A rogue Multiverse agent goes on a manhunt for alternate versions of himself, getting stronger with each kill. Only the last version of himself, an LASD cop, can stop his crusade before he becomes "The One".
There is not one universe, but there are many, which is a multiverse. Supposing you are just one person, there are many other versions of you in the other universes, there are ways to travel, but only a police agency, MVA, can travel only for police procedures. Gabriel Yulaw is a former MVA agent, who killed another version of himself in self-defense. It made the other versions of him stronger. When Yulaw found out about this, he became power-hungry killing the 122 other versions for two years. After killing Lawless and getting captured by his former partner Roedecker and a new MVA agent Funsch, Yulaw managed to escape the prison and is trying to kill his last target, Gabe Law who is a police officer. He is also at Yulaw's strength. Roedecker and Funsch now have to arrest Yulaw before he can kill Gabe. There is a possibility that the universe could die or make Yulaw invincible. After encountering Yulaw for the first time, Gabe thought that it was his split personality, but it wasn't. ...Written by
During the climactic fight in the power plant, the part in the hair of both characters keeps changing from left to right to left again, as the film is flipped to aid in scene composition. See more »
There is not one universe. There are many: A multiverse. We have the technology to travel between universes, but travel is highly restricted and policed. There is not one you. There are many. Each of us exists in present time, in parallel universes. There was balance in the system, but now a force exists who seeks to destroy the balance so he can become The One.
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German theatrical version was edited for violence to secure a "Not under 16" rating. See more »
Written and Performed by Papa Roach
Courtesy of DreamWorks Records
Under license from Universal Music Enterprises See more »
Jon Monsarrat review: action movie fans, rally!
Hey! Why'd this film get such a low rating?
I hope it's not due to the drama / arty types. I swear they walk into an Arnold Schwartzenegger film and start critiquing the dialogue or the deep cinematic reflections on life. I think they may have formed a false expectation. Action movies don't aim for that stuff, so it's a little unfair to then expect it.
Mostly stuff blows up in "The One", and I'm totally OK with that, being an action movie buff. What's weird is that you know they're using lots of wires and some of the stunts are a little overdone. But forget the fictional character's skill -- just the skill you'd need as a stuntman or stuntwoman making this movie to perform some of these stunts is truly impressive!
Let me warn you that the plot is a pretty stupid, and while billed as a science fiction film it really is not. However, it's nowhere near as bad as sub-intelligent flicks "Independence Day" and "Mission Impossible". It was more like "Mission Impossible 2". And lots and lots of stuff blows up.
Compared to Jackie Chan, Jet Li's films have more action, but it's stunt-like rather than natural, more of an "edge" (including blood and gore), less comedy, and he speak better English. I still prefer Jackie. If you're new to martial arts films, ease yourself in with accessible Jackie Chan action/comedies "Shanghai Noon" or "Twin Dragons".
Who should see this film:
-- action movie buffs and borderline action movie types
who will trade over-violence for under-plotting.
And don't drag along your SO.
-- sci-fi movie buffs who don't form expectations of real sci-fi
and like action flicks
-- I can't think of anyone else.
I'll give "The One" an 8 out of 10.
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