Eight years after the Joker's reign of anarchy, Batman, with the help of the enigmatic Catwoman, is forced from his exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
The lead character, called 'The Bride,' was a member of the Deadly Viper Assassination Squad, led by her lover 'Bill.' Upon realizing she was pregnant with Bill's child, 'The Bride' decided to escape her life as a killer. She fled to Texas, met a young man, who, on the day of their wedding rehearsal was gunned down by an angry and jealous Bill (with the assistance of the Deadly Viper Assassination Squad). Four years later, 'The Bride' wakes from a coma, and discovers her baby is gone. She, then, decides to seek revenge upon the five people who destroyed her life and killed her baby. The saga of Kill Bill Volume I begins.Written by
Although the siren sound heard before The Bride goes on a rampage is credited to Quincy Jones' theme from the television show Ironside (1967), it is more of an homage to the Shaw Brothers' kung-fu classic Five Fingers of Death (1972) (a.k.a. King Boxer). The U.S. release of Five Fingers of Death (1972) used the siren from the Ironside (1967) theme whenever its protagonist went on a vengeful rampage. See more »
When The Bride enters the restaurant, she only has a T-Shirt on. When they enter the attic in the scene directly after, she suddenly has a jacket on. Also, Hattori is suddenly missing his headband when entering the attic. See more »
Do you find me sadistic? You know, I bet I could fry an egg on your head right now, if I wanted to. You know, Kiddo, I'd like to believe that you're aware enough even now to know that there's nothing sadistic in my actions. Well, maybe towards those other... jokers, but not you. No Kiddo, at this moment, this is me at my most...
Bill... it's your baby...
See more »
R.I.P. Charles Bronson, Chang Cheh, Kinji Fukasaku, Lo Lieh, Shintaro Katsu, William Witney See more »
In the Japanese version, the old Klingon proverb at the beginning was replaced with a dedication to Kinji Fukasaku: "This film is dedicated to master filmmaker - Kinji Fukasaku 1930 - 2003" See more »
Kill Bill is one of the brashest, boldest and bloodiest movies I have ever seen, so look over your shoulder, because........... 'Here comes the bride, with only one thing on her mind, a roaring rampage of re
It has been six years since we have seen a movie from one of the world's most talked about directors, Quentin Tarantino, but the wait for me, has been worth the while. Tarantino can now add the martial arts masterpiece 'Kill Bill' to his resume, a film that left me speechless after I had seen it. It certainly is one intense, hateful movie, containing some of the greatest sword fighting sequences ever filmed in a movie. Tarantino has made KB with class, precision and close intense attention to every detail. But, what else should we expect from a movie freak, like Quentin Tarantino?
An entire wedding party is slaughtered during a dress rehearsal in a rural chapel: the pregnant woman in the blood-splattered wedding dress is Black Mamba, better known as 'The Bride'. The assassin, Bill, and his circle known as 'The Vipers' leave 'TB' for dead, however she was merely comatose. Four years later, 'TB' suddenly awakes from her coma, ferociously focused on one mission, to seek revenge on her former master. One by one, she will kill the various assassins. She is saving Bill for last.
I am not sure where I want to start with my review of Kill Bill. I love parts of it, but then find other parts to be extremely difficult to watch. Quentin Tarantino has written and directed another powerful piece of cinema, in a way that only he could. This time we see more violence, the action and the result of that violence, with it being a bit over-powering in the end. But without the violence, KB would have not been the movie it was.
This time Tarantino has not focussed on the dialogue in this movie, when it came to writing its script, more he wanted to show what the characters he had created, and why they were in the position they were in. For me I can appreciate both aspects of what Tarantino shows, as he can express himself either visually or with dialogue.
The other part I like about KB is the way Tarantino dedicated the movie to certain aspects of cinema history. To quote Quentin he said Kill Bill is 'my yakuza movie, my samurai movie, my spaghetti western movie', and it was quite clear for me how passionate Tarantino was in showing these parts. However it was also so much more, with one of the great sections of the movie being presented in Japanese animation. I also believe that there was a clear reference to black and white movies and silent movies, as KB had these sections a few times. I also feel that Tarantino is in some way trying to show his appreciation to Pulp Fiction, the movie that made him successful, via KB. If this is true, I do not feel it is gloating, rather I give Tarantino great praise, because some movie makers ignore the movies that give them success, but not here.
While 'KB' has some interesting characters, none are what I would call 'likeable'. 'The Bride', aka Black Mamba (Uma Thurman) is a girl totally driven by the desire to get revenge. Thurman really suits her part well, as she not only looks attractive, but is really believable as this American martial arts tough girl. Helping 'TB' on her quest is Samuri sword expert Hattori Hanzo (Sonny Chiba). This character brings a very oriental feel to the movie, something I liked. The bickering with his assistant was fun to see being played out.
'The Deadly Viper Assassination Squad' are the cruel callous people who inflict horrific harm on 'TB'. Bill (David Carradine) is their leader, a person we only hear and see in hand gestures, which is reminiscent of Marsellus Wallace in Pulp Fiction. Bill still has a very strong presence in the film, even though we never see him. Under Bill are killers like O-Ren Ishii, aka Cottonmouth (Lucy Liu), whose introduction, via the Japanese Animation, was great. Under Cottonmouth is her personal assistant, lawyer and translator, Sofie Fatale (Julie Dreyfus), who was present at the slaughtering of 'TB'. When 'TB' sees Sofie once again, she is pretty bitter about what Sofie let have happen to her. What we hear has happened to Sofie at the hands of 'TB', is truly unbelievable.
Another of Cottonmouth's women is a little girl, Go Go Yubari (Chiaki Kuriyama), who is more deadly than she looks. Her school girl sound and look is very interesting, while her confrontation with 'TB' highly entertaining. Then there is the evil nurse, Elle Driver, aka Californian Mountain Snake (Daryl Hannah), who shows very little emotion towards 'TB', other than hate. Vernita Green (Vivica A Fox) is another woman that 'TB' has on her hit list. Her demise was highly entertaining to say the least, again reminiscent of Pulp Fiction.
All the scenes with fighting in KB are a highlight for me, especially the sword fighting, as they are so fun and intense, with the last hour of the movie purely exhausting, with the final showdown between 'TB' and Cottonmouth & co. being terrific. The middle section of film was also great, as it tells the majority of the KB Vol. 1 story, although parts are pretty disturbing.
Kill Bill is another film by Quentin Tarantino, where I have to say it was 'exceptionally well made'. There is a scene in Volume 1, which reminded me of 'Matrix Reloaded'. Now I have heard that Tarantino hates the Matrix franchise, and you can see what he is making a stand against, film's laden with SFX. KB is 'not guilty' of being that. The violence is very graphic in KB, but at certain times the violence was 'laughable', as it seemed to look deliberately fake. But perhaps I am wrong? Volume 1 ended at a good point, setting up the conclusion, Volume 2 beautifully. So Kill Bill: Volume 2, get here, A.S.A.P.