With a plan to exact revenge on a mythical shark that killed his partner, Oceanographer Steve Zissou rallies a crew that includes his estranged wife, a journalist, and a man who may or may not be his son.
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
Three grown prodigies, all with a unique genius of some kind, and their mother are staying at the family household. Their father, Royal had left them long ago, and comes back to make things right with his family.Written by
Wes Anderson imagined the story that would later become "The Royal Tennenbaums", while listening to Ravel's "String Quartet in F", performed by the Britten Quartet. See more »
It's said that Mordechai's feathers have gone white due to stress. The misconception that stress turns human hair white is because stress can kill off living follicles, so that the darker hair falls out leaving just the white hairs behind. It's probably different for birds. See more »
Royal Tenenbaum bought the house on Archer Avenue in the winter of his 35th year. Over the next decade, he and his wife had three children, and then they separated.
See more »
The film title first appears on a library book being checked out, then several of the books are seen, and finally the book cover becomes a title card. See more »
Three different songs were used for the final sequence at various points. Some advance screenings (including the New York Film Festival version) featured the Beatles' "I'm Looking Through You" (not the "official" version, but rather the alternate version available on the "Anthology 2" CD set), while others used the Beach Boys' "Sloop John B." The final version of the scene is accompanied by Van Morrison's "Everyone." See more »
String Quartet in F Major
Written by Maurice Ravel
Exclusive representation Editions DURAND, Paris (France)
Performed by Ysaye Quartet
Courtesy of Decca Music Group
Under license from Universal Music Enterprises See more »
The Royal Tenenbaums, to put it shortly, is a weird movie. It is the story of a family longing for its heyday to return. It is the story of a man who wants to be accepted. It is a story of redemption, filled with small epiphanies and smaller details that make for excellent viewing. It takes delight in showcasing its brilliant characterizations and depictions of social oddities. Many will find it hard to relate to such strangers and therefore decline to revel in this film's cinematic glory. We can pity them.
Those that enjoy Wes Anderson's films can be put into two categories. There are those that simply find them to be quirky joyrides and laugh them off as such. Then there are those who recognize the loneliness in all of the characters Wes Anderson writes - it is this sense of loneliness that Wes Anderson, as a storyteller, brings to the screen. It is this sense of loneliness that makes Wes Anderson one of the most visionary filmmakers out there today.
The Royal Tenenbaums is an altogether thrilling experience. It is epic, filled with pageantry. Though categorized as a comedy, at times it seems darker then typical black comedies - a drama, or even a triumphant tragedy of life's unrealized outcasts. As Margot Tenenbaum (Gwenyth Paltrow) says in one of the last scenes: "Well, I'm sure he'll get over it." The Royal Tenenbaums is a rejoicing in the human spirit's reluctant but continuous march forward.
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