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Kill Bill: Vol. 1 (2003)

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After awakening from a four-year coma, a former assassin wreaks vengeance on the team of assassins who betrayed her.

Director:

Quentin Tarantino

Writers:

Quentin Tarantino, Quentin Tarantino (character The Bride) (as Q) | 1 more credit »
Popularity
577 ( 22)
Top Rated Movies #173 | Nominated for 1 Golden Globe. Another 27 wins & 101 nominations. See more awards »

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Cast

Cast overview, first billed only:
Uma Thurman ... The Bride
Lucy Liu ... O-Ren Ishii
Vivica A. Fox ... Vernita Green
Daryl Hannah ... Elle Driver
David Carradine ... Bill
Michael Madsen ... Budd
Julie Dreyfus ... Sofie Fatale
Chiaki Kuriyama ... Gogo Yubari
Shin'ichi Chiba ... Hattori Hanzo (as Sonny Chiba)
Chia-Hui Liu ... Johnny Mo (as Gordon Liu)
Michael Parks ... Earl McGraw
Michael Bowen ... Buck
Jun Kunimura ... Boss Tanaka
Kenji Ohba Kenji Ohba ... Bald Guy (Sushi Shop) (as Kenji Oba)
Yuki Kazamatsuri Yuki Kazamatsuri ... Proprietor
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Storyline

The lead character, called 'The Bride,' was a member of the Deadly Viper Assassination Squad, led by her lover 'Bill.' Upon realizing she was pregnant with Bill's child, 'The Bride' decided to escape her life as a killer. She fled to Texas, met a young man, who, on the day of their wedding rehearsal was gunned down by an angry and jealous Bill (with the assistance of the Deadly Viper Assassination Squad). Four years later, 'The Bride' wakes from a coma, and discovers her baby is gone. She, then, decides to seek revenge upon the five people who destroyed her life and killed her baby. The saga of Kill Bill Volume I begins. Written by JD

Plot Summary | Plot Synopsis

Taglines:

The Fourth Film by Quentin Tarantino See more »

Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for strong bloody violence, language and some sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

USA

Language:

English | Japanese | French

Release Date:

10 October 2003 (USA) See more »

Also Known As:

Quentin Tarantino's Kill Bill: Volume One See more »

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend USA:

$22,089,322, 12 October 2003, Wide Release

Gross USA:

$70,099,045, 28 May 2012

Cumulative Worldwide Gross:

$180,949,045, 28 May 2012
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The entrance to the traffic tunnel in Tokyo is in fact the entrance to the second street tunnel in Los Angeles (Blade Runner (1982)) with Japanese traffic signs added. See more »

Goofs

When the Bride is following Sophie through the highways of Tokyo, Sophie's car is left-hand drive, and obviously driving in the fast lane with exits on the right side (as in the US). In Japan, drive is on the left-hand side of the road and steering is on the right side of the car. This is corrected when the Bride dumps Sophie off at the hospital. See more »

Quotes

[first lines]
Bill: Do you find me sadistic? You know, I bet I could fry an egg on your head right now, if I wanted to. You know, Kiddo, I'd like to believe that you're aware enough even now to know that there's nothing sadistic in my actions. Well, maybe towards those other... jokers, but not you. No Kiddo, at this moment, this is me at my most...
[cocks pistol]
Bill: masochistic.
The Bride: Bill... it's your baby...
[BLAM!]
See more »

Crazy Credits

R.I.P. Charles Bronson, Chang Cheh, Kinji Fukasaku, Lo Lieh, Shintaro Katsu, William Witney See more »

Alternate Versions

There are two Japanese versions of the film, one with only Japanese subtitles only, and one with Japanese subtitles for the English dialogue and English subtitles for the Japanese dialogue. The House of Blue Leaves fighting scene is shown in color in both versions. See more »

Connections

Referenced in Transformers (2007) See more »

Soundtracks

Il Grande Duello / The Grand Duel, A (Mix II)
Written by Luis Bacalov
Performed by Luis Bacalov
Courtesy of EMI General Music Srl
See more »

Frequently Asked Questions

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User Reviews

 
A movie of visual splendor and a mixture of styles.
10 January 2007 | by Boba_Fett1138See all my reviews

This movie is a visual experience of different styles, all combined with also some trademark Tarantino elements.

The movie is obviously a case of style over substance. In essence the movie is just a basic revenge flick without too much depth or meaning. This however is exactly like how Tarantino intended it to be. "Kill Bill: Vol. 1" is simple, straightforward, completely over-the-top but above all beautifully shot and superbly directed. The movie its story comes totally secondary, as Tarantino used this movie as an experimental tool to mix several, mostly Asian cinema, styles together and blend it into one big visual experience of violence and unusual over-the-top looking sequences. His aim was style and with that this movie most certainly does not disappoint.

Always when looking at a Tarantino movie, it becomes obviously that he's a big movie buff and movie lover. Tarantino really shows his love for- and pays homage to Asian cinema and especially anime. Most notably of course in the animated segment (that is great by the way) but also in almost every action/fight sequence in the movie and its violence. It gives the movie its own unique style and an overall atmosphere of 'coolness'.

The violence is definitely brutal and straightforward, as gallons of blood are spilled in this movie. But all of the violence is done in such a, deliberately, over-the-top and fake looking way, that it becomes entertaining, rather than shocking or stomach turning. It even becomes poetically beautiful to watch at times. The action sequences are definitely the best parts of the movie and they are well choreographed and shot. When things get too graphic the movie simple conveniently switches to black & white or turns to other creative cinematic solutions.

The power of this movie is definitely in its visual style and overall style of directing. The movie uses different themes throughout the movie but yet the movie manages to create one big unique identity. The movie never feels incoherent or disjointed in its style or storytelling, though it all widely differs from each other at times. I think that this is mainly thanks to Tarantino's directing, who keeps the movie and different styles all on one and the same line. Visually the movie is also definitely helped by Robert Richardson fantastic cinematography, who should at least had been rewarded with an Oscar nomination for it.

The movie is filled with some big name actors, though not all play a significant part in the movie yet (see "Kill Bill: Vol. 2" for that). Uma Thurman is truly superb as the Bride and I can honestly say that this is her best role out of her career. She also was rewarded with a Golden Globe nomination for it. Also really superb in her role was Lucy Liu. Again, also her best role yet.

Not of all the trademark Tarantino elements work out well in the movie I definitely missed the typical trademark Tarantino dialog in this movie and for also for most part the trademark non-linear storytelling felled pointless and didn't really served a purpose for the story. It therefor really isn't Tarantino's best but it's definitely his most experimental and most visually orientated, style-full, splendid movie.

Unusual, over-the-top but strangely intriguing, entertaining and overall brilliant. Yet another Tarantino must-see!

9/10

http://bobafett1138.blogspot.com/


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