As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
Forty-two students, three days, one deserted Island: welcome to Battle Royale. A group of ninth-grade students from a Japanese high school have been forced by legislation to compete in a Battle Royale. The students are sent off to kill each other in a no-holds-barred game to the death, until one survives -- or they all die. Some decide to play the game like the psychotic Kiriyama or the sexual Mitsuko, while others are trying to find a way to get off the Island without violence. However, as the numbers dwindle is there any way for Shuya and his classmates to survive?Written by
Prissy Panda Princess
The characters from the anime/manga series Slam Dunk (1993) appear as icons used by the hackers. See more »
In the lighthouse, Yuko Sakaki accidentally poisons Yuka Nakagawa with powder from a bottle labeled "KCN" (potassium cyanide). About 10 seconds later, Yuka vomits blood (which suggests internal bleeding) and dies. Cyanide is actually a poison that shuts down the respiration in cells. Ingestion of more than 50mg of cyanide will result in rapid respirations, loss of consciousness, convulsions, gasping, and death due to cessation of respiration. See more »
This year Zentsuji Middle School number 4's Class E was chosen from among 43,000 Ninth grade classes. This year's game, said to be more blistering than the last - - Oh look there! There she is! The winner's a girl! Surviving a fierce battle that raged two days, seven hours, and 43 minutes - the winner is a girl! Look, she's smiling! Smiling! The girl definitely just smiled!
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As the credits roll, a class picture is displayed, showing all of the students that have been killed in the Battle Royale, including the two transfer students. See more »
The Special Version includes the following:
Redone opening titles
Redone sound effects
Added CGI blood to make the shootouts more graphic Also, many shots were added, deleted, reedited, and extended for pacing and clarity purposes, including the following:
A longer basketball sequence
Added reaction shots of the kids in the classroom to Kitano's "Do you know this law" question, and after Kuninobu's death.
A flashback shot of Mizuho and Inada and Kaori Minami to remind us of who they were when we see their bodies.
Closer shots of Takiguchi and Hatagami's corpses
An additional shot of Nanahara weeping at the top of the lighthouse
Additional shots of postcards from Mimura's uncle
Kitano shutting down power to the computers and ordering the soldiers to reboot after the Third Man attack
A scene with Mitsuko as a 9-year-old coming home to find a pedophile in her house.
An additional shot of Mimura triggering the explosives on the truck
Requiems that show the real flashbacks, and we hear the dialog during Noriko's dream.
The Place: Japan. The Time: The not-so-distant-future. Faced with the prospect of losing control over the nation's young people, a totalitarian government decides upon a ruthless demonstration of power. The Battle Royale Act annually sends a randomly-selected class of high school students to an uninhabited island where they are compelled to kill each other until only one of their number survives.
The reasoning behind this bizarre piece of legislation is perhaps the weakest part of the plot - but the Director deftly causes us to suspend disbelief by drawing us surely and touchingly into the feelings of the young cast. Unlike many western movies which trot out a body count of simplistic characters who are only there to die horribly for our entertainment, Battle Royale somehow manages to rapidly introduce us to the story's potential victims and make us care about them.
You will read reviews that describe this film as excessively violent. I believe that this is a gross overstatement. Though there are many deaths and not a little blood, the main emphasis is upon simple human values - issues such as trust, friendship, love and hate - which the competition tests to their very limits. Children who have little genuine experience of living are forced to evaluate their relationships with each other if they want to stay alive. Alliances are formed and broken; long suppressed crushes and barely buried antagonisms influence their decisions.
There are no easy or mindless deaths in Battle Royale. The violent scenes make the point that violence and death are not cool or funny. This is not Kill Bill; every character in Battle Royale has value as a living, breathing human being. It may sound corny to say that the movie is an emotional roller-coaster ride, but it truly is - having dared to give us three dimensional people who bleed when they are cut, the Director sometimes further dares to cruelly follow scenes of tragedy with jarring moments of biting, dark and sarcastic wit.
If this was an American movie, the class would be played by people in their twenties and thirties. Two or three of the students would be given a lot of screen time and the rest would be faceless cannon fodder. Five seconds after the opening titles, you would know who was going to survive. Despite its odd premise, Battle Royale seems closer to reality because its teenagers really are teenagers and it allows no comforting certainties about who lives or dies.
The true genius of Battle Royale lies in the talented playing of the entire cast. Although young, not one of them strikes a dud note and the script gives almost all of the students a chance to shine at some point. The fight scenes are not staged in the style of 'Enter The Dragon' - the kids are not weapons experts or Karate champions. We see them kill each other but we are not invited to hate them - they are, after all, children and they are scared and desperate. Even a student who takes to killing with apparent relish deserves our sympathy.
Some reviewers have criticised aspects of the dialogue as unrealistic. There are certainly times when the script seems stagy - but it is important to remember that these Japanese children are products of a national culture which often finds the expression of passionate emotions problematical. If anything, the formal phrasing and awkwardness of their most heartfelt expressions only serves to make them more meaningful.
The Special Edition ends (quite literally) with a question. You will find yourself going back to this movie time and time again to answer it. Each viewing is rewarded with details that you probably missed previously - the depth of characterisation and the layers of hidden-in-plain-sight clues continually allow you to understand the story from fresh perspectives.
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