A seasoned FBI agent pursues Frank Abagnale Jr. who, before his 19th birthday, successfully forged millions of dollars' worth of checks while posing as a Pan Am pilot, a doctor, and a legal prosecutor.
The lead character, called 'The Bride,' was a member of the Deadly Viper Assassination Squad, led by her lover 'Bill.' Upon realizing she was pregnant with Bill's child, 'The Bride' decided to escape her life as a killer. She fled to Texas, met a young man, who, on the day of their wedding rehearsal was gunned down by an angry and jealous Bill (with the assistance of the Deadly Viper Assassination Squad). Four years later, 'The Bride' wakes from a coma, and discovers her baby is gone. She, then, decides to seek revenge upon the five people who destroyed her life and killed her baby. The saga of Kill Bill Volume I begins.Written by
Quentin Tarantino, in his conversation with Indian Director Anurag Kashyap, admitted that the celebrated manga animation-action sequence in Kill Bill was inspired from the Hindi-Tamil film, Aalavandhan (2001) starring Kamal Haasan. Tarantino was quoted saying 'Yes, saw this Indian serial killer film which showed violence as animated'. See more »
The scene in the end of the film in which Budd says "That woman deserves her revenge" is mirror inverted to that exact same scene in Kill Bill: Vol. 2. In Vol. 1 his face is on the left side of the screen whereas in Vol. 2 it's on the right. See more »
Do you find me sadistic? You know, I bet I could fry an egg on your head right now, if I wanted to. You know, Kiddo, I'd like to believe that you're aware enough even now to know that there's nothing sadistic in my actions. Well, maybe towards those other... jokers, but not you. No Kiddo, at this moment, this is me at my most...
Bill... it's your baby...
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"Revenge is a dish best served cold." - Old Klingon Proverb See more »
The Japanese cut, while only a little over a minute longer than the US cut, features not only a full color version of the "House of Blue Leaves" fight, but some quick new shots in the anime scenes as well as some alternate footage, most cut/altered to avoid an NC-17 rating:
The opening scene between The Bride and Vernita Green has two alternate angles shown when The Bride asks for a towel instead of keeping the overhead shot.
In the anime sequence, one of Boss Matsumoto's men has his face smashed into a wall twice, rather then just once.
In the anime sequence, when O-Ren Ishii kills Matsumoto and tells him to look at her face, she asks him to look at more facial features (nose, chin. etc.) to be recognized, and then before pulling the knife out, there is a close up shot of her moving the knife up his stomach and then finally pulling it out. There are a couple of close up shots of Matsumoto's face as he's dying as well that were eliminated from the US print and then a pan up shot of Matsumoto's blood covered and disemboweled body.
The "House of Blue Leaves" fight is not only in full color, but features about 9 new shots missing from the US print which include:
A close up of the first female Crazy 88 (Julie Manase) gargling blood after being pinned to a wooden pillar by a sword. This shot, while cut from the US version of Vol 1, showed up in the end credits of the US cut of Vol 2.
A shot of The Bride stabbing two Crazy 88s at once using her own sword as well as another Crazy 88's sword.
A ten foot high super backflip that The Bride executes before landing back down to pop out one of the Crazy 88's eyes. This shot appeared in the TV spot teaser, but disappeared soon after.
After The Bride pops out the one Crazy 88's eye, as another one charges at her screaming, she simply throws the eye into the attackers mouth, causing him to start to choke. The partially armless Sofie Fatale gives a follow up disgusted reaction.
A shot of another female Crazy 88 attacking only to get slashed in the throat and spraying blood everywhere.
The first appearance of the "Kid Crazy 88" (the one who gets spanked with the sword). In this shot, we now find out why he's missing a mask later on. As he's about to attack The Bride, she swipes his mask off. We see he's just a kid, and he gives the universal "don't hurt me" sign. The Bride has a look of shock on her face in realizing he's just a kid, so she grabs him, throws him across, knocking 3-4 Crazy 88 into a blood filled mini pool. This shot of the 3-4 falling, while cut from the US version of Vol 1, also showed up in the end credits of the US cut of Vol 2. Overall, this "mini scene" helps establish The Bride's look of surprise even more when she sees the young Crazy 88 the last time... and his follow up "don't hurt me" look even funnier.
A shot of a Crazy 88 getting slashed across the chest and spraying blood all over a wall.
When The Bride jumps onto the shoulders of one of the Crazy 88, after she slashes another one across the face, the Crazy 88 she's standing on tries to attack her from below. She parries the attack and cuts his hands off. The shot then cuts to the forward sommersault.
Since the fight is already in color, the close up "eye shot" of The Bride blinking is cut. Instead, the first part of the close up before she blinks is shown, however, at the point when she normally blinks, there is a replacement medium shot of her standing slightly fatigued and holding her sword out.
Finally, after the "House of Blue Leaves" fight, is the most infamous of the missing scenes and that is Sofie Fatale's extended "trunk interrogation" scene. After The Bride warns Sofie about cutting off something, instead of cutting back to Sofie in the hospital, The Bride is shown grabbing Sofie's arm and screams "GIVE ME YOUR OTHER ARM!". Sofie starts to panic, but then The Bride chops off her other arm, causing blood to splash onto the screen and Sofie begins screaming again.
I know it's a couple years late, but I had to write a review for some of the few people that haven't seen one of my favorite and refreshing I've seen over the last few years. Kill Bill Vol. 1 is yet another quality film of Tarantino's short, but distinguished list.
Kill Bill involves a nameless woman (Uma Thurman) who is slowing seeking revenge on her former hit squad the Viper Squad and her boss Bill (David Caradine.) Her former hit squad wronged her by gunning down her closest friends and family during her wedding and putting her into a coma while being pregnant. A few years later she awakens in a hospital, without child, and tries to track down each member of the squad. As the story progresses (through this film and the sequel), you find out who she really, why Bill wanted her dead and the fate of her daughter.
The movie is really a combination of Tarantino's love for the 70's over-dramatized Kung-Fu movie era and story of revenge with rich dialog. Yes, this movie is violent, but in a cheesy way. This created some controversy and really had audiences stirred up, failing to realize it was supposed to be over the top without no sense of realism. Like I said, it was supposed to be a tribute more so than a gruesome action flick. With all cheesiness aside, I can understand how some people could feel a little woozy after seeing someone lose an arm and having 4 gallons of Kool-Aid red blood shoot out of the body like a whale's blow hole. What really makes this movie is Tarantino ability to make bad to mediocre actors seem like good ones, a smart and hilarious dialog and a good storyline. Of course, this is what he does in pretty much in all of his movies.
There are various plot holes in the story, but we are really meant to ignore them unlike most movies. Just like the gory scenes, come to grips to the fact that the most of the implausibilities are there just to fill in the gaps of the movie. The movie also features a couple of classic Tarantino showdowns, including an unforgettable one with the Japanese infamous crime lord, O-Ren Ishii (Lucy Lui.) Once again, Tarantino puts his imagination at work again in his story telling by using some of his old techniques like jumping timelines and some new ones like adding Japanese animation for character backgrounds.
I wouldn't really recommend this film to someone who is really not from the Pulp Fiction era. This film is really just homage to flicks that frequently appear on Sunday Samurai Showcase, revenge and Tarantino's continuous fascination with Uma Thurman. This film contains extreme violence and sometimes strange dialog coupled with some pretty good acting and directing. If you're not a fan of Tarantino's films, you should pass on this one because it is doesn't stray to far from his other stuff. If you like his other works, this is a must see due to its originality and quality. And, if you just don't like Tarantino himself, and find him annoying like everybody else, I don't blame you but it's still worth your while seeing.
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