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The Man from Elysian Fields (2001)

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A failed novelist's inability to pay the bills strains relations with his wife and leads him to work at an escort service where he becomes entwined with a wealthy woman whose husband is a successful writer.

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Cast

Cast overview, first billed only:
... Byron
... Luther
... Dena
... Andrea
... Alcott
... Nigel
... Edward Rodgers
... Jennifer Adler
... Virgil Koster
... Paul Pearson
... Domenico
Susan Barnes ... Attractive Woman
... Bartender
Asha Siewkumar ... Receptionist
... Restaurant Patron
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Storyline

Byron Tiller, happily married with a young child, is a writer whose last novel has ended up in the remainder bins. Down on his luck and struggling to make ends meet, he keeps bashing away, refusing to admit that perhaps he is not that good. One day, at wit's end and feeling sorry for himself, he meets someone who has actually read his book: a rather elegant looking Englishman who introduces himself as Luther Fox. Luther runs an escort agency Elysian Fields, which provides extremely wealthy women with attractive, intelligent dates. Desperate for any job- and Luther guarantees good pay and convinces him that it can be only temporary -Byron reluctantly agrees, keeping the whole thing hidden from his wife. He soon finds himself face-to-face with an extremely attractive woman, whose aging husband is a Pulitzer Prize-winning novelist grappling with a novel that may be his last. Before long, Byron finds himself immersed in a world that he finds almost impossible to believe and even harder to... Written by Sujit R. Varma

Plot Summary | Add Synopsis

Plot Keywords:

writer | novel | novelist | escort | book | See All (111) »

Taglines:

Wealth affords the ultimate extravagance. See more »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

28 November 2002 (Hong Kong)  »

Also Known As:

Confissões de um Sedutor  »

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Box Office

Budget:

$6,500,000 (estimated)

Opening Weekend USA:

$46,353, 29 September 2002, Limited Release

Gross USA:

$1,431,625, 19 January 2003

Cumulative Worldwide Gross:

$2,006,391, 31 December 2003
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

| (TV)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The credit card that Luther Fox uses, to pay for taking Jennifer Adler out, was Director George Hickenlooper's own debit card. You can read his name on-screen (he has since cancelled the card). See more »

Goofs

At the book signing near the end of the film, Byron signs the name "Georgette" in the book for the woman named Yasmine. The next woman in line reveals her name to be Georgette. See more »

Quotes

Dena Tiller: What makes a man do what you do?
Nigel Halsey: I think of our mission as a way of giving joy to others, my darling.
Dena Tiller: Actually, I, um, I really need to know the truth.
Nigel Halsey: Well, its simple. Fucking is the last resort for a man who feals impotent.
See more »

Crazy Credits

The end of the credits caries a dedication to Suzie: "For my darling Suzie". See more »

Connections

Referenced in Hollywood Mouth (2008) See more »

Soundtracks

Byron Tiller Main Title
Written by Anthony Marinelli & Bill Kanengiser
Performed by Bill Kanengiser
Produced by Anthony Marinelli
See more »

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User Reviews

 
Superb acting defeated by overstatement
22 February 2004 | by See all my reviews

The road to hell is always paved with good intentions. It is the axiom pitfall that catches so many; including Andy Garcia's character, Byron Tiller, in `The Man from Elesian Fields'. Having thrown years into a failed novel, Byron grows increasingly desperate to make ends meet for his family and find success. Compromising himself for what he needs, he finds an easy answer in the employ of Elesian Fields, a male escort service operated by Luther Fox (Mik Jagger). It is a classically executed set-up, but because the script has so much to say before the final fade out, it staggers like a buss boy who has picked up too many dishes from too many tables.

After the proper cajoling and encouraging, Luther sets Byron up on his first assignment with the beautiful wife of a renowned multi-Pulitzer writer. Byron doesn't go easily into this abyss. He won't escort Andrea (Olivia Williams) beyond her limo door after an opera the first night and is greatly relieved to return home to his wife Dena (Juliana Margulies). The second date, however, progresses until the date and escort have their lovemaking interrupted by a visit from Andrea's elderly and approving husband, Tobias (James Coburn). Tobias extends an invitation for Byron to work with him on revising his last book. Byron soon finds himself leading the dizzying life of working for Luther, Andrea and Tobias while never letting Dena know about his escort duties with Andrea.

The first hour of the film is tightly written and gracefully proceeds with the steady and beautiful cinematography of Kramer Morgenthau. After the writers start exchanging ideas, the pace of the film picks up considerably. Conversation becomes swept aside in montages and assumptions. Even the music, subtle and appropriate in the first half draws unnecessary attention in the second half. The situation is familiar. Betrayed couples are as old as time. Struggling writers are found throughout cinema. The thing that separates them is the individual characters and interaction. Those and the heartfelt dialog get lost in bringing the story to where it is expected to end to make the author's statement.

Far from poor, but never really convincing, `Elesian Fields' is best noted for the acting it harbors. James Coburn plays a dying artist with dignity and is smart enough to let his poise crumble from time to time. Mik Jagger is wonderfully understated as the dispenser of temptation and his moments of disappointment with Anjelica Huston round out an award-worthy performance. Andy Garcia believably balances an quiet man whose temper gets the best of him now and again. Only Juliana Margulies is underused. It's unfortunate that so much talent could not overcome the other more intrinsic weaknesses.


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