A clown fish named Marlin lives in the Great Barrier Reef and loses his son, Nemo, after he ventures into the open sea, despite his father's constant warnings about many of the ocean's dangers. Nemo is abducted by a boat and netted up and sent to a dentist's office in Sydney. While Marlin ventures off to try to retrieve Nemo, Marlin meets a fish named Dory, a blue tang suffering from short-term memory loss. The companions travel a great distance, encountering various dangerous sea creatures such as sharks, anglerfish and jellyfish, in order to rescue Nemo from the dentist's office, which is situated by Sydney Harbour. While the two are searching the ocean far and wide, Nemo and the other sea animals in the dentist's fish tank plot a way to return to the sea to live their lives free again.Written by
Darla is named after Pixar producer Darla K. Anderson. Director Andrew Stanton gave her that name as revenge for Anderson playing pranks on him. See more »
When Nigel tells Nemo about that Marlin is looking for him, he mentions that Marlin has "traveled hundreds of miles" to find his son. In Australia, they don't use miles. They use kilometers. See more »
Yes, Marlin. I... No, I see it. It's beautiful.
So, Coral, when you said you wanted an ocean view, you didn't think you were going to get the whole ocean, did you? Huh?
Oh, yeah. A fish can breathe out here. Did your man deliver, or did he deliver?
[...] See more »
During the end credits, Mike Wazowski (the one-eyed character from Monsters, Inc. (2001)) can be seen swimming across the screen while wearing scuba-diving equipment. See more »
In the 3D re-release the old Disney logo is replaced with the new Disney logo and the Pixar logo that was used in the 3D version of Up. These changes were also made in the 3D Blu-ray release (The regular Pixar logo is used in the 2012 DVD & 2D Blu-ray version). See more »
Has there ever been a better-looking feature-length animated film than `Finding Nemo'? We doubt it. With its shimmering underwater landscapes - be they in the vast immensity of a limitless ocean or the cramped confines of a dentist office aquarium - the film sports a look unlike anything we have ever seen before. The fish tank setting, in particular, is a veritable wonderland of eye-popping, many-hued visual splendor.
Although the script by Andrew Stanton doesn't scale the comedic heights of, say, `Aladdin,' `Shrek' or `Toy Story 2,' it still sparkles with enough wit and inventiveness to entrance youngsters and beguile the grownups who will be joining them in their viewing. I hasten to point out that the screenplay is blessedly free of all the double entendres and off-color humor that have blighted so much alleged `kiddie' fare in recent years. This is a film on e can watch with one's children and grandchildren and not once have to blush or turn away in embarrassment while doing so. Creators of children's films please take note (and take note, too, of its phenomenal box office take).
Like many tales designed for the junior set (`Dumbo,' `Bambi' etc.), `Finding Nemo' taps into the fear all children have of being separated from their parents - and the concomitant fear all parents have of being separated from their children. It is upon this common ground that members of both generations will meet in their emotional response to this film. In this case, it is little Nemo, an adorable clownfish, who is plucked out of the ocean and plunked down into the saltwater aquarium of a dentist in Sydney, Australia. The subject of the film's title is Marlin, Nemo's overprotective, worrywart dad who swims his way towards the continent to find and rescue his little tyke. Along the way, this Nervous Nellie parent learns a little something about giving his son the freedom a boy needs to grow up and become a man, and Nemo, himself, learns a thing or two about just what kind of a fish his dad really is.
Albert Brooks and Ellen DeGeneres are brilliant as Marlin and Dory, respectively, the latter a befuddled, daffy and utterly good-natured fish who helps Marlin in his epic quest not only for his lost son but his own definition of filial love. Those familiar with these two fine comedic talents in their live-action performances will actually be able to see many of their distinctive inflections and facial expressions reflected in the animated characters they are portraying.
As directed by Stanton and Lee Unkrich, and executed by an army of wonder-working animators and technicians, `Finding Nemo' takes PIXAR technology to its ultimate, final level of perfection - till the studio's next release, that is.
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