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A man turns to a life of crime to pay for his niece's tuition for her first year at a prestigious university. His girlfriend also wants him to pay $30,000 for the down payment on a house; and his buddy is a bad influence on him.Written by
At approx. 40 minutes 11 seconds in, a beanbag shotgun round or some sort of percussion device is clearly seen breaking the gas station glass to simulate shotgun fire at "Steve" and "Kyle" See more »
As Duff is trying to break the window, he hits it with a chair leaving scratches on the window. In the next shot the scratches are gone, and then reappear. See more »
Maybe we can use slingshots to rob the place.
A slingshot is not a real weapon, Duff.
Oh, yeah? Well maybe you'd like to define the word "weapon' for me while this plastic doll smashes into your temple at 180 miles per hour.
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Jason Lee is listed in the main titles as "Ja$on Lee" See more »
The plot is as simple as the film itself: John (Jason Lee) once made a promise to his niece that if she ever got accepted to college, he would pay her way. When the time arrives, he finds himself broke, and resorts to asking his loser buddy, Duff (Tom Green), for help. Clichés and hi-jinks ensue.
The film is surprisingly sterilized, especially when you consider its two stars: Jason Lee, a Kevin Smith alum, and Tom Green, the gross-out king who wrote, directed and starred in "Freddy Got Fingered." Lee is likable and congenial, if a bit soft, while Green relies more on physical humor and less on substance. He utters a few humorous lines here and there, but he is, in essence, just a prop. There are several other talented comedic actors such as Leslie Mann ("Big Daddy"), Megan Mullally (TV's "Will & Grace"), John C. McGinley (TV's "Scrubs") and of course, the amazing Martin Starr (TV's "Freaks & Geeks") who help keep the film fresh and funny, but unfortunately there's just not enough of them. The film is stacked with great and hilarious actors, but rarely takes advantage of this fact. As far as the humor goes, it forgoes the gross-out comedy of the time in an effort to yield rather tame and inoffensive results. And in its brief 82 minutes, it works. "Stealing Harvard" is hardly a classic, but if one were to sit down on a dead Sunday afternoon, kick back and relax with few expectations, it works. You'll likely get a few solid chuckles out of it, and it's innocent and simplistic plot makes for a good "turning off the brain" time.
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