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One Hour Photo (2002)

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A mentally unstable photo developer targets a middle-class family after his obsession with them becomes more sick and disturbing than any of them could imagine.

Director:

Mark Romanek

Writer:

Mark Romanek
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3,852 ( 182)
6 wins & 22 nominations. See more awards »

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Cast

Cast overview, first billed only:
Robin Williams ... Seymour Parrish
Connie Nielsen ... Nina Yorkin
Michael Vartan ... Will Yorkin
Dylan Smith ... Jakob Yorkin
Erin Daniels ... Maya Burson
Paul Hansen Kim ... Yoshi Araki
Lee Garlington ... Waitress
Gary Cole ... Bill Owens
Marion Calvert Marion Calvert ... Mrs. Von Unwerth
David Moreland David Moreland ... Mr. Siskind
Shaun P. O'Hagan Shaun P. O'Hagan ... Young Father
Jim Rash ... Amateur Porn Guy
Nick Searcy ... Repairman
Dave Engfer Dave Engfer ... Sav-Mart Clerk
Jimmy Shubert ... Soccer Coach
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Storyline

Middle aged Sy Parrish works as a technician at a one hour photo lab located in a SavMart store in a suburban mall. Sy is a lonely man, never having had any friends. He knows much about his customers through the photographs they have developed. But he knows more about the Yorkin family - specifically Nina Yorkin and her adolescent son Jake Yorkin, the two in the family who drop off and pick up the family's photofinishing - the family about whom he is obsessed, than anyone else. Nina's husband, Will Yorkin, is incidental to his obsession since Sy has only seen him in photographs. Sy's obsession includes fantasizing about being their favorite "Uncle Sy". He has even been making an extra set of prints for himself of all of their photographs since Jake was a newborn. After an incident at work and after Sy finds out more about the family through a set of photographs, he decides to right the injustices he sees in the only way he knows how. His actions demonstrate his true mental state. Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Er weiß, wo du wohnst! (He knows where you live!) See more »

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for sexual content and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

13 September 2002 (USA) See more »

Also Known As:

Retratos de una obsesión See more »

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Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend USA:

$321,515, 25 August 2002

Gross USA:

$31,597,131

Cumulative Worldwide Gross:

$52,223,306
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby | DTS (uncredited)

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The soccer game sequence was shot at Lacy Park in San Marino, California. See more »

Goofs

When Seymour is following Nina's SUV in his Toyota Echo, the "door ajar" light is on, which probably indicates that the car is on a trailer with one or more of its doors open or even removed (although it *is* possible that he really was driving with one of the doors improperly shut - it's not unheard of, after all). See more »

Quotes

Sy Parrish: Pretend it's all pretend.
See more »

Alternate Versions

In this early cut a temp score was used featuring Thomas Newman's score to American Beauty and The Shawshank Redemption. Hans Zimmer score for The Thin Red Line was used when Sy follows the Yorkins car (When he slips the photo in). 'Clint Mansell''s Requiem for a Dream score was used during the final chase sequence. See more »

Connections

References A Clockwork Orange (1971) See more »

Soundtracks

Conejo Blanco
Written and Performed by Tim Heintz
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Frequently Asked Questions

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User Reviews

Not Hitchcock but closer than most
1 October 2002 | by retromarkSee all my reviews

A seemingly innocuous man's descent into madness, and its effect on a family, gives One Hour Photo an advantage over most attempts at psychological thrillers. As with most movies, even critical darlings by the master himself, Mr. Hitchcock, there are questionable plot contrivences and scenes where reality has to be suspended, but these annoyances did not interfere with the total enjoyment of the movie. Williams was eerily brilliant as "Sy, The Photo Guy", and was able to travel between chillingly detached and forcefully angry with ease. The brilliant use of stark colors fleshed out the film, and those that garner enjoyment from the sets and cinematography, as well as the dialogue, will be pleased. This is a film for those that enjoy the total movie experience, and those that appreciate an intensity in their psychological thrillers will not be disappointed. After viewing this film, the question now becomes who gets the Oscar, Williams for One Hour Photo, or Pacino for Insomnia ?


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