John Klein (Richard Gere) is involved in a car accident with his wife, but while he is unharmed, his wife mentions a moth-shaped creature appearing. After her death, John begins to investigate the secrets behind this mentioned Mothman. It takes him to the small town of Point Pleasant, West Virginia, where he discovers a connection with the same problem. Here he meets Connie Mills (Laura Linney), while he continues to unravel the mystery of what the Mothman really is.Written by
The clock radio in John Klein's (Richard Gere's) motel room reads: 6:14. It's a Biblical reference to John Chapter 6 verse 14, which reads, "This is indeed the prophet who is to come into the world." See more »
John passes a sign for Maine Avenue as he leaves Washington, driving from Memorial Bridge to Interstate 95. Maine Ave is in the opposite direction and there are no signs for Maine Avenue on any of the roads he could have taken to get to I95. See more »
Starting off promisingly with X-Files creepy events (deaths and visions) this young persons horror movie has a suitably tense edge. Based on a myth last discussed in great detail in the 60s, this is a modernised version of the legend of the Mothman, a mysterious figure who comes to people to foretell disastrous events. There is an air of Saturday night channel 5 about this film, but don't let that discourage you as its in the upper echelons of b-movie fair.
Richard Gere is surprisingly entertaining as someone who essentially doesn't say much and just gets creeped-out. A lot. His character isn't that challenging for any actor, so there won't be any Oscar gongs headed his way for this. Laura Linney is excellent as the town sheriff, like someone straight out of Twin Peeks. The other characters are pretty much just there to move the plot along, rather than to catch your interest.
The first half hour or so is entertainingly tense, but then the film lulls for the plot in the middle. The ending is satisfyingly and beautifully tidy, with a wonderful action sequence that clears up the vast majority of the weirdness from earlier on. The tight ending, while pleasurable and final is also one of the reasons that the movie isn't better than it is. There is no sensation upon leaving of question or edge. No concerns about turning the next corner for fear of what might be there. This is perhaps why this movie feels like Channel 5, and perhaps why its a 12 not a 15. Essentially its a creepy movie and not an out and out horror.
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