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Spy Game (2001)

Retiring CIA agent Nathan Muir recalls his training of Tom Bishop while working against agency politics to free him from his Chinese captors.

Director:

Tony Scott

Writers:

Michael Frost Beckner (story), Michael Frost Beckner (screenplay) | 1 more credit »
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Popularity
4,090 ( 1,247)
3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Robert Redford ... Nathan Muir
Brad Pitt ... Tom Bishop
Catherine McCormack ... Elizabeth Hadley
Stephen Dillane ... Charles Harker
Larry Bryggman ... Troy Folger
Marianne Jean-Baptiste ... Gladys Jennip
Matthew Marsh ... Dr. Byars
Todd Boyce ... Robert Aiken
Michael Paul Chan ... Vincent Vy Ngo
Garrick Hagon ... Cy Wilson
Andrew Grainger Andrew Grainger ... Andrew Unger
Bill Buell ... Fred Kappler
Colin Stinton ... Henry Pollard
Ted Maynard Ted Maynard ... CIA Administrator
Tom Hodgkins Tom Hodgkins ... CIA Lobby Guard
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Storyline

CIA operative Nathan Muir (Redford) is on the brink of retirement when he finds out that his protege Tom Bishop (Pitt) has been arrested in China for espionage. No stranger to the machinations of the CIA's top echelon, Muir hones all his skills and irreverent manner in order to find a way to free Bishop. As he embarks on his mission to free Bishop, Muir recalls how he recruited and trained the young rookie, at that time a sergeant in Vietnam, their turbulent times together as operatives and the woman who threatened their friendship. Written by ck

Plot Summary | Plot Synopsis

Taglines:

"Poor is the pupil who does not surpass his teacher" (Leonardo Da Vinci) See more »

Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for language, some violence and brief sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Universal

Country:

Germany | USA | Japan | France

Language:

English | German | Arabic | French | Cantonese

Release Date:

21 November 2001 (USA) See more »

Also Known As:

SpyGame See more »

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Box Office

Budget:

$115,000,000 (estimated)

Opening Weekend USA:

$21,689,125, 25 November 2001

Gross USA:

$62,362,560

Cumulative Worldwide Gross:

$143,049,560
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (TV)

Sound Mix:

DTS | Dolby Digital | SDDS

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

In the scene where Nathan enters his office after the CIA employees rummaged through it we can see director Tony Scott's faded red hat on the right next to the door. See more »

Goofs

When Doumet is monitoring Hadley's apartment, and we see Bishop leave, Hadley's car is seen on the left of the screen. When Hadley leaves, she goes to the same car on the right. When Doumet stands up, the car is back on the left of the screen. See more »

Quotes

Gladys Jennip: [in Muir's office] Feeling a little paranoid on our last day?
Nathan Muir: [in Muir's office] When did Noah build the ark Gladys? Before the rain.
See more »

Crazy Credits

The film is dedicated to Elizabeth Jean Scott, Tony Scott's mother, that died that year. See more »

Connections

Referenced in Top Gear: Episode #6.4 (2005) See more »

Soundtracks

Rocky Mountain Way
Written by Rocke Grace, Kenny Passarelli (as Ken Passarelli), Joe Vitale (as Joey Vitale), Joe Walsh
Performed by Joe Walsh
Courtesy of MCA Records
Under license from Universal Music Enterprises
See more »

Frequently Asked Questions

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User Reviews

Smilie's Game: Spy the Image
23 November 2001 | by tedgSee all my reviews

Tony delivers something I would have expected from brother Ridley -- a set of images about images:

--the photographic and editing style is one of successive photographs often shifted/zoomed with the shutter click; some black and whites, many color deprived.

--the hero's cover story is as a photo journalist and his photos are shown the same as the CIA's, Redford's recollections, and the 'narrator's.'

--The agency is primarily about images in real life, images and action and that's self-referentially played up here. Scott uses a style of zooming in and out by jump cuts that he developed on his last film -- also about images and the intelligence community. Lots of cameras and binoculars here.

--the dramatic action is global, involving several hotspots with lots of action. When viewing that action, the cameras are hand-held. When watching the calm, controlling scenes at headquarters, we see them more statically as they are being videotaped, often spying through blinds. (Spy = see.) Often the images have digital tags.

--Some of the field scenes with Redford and Pitt are shot as though from a spy plane (as in that swooping, sweeping shot on a roof) or if interior as seen through a hole.

--Lots of helicopter shots, and lots of helicopters. It seems every combination was employed among the following: ground, interior of heli, interior of second heli, front of heli, heli POV, above heli. This by itself is self-referential when you notice how many of the 'ordinary' shots are from helis.

There is also a clever self-reference in the casting. Pitt was hailed as the 'new Redford' when he appeared in 'Thelma and Louise,' by brother Ridley. Then in 'River Runs' he was directed by Redford, in a Redfordlike role, underscoring the relationship. Here, he also is mentored, but in my opinion outacts Redford at every turn. I believe Scott intended to use Redford's limits as a tired actor to the advantage of this reference. Pitt has been working hard in relatively minor but challenging roles and the results show.

The only real complaints are the clumsy plot mechanics: the last day before retirement -- a clear 24 hour to doom clock -- a wily and complete outwitting of the pencilnecks -- all the CIA analysts and technicians as outwittable dimmies -- a senior character says 'get everything we have on so and so' and 10 seconds later a secretary appears with the files in multiple copies -- a helicopter is shot down: it disappears behind the trees and then we see a fireball. Fortunately we gloss over all that stuff. Couldn't in 'Enemy of the State.'


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