life. His insecurity as a person doesn't allow him to act upon his feelings for Amelia Kavan, who is interested in him as a man. And Charlie's twin ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Charlie Kaufman writes the way he lives... With Great Difficulty. His Twin Brother Donald Lives the way he writes... with foolish abandon. Susan writes about life... But can't live it. John's life is a book... Waiting to be adapted. One story... Four Lives... A million ways it can end. See more »

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language, sexuality, some drug use and violent images | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Sony Pictures

Country:

USA

Language:

English | Latin

Release Date:

14 February 2003 (USA) See more »

Also Known As:

Adaptation. See more »

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Box Office

Budget:

$19,000,000 (estimated)

Opening Weekend USA:

$384,478, 8 December 2002, Limited Release

Gross USA:

$22,245,861, 20 April 2003
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (TV)

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

As of 2018, Chris Cooper won Best Supporting Actor for this film from his only Academy Award nomination. See more »

Goofs

When Susan and John are walking through the swamp and Laroche calls Susan a "dumb bitch" she has sunglasses, but in the next shot of her, she has regular glasses. See more »

Quotes

[first lines]
Charlie Kaufman: [voiceover] Do I have an original thought in my head? My bald head. Maybe if I were happier, my hair wouldn't be falling out. Life is short. I need to make the most of it. Today is the first day of the rest of my life. I'm a walking cliché. I really need to go to the doctor and have my leg checked. There's something wrong. A bump. The dentist called again. I'm way overdue. If I stop putting things off, I would be happier. All I do is sit on my fat ass. If my ass wasn't fat I would ...
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Crazy Credits

After the closing credits, there's a quote from Donald's screenplay "The Three" and a dedication "To the loving memory of Donald Kaufman." See more »

Connections

Referenced in The Reel Thing (2008) See more »

Soundtracks

One Part Lullaby
Written by John Davis, Lou Barlow and Wally Gagel
Published by Careers-BMG Music Publishing, Inc. o/b/o itself, Endless Soft Hits, Loobiecore and Blisswg Productions
Performed by The Folk Implosion
Courtesy of Interscope Records
Under license from Universal Music Enterprises
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Frequently Asked Questions

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User Reviews

 
Plot Construction as Protagonist--but what a fascinating construct. Pure brain food.
16 October 2009 | by secondtakeSee all my reviews

Adaptation (2002)

I adapted. I evolved. My second take on this movie was a turnaround from the first, when I thought it was needlessly complicated and self-absorbed. After all, the lead character is the screenwriter, and he's so full of himself and his self-pitying diary entries he has an identical twin to double the narcissism. I remembered enjoying it, but thinking it wheedling and grad school ultra-clever, too.

But that's not it at all. This is a movie that is all about plot construction but not about being inside the plot in the normal viewer-filmmaker way. For me, I couldn't just watch to see what was going to happen next. Things happen, there is a true climax of an ending, but it's how they happen that matters. The layering of time frames is paralleled by the layering of realities--until you realize that it's all real, and that the supposed movie being written is and isn't the movie we are watching. Or if it is, totally, and we see it's genesis on screen, it is still a screenplay about something real. Or not, once you see that the book, "The Orchid Thief," which is a real book by Susan Orlean, is not "Adaptation" at all, but just a thread for Kaufman to weave these different personalities and plots together.

Fiction or fact, who cares? Well, that's part of the film's cunning--there's even a cameo of John Malkovich at the start, and a shot of that famous Being John Malkovich set of the half sized floor 7 ½ in an office building. And for the record, there is a Ghost Orchid that grows in the Everglades, Polyrrhiza lindenii, and yes, you can now buy it legally from growers with greenhouses. But Charles Kaufman the very real screenwriter (Being John Malkovich, of course, and Synecdoche, New York) is played by an actor, Nicholas Cage, with Cage's usual nervous ticks and uneasiness. Perfect for this role.

But does it all work? On the brain, yes. It's fascinating and engrossing, the work of a screenwriter showing off his chops. Is there suspense? Not really, even though it involves thieves and guns and romance. More telling, do we care about the characters? Nope again. Not for me. I'm curious about these people--Meryl Streep as the writer of the book, and Chris Cooper as the orchid thief are both right on--but not worried about their survival, in love or in life. Still, I had to see every minute because I wanted to see how these very disparate characters were used to construct the construction, to force a point.

To say the movie isn't original or well done is foolish. The director? The redoubtable Spike Jonze, who seems to have let Kaufman lead the way, so the filming, per se, is excellent without being notable. You can't quite tell he's a television commercial director, but once you find that out it makes sense, and the movie is broken into short pieces not unlike your average t.v. experience.

To say Adaptation isn't to your taste is, of course, very reasonable. But if you can watch it the way I did the second time, open to its inner meanderings and the jumping from layer to layer, open that is to the working of the narrative plot stripped bare, you'll be glued.


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