Veteran-turned-mercenary Toorop takes the high-risk job of escorting a woman from Russia to America. Little does he know that she is host to an organism that a cult wants to harvest in order to produce a genetically modified Messiah.
The wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
A macho cruiser comes of age. Frustrated by the repetitious grind of one night stands and aimless hustling, study drug dealer Rick is looking for meaning and intimacy in his life. Like his ... See full summary »
Left for dead on a sun-scorched planet, Riddick finds himself up against an alien race of predators. Activating an emergency beacon alerts two ships: one carrying a new breed of mercenary, the other captained by a man from Riddick's past.
Sean Vetter and Demetrius Hicks are members of the DEA who are fighting an ongoing drug war on the California/Mexico border, they are most successful at it because of their edge of growing up on the street and being thugs converted to cops. The DEA busts one of the major players by the name of "Memo" Lucero and imprison him in the United States but then a major player named Diablo then takes over the business and now he is now the major player targeted by Vetter and his team. But when Vetter's wife is killed in a botched hit organized by Diablo, he seeks revenge against those responsible and in the process has to seek help from the imprisoned Lucero in order to catch Diablo. But in the process, Vetter and Hicks have to fight their way up the chain to get to Diablo but it's easier said than done when all Vetter can focus on is revenge...Written by
After poor test screenings, New Line had 15 Minutes (2001) director John Herzfeld come in and shoot some additional scenes - notably the ending, and cemetery finale - to wrap things up. Also, dialogue scenes were cut, and some scenes also shortened to speed up the pace. This caused the film to miss several release dates. Regular Herzfeld composer J. Peter Robinson also worked on some new score to jazz things up. New Line also had to change the name from El Diablo, due to a law suit from the game developer Blizzard. Potential titles included Push The Limits, Diablo (no El in front), Sean Vetter, Vetter and This Man's Dominion. A Man Apart was finally chosen as the studio felt it suited the theme of the film. See more »
When Vetter goes into Lucero's cell and lights his cigarette, we hear the clink of a zippo-style lighter, but see a flame that is obviously that of a disposable lighter. See more »
I know you don't like the police. Damn sure talkin' to a police in a attic. Back in the day, I couldn't stand the police, man. They used to fuck with us all the time, me and my homies, be rollin' down the street. They'd pull us over jackin' fools.
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Concerning the action, starts off fresh but by the end is just getting repetitive!!!
A Man Apart is nothing special but after the first 15 minutes I didn't think I'd be saying that in my comment. It starts off really well, exciting, good characters and it was moving along nice and quickly. While the good characters and the moving along kept up throughout the movie, the most important thing didn't - the excitement. The action sequences just became like Vin Diesel's acting voice - exactly the same the whole movie. The director tried his best to vary it (bombs, choking .etc) but these things never seemed to have any effect, for what reason I don't know. Also the storyline was unbelievably predictable.
There are a lot of action movie out there, a lot - you're not going to find anything new in this one.
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