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Avalon (2001)

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0:57 | Trailer

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In a dystopian world, a woman spends her time playing an illegal and dangerous game, hoping to find meaning in her world.

Director:

Mamoru Oshii

Writer:

Kazunori Itô (screenplay)
Reviews
3 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
Malgorzata Foremniak ... Ash
Wladyslaw Kowalski ... Game Master
Jerzy Gudejko ... Murphy
Dariusz Biskupski ... Bishop
Bartlomiej Swiderski Bartlomiej Swiderski ... Stunner (as Bartek Swiderski)
Katarzyna Bargielowska ... Receptionist
Alicja Sapryk Alicja Sapryk ... Gill
Michal Breitenwald ... Murphy of Nine Sisters
Zuzanna Kasz Zuzanna Kasz ... Ghost
Adam Szyszkowski ... Player A
Krzysztof Plewako-Szczerbinski Krzysztof Plewako-Szczerbinski ... Player B (as Krszysztof Szczerbinski)
Marek Stawinski Marek Stawinski ... Player C
Jaroslaw Budnik Jaroslaw Budnik ... Cooper (voice)
Andrzej Debski Andrzej Debski ... Cusinart (voice)
Rest of cast listed alphabetically:
Elzbieta Towarnicka Elzbieta Towarnicka ... Soloist at Philharmonic
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Storyline

In a future world, young people are increasingly becoming addicted to an illegal (and potentially deadly) battle simulation game called Avalon. When Ash, a star player, hears of rumors that a more advanced level of the game exists somewhere, she gives up her loner ways and joins a gang of explorers. Even if she finds the gateway to the next level, will she ever be able to come back to reality? Written by Jean-Marc Rocher <rocher@fiberbit.net>

Plot Summary | Add Synopsis

Taglines:

Dare to enter a world of future videogames


Motion Picture Rating (MPAA)

Rated R for some violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

Japan | Poland

Language:

Polish

Release Date:

20 January 2001 (Japan) See more »

Also Known As:

Авалон See more »

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Box Office

Budget:

$8,000,000 (estimated)

Cumulative Worldwide Gross:

$449,275
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital EX

Color:

Color | Black and White (Sepiatone)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Mamoru Oshii: [biblical quote] See more »

Goofs

When Ash is holding Murphy after shooting him, he is holding a gun in his right hand. The shot then switches to his other hand dropping bullets and when the shot returns to both of them the gun is missing. See more »

Quotes

Murphy: Why did you come? Because of me?
Ash: Isn't that a good reason?
See more »

Alternate Versions

North American (Region 1) DVD release in 2003 features additional narration by the lead character "Ash" in the English dubbed version -- most notably after the pre-credits battle scene, and at the end of the film, the latter of which initially played out without any dialog. As a result of the added narration, the enigmatic ending becomes easier to understand for North American viewers. The added narration actually creates a very large problem with the 'Polish with English subtitles' option on the Region 1 DVD, since the 'traslantion' subtitles are actually dub-titles (they simply transcribed the Enlgish dub as the Polish dialog). This results in innumerable inaccuracies in the script (almost all mention of the connections to the King Arthur myth are lost on any language of the Region 1 version), and the subtitles also show up during the sequences where the English version has narration, meaning that in the middle of a dialog-less scene, the subtitles will show up anyway. Miramax has not recalled or corrected the DVD, but an uncut anamorphic version with proper subtitles is available from UK company Blue Light. See more »

Connections

References Ghost in the Shell (1995) See more »

Frequently Asked Questions

See more »

User Reviews

Where Does The Heart Freeze Sooner? or: A Cybercar Named Desire
14 January 2003 | by schogger13See all my reviews

There is an interesting parallel between The Matrix and Avalon. The first is heavily based on Manga/Animee style, in visual dynamics much more than in pace as well as storytelling, the latter IS an Animee movie without the animations - in fact, Avalon is a VERY typical Oshii film in every other aspect going.

It's slow. It has to be. It either bores you stiff or chains you to a subtle, incredibly intense way of visual storytelling - takes you back to a time when the attention span as well as the will required to catch a drift - to hold a thought and work on it - lived longer than a few seconds.

On the surface, this movie is what one could call a cyberpunk poem. For that alone it already claims a unique position amongst whatever one might want to compare it to at first glance. A chillingly dark and detailed as well as beautifully crafted ballad of a heroine seeking much more than sense between realities and illusions. She seeks the home we all desperately try to cling to in belief for lack of knowledge.

As always in Oshii's movies, one has to be prepared to be drawn into the unsettling realm between suffocating rules of conduct and complete uncertainty to get at the tiny grain of hope hovering so painfully close to the wheels that try to grind you.

The dialogue doesn't tell us much. In fact, the more wordy the explanations get, the more they deflect us from what we see and feel. That's pretty much what Ash has to cope with as well to find the way to HER reality as well as illusion.

To call the acting understated, slow and painfully introverted would be an understatement in itself. To call it bad for that would be the most idiotic conclusion. Malgorzata Foremniak (Ash) is a true discovery. The intensity and sheer impact she can give to 'silence' alone makes her the ideal Oshii actress. There is no empty move, no hollow gesture, no shallow expression in her entire performance. Quite an accomplishment if one keeps in mind that Ash leads a depressingly empty, hollow as well as shallow life on the surface.

It's an equally depressing fact that this incredible Polish actress will stay in obscurity as far as the billion dollar mainstream movie world is concerned.

The cinematography and lighting by Grzegorz Kedzierski is nothing short of exquisite. So is Barbara Novak's production design. Budget-wise, this is a B-Movie, but they all turned that restriction into a virtue.

One last praise has to go to the composer as well as the musicians. The title track 'Avalon' alone, a grand piece for orchestra, choir and soprano, is nothing short of a masterpiece.

As I said, this movie is a poem. Take a quiet place, wind down from the hassle of your day and let yourself sink into illusions which might even show the occasional glint of YOUR reality.

* 10 out of 10

Schogger13


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