A kids show host, Rainbow Randolph, is fired in disgrace while his replacement, Sheldon Mopes, aka Smoochy the Rhino, finds himself a rising star. Unfortunately for Sheldon, the business of kids television isn't all child's play.
Fired in disgrace, kids show host Randolph Smiley finds himself out on the street, while his replacement Sheldon Mopes, finds himself on the fast track to success with a new hit show as the proud purple rhino Smoochy. But things take a turn for the worst when Sheldon finds out that some of the people that he works with, and some he doesn't know he's working for, are all in it for the money. Meanwhile, Randolph is slowly turning insane with his only thoughts focusing on killing Smoochy and getting back to his life of luxury.Written by
The scene where Sheldon performs at the neo-Nazi rally might be a reference to American History X, which also starred Edward Norton in which, surprisingly, Norton played Derek Vineyard, a former white supremacist who decides to change his life around. See more »
While Buggy Ding Dong is looking through the scope of the sniper, his eye is blue, but a close-up shot moments later reveals that his eyes are brown. See more »
The theatrical version of the movie was 1 hour and 49 minutes. The deleted scenes were being included on the DVD release.
Deleted scenes on DVD includes:
Angelo's Announcement: Angelo Pike making the announcement during the opening of The Rainbow Randolph Show.
Sonny & Gordon & Ben Franks: Sheldon talks to Sonny and Ben. Sheldon wanted animals from Sonny for the fans of his show but, there were some issues going on. Ben offers Sheldon a bride by giving the $100 bill.
Tinpan Takashi: Frank Stokes offers Merv Green to take Takashi to KidNet Studios after Smoochy being framed as a Nazi.
Merv Threatens Stokes: Merv Green threatens Frank to get Takashi to replace Smoochy's time slot.
Angelo and Randolph on the phone: In Times Square, Rainbow Randolph talks to Angelo that he didn't kill Spinner and wanted to go back to his apartment. Angelo told him to go to the old biscuit factory at the underground so he doesn't get caught by cops.
Last Nappy Time Song: The song played during Spinner Dunn's funeral.
Extended Merv Green's death scene" In the extended version of the scene, the blood splatters and passes Tommy's face and splashes to the wall.
Buggy in the bathroom: Before the ice show incident, Buggy went to the bathroom, turns on the sink, sits on a toilet and takes out heroin (a.k.a. smack).
Which way did he go?: Sheldon removes his ice skates and continues chasing Burke. Nora was following him. Angelo pike arrives. Tommy and the gang asks Angelo which way did Smoochy go.
Boom! Boom!: Sheldon and Nora leaves the area. Burke and Frank were killed by Tommy's gang. See more »
A great comedy flawed only by too-dramatic character arcs.
I would be wrong if I said that Danny DeVito's films were made with full intent to capture the realisms of life, and it is because of his ability to portray an eccentric world (or relationship) that he is able to made the most original and entertaining characters known to film.
For example, although he didn't create the character Matilda, he was able to portray the girl with telekinetic ability in a very effective manner in the film of the same name. And also the characters in 'War of the Roses' were thoroughly over-the-top, but it was because of this that the films directed by the short man were so entertaining.
'Death to Smoochy' was no exception. It is because of the over-the-top characters that it is so funny. Edward Norton's character in particular is hilarious just because of the OTT reactions the 'atrocities' of the world draw out of him, and the overly-nice attitude he oozes.
There are other things that create humour. The lines are hilariously witty and even the facial expressions created by some of the characters give the film replay value. So IS there anything wrong with it?
I, personally, don't believe the dated storyline creates an obstruction, but I do feel that there is a problem with the dramatic character arcs. The biggest example of this is Robin Williams' character who goes, in one scene, from being ridiculously hateful, to wanting nothing more than to save his ex-arch-rival. This is where the over-the-top obstructs believability, although it doesn't do enough to make me dislike the film even partially.
The film, although flawed only by the very dramatic character arcs, is thoroughly enjoyable, and DeVito sprinkles just enough dramatic camera angles to support the extremity of the storyline. It is a rare gem, battered at the box office, but very safe in my collection of favourite DVDs.
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