There is not one universe, but there are many, which is a multiverse. Supposing you are just one person, there are many other versions of you in the other universes, there are ways to travel, but only a police agency, MVA, can travel only for police procedures. Gabriel Yulaw is a former MVA agent, who killed another version of himself in self-defense. It made the other versions of him stronger. When Yulaw found out about this, he became power-hungry killing the 122 other versions for two years. After killing Lawless and getting captured by his former partner Roedecker and a new MVA agent Funsch, Yulaw managed to escape the prison and is trying to kill his last target, Gabe Law who is a police officer. He is also at Yulaw's strength. Roedecker and Funsch now have to arrest Yulaw before he can kill Gabe. There is a possibility that the universe could die or make Yulaw invincible. After encountering Yulaw for the first time, Gabe thought that it was his split personality, but it wasn't. ...Written by
Each of the universes that are listed along with Yulaw's charges is named after a star or constellation (in keeping with the idea that a new universe is formed when a star collapses): Monoceros, Tucana, Canopus, Serpens, and Shaula. The one exception is Lawless's universe. His, along with the other universes that are actually shown in the film, are all named after mythological gods (a possible allusion to Yulaw's hope to become a god himself, by absorbing the energy of his other selves). Lawless is from Anubis universe, after the Egyptian god of mummification and the afterlife. Gabe is from Charis universe, after the Greek goddesses of charm and beauty. The penal colony is in Hades universe, after the Greek god of the Underworld. The colony itself is called Stygian Penal Colony: the word Stygian refers to the River Styx, which was located in the Greek Underworld. The location of the Multiverse Agency is called, simply, "Multiverse." See more »
While Gabe is practicing Bagua Zhang in his den, he actually slides over the wooden paneled floor with his Magnum Boots. It's impossible to slide with these things (especially on wood) since the carbon rubber sole is skid-proof. See more »
There is not one universe. There are many: A multiverse. We have the technology to travel between universes, but travel is highly restricted and policed. There is not one you. There are many. Each of us exists in present time, in parallel universes. There was balance in the system, but now a force exists who seeks to destroy the balance so he can become The One.
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German theatrical version was edited for violence to secure a "Not under 16" rating. See more »
Brilliant idea, but very poorly executed and wasted script potential.
I didn't want to write this movie off on the reviews and critics in the western world, I mean how wrong have they been about Asian cinema that has now become a staple diet of the Hollywood remake monster? Plus Jet L is pretty damn cool, and he's made some interesting movies in Asia. So with an open mind I was surprisingly averaged out by this movie.
There are good points. The story is very clever, using M-Theory as a base to bring forward the plot that there are multiple universes each with their own versions of worlds, and most likely you. Each time one of you is destroyed the rest share the energy and power amongst them. The idea that someone might try and purposely become the only version of themselves in all the Universes to find out if they become a God.
There's also Jet Li, and he's not a bad actor and pretty nimble as a martial artist, plus Jason Statham who is an all round good actor. As for the special effects, some of them are really cool, a mixing of bullet time, and slow motion with normal speed, very cool to watch in places.
The bad points? Well Statham's accent is appalling, and some of the effects aren't as comparable as others, so it's quite apparent that money was spent on some of the main shots and not on others that were probably deemed as too short on screen or they just plain ran out of budget.
A big sore point for me is the close cropped camera action that Hollywood has long favoured, something that Jackie Chan has often talked about. Filming fight scenes close up serves two purpose. It gives greater emphasis on a single punch or movement, making it look harder and more real than it really is, and it also hides what is going on around the camera lens. For example people holding a fake arm or the face of a stunt double, etc.
What Chan always said was that he tried to open out the camera and show the audience what was going on, let them see the people fighting properly rather than a close up of a face and a fist, cutting to someone falling into frame. Showing the whole picture is more effective, and it's more impressive.
So the close cropped shots were just more annoying than anything, you failed to see the impressiveness of Li's fighting skills, and you found it hard to see some of the action. Slow the cuts down and pan out the camera Hollywood Directors! The biggest problem was the story though, despite having such a strong base on which to build, they seemed to loose the sense of the plot and concentrate on the action scenes. There are some serious plot building and explanatory moments that are just totally overlooked and covered in the space of a few sentences, yet these could have formed some excellent and complex character development.
It just all held together too weakly, and not enough was made of the story. All in all, not a great movie and it's potential was badly spoiled.
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