In a future world, young people are increasingly becoming addicted to an illegal (and potentially deadly) battle simulation game called Avalon. When Ash, a star player, hears of rumors that a more advanced level of the game exists somewhere, she gives up her loner ways and joins a gang of explorers. Even if she finds the gateway to the next level, will she ever be able to come back to reality?Written by
Jean-Marc Rocher <firstname.lastname@example.org>
All military vehicles and helicopters were borrowed from the Polish army for free. See more »
The screen showing Ash's points after the first battle lists as a Gotten Item an SVD 7.65x56R. The SVD Dragonov is a Russian sniper rifle which uses 7.62x54R ammunition. See more »
Have you ever been shot? Do you want to feel real pain in a real body?
Does it have to be this way?
When one of us dies and that body doesn't vanish, the other one will know.
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North American (Region 1) DVD release in 2003 features additional narration by the lead character "Ash" in the English dubbed version -- most notably after the pre-credits battle scene, and at the end of the film, the latter of which initially played out without any dialog. As a result of the added narration, the enigmatic ending becomes easier to understand for North American viewers. The added narration actually creates a very large problem with the 'Polish with English subtitles' option on the Region 1 DVD, since the 'traslantion' subtitles are actually dub-titles (they simply transcribed the Enlgish dub as the Polish dialog). This results in innumerable inaccuracies in the script (almost all mention of the connections to the King Arthur myth are lost on any language of the Region 1 version), and the subtitles also show up during the sequences where the English version has narration, meaning that in the middle of a dialog-less scene, the subtitles will show up anyway. Miramax has not recalled or corrected the DVD, but an uncut anamorphic version with proper subtitles is available from UK company Blue Light. See more »
What happens when you combine mystical Japanese computer art with a brooding Polish mythology that no matter how creative you are, your lives are controlled by others. An interesting story that has just enough clues to make it possible to follow, but with a few surprises and a few unanswered questions. But the best part of this movie is the music of Kenji Kawai that has a life of its own and will keep you rewinding the credits to hear it again and again. It appears that the Warsaw Philharmonic Symjphony Orchestra played much of the background music, and the quality is stunning. There is much to criticize in this film too, as there are too many unanswered questions left to the imagination of the viewer. When do we leave the game and reenter reality, or is reality the game, and Avalon is the only way to find a world worth exploring. And how can the main character go on for days without eating? Welcome to Avalon.
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