Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
Navy S.E.A.L. sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
Action/war drama based on the best-selling book detailing a near-disastrous mission in Somalia on October 3, 1993. On this date nearly 100 U.S. Army Rangers, commanded by Capt. Mike Steele, were dropped by helicopter deep into the capital city of Mogadishu to capture two top lieutenants of a Somali warlord. This led to a large and drawn-out firefight between the Army Ranges, US Special Forces, and hundreds of Somali gunmen; resulting in the destruction of two U.S. Black Hawk helicopters. The film focuses on the heroic efforts of various Rangers to get to the downed black hawks, centering on SSG Eversmann, leading the Ranger unit Chalk Four to the first black hawk crash site, Chief Warrant Officer Durant who was captured after being the only survivor of the second black hawk crash, as well as many others who were involved.Written by
Matthew Patay: revised by Corbin L.
Nikolaj Coster-Waldau and Ewan McGregor starred in the Danish and American versions of Nightwatch respectively. See more »
Due to the design of most Russian RPG's, like the kind used in this movie, the exhaust from the rocket being fired is funneled through the tube on the launcher to the back of the launcher, and expelled from the back end, an effect commonly referred to as backblast. During some scenes where RPG's are being fired, they are shown to be pointing at the ground. This would have the backblast reflect of the ground, and severely injure the launcher operator, and surrounding personnel. See more »
Black Hawk is quite simply the best movie of the year (2001) and the best war movie I have seen. It's an astonishing achievement that puts you right in the middle of the hellish horror faced by U.S. soldiers in Somalia in 1993. Every explosion startled me and filled me fear, every gunshot felt like it was whizzing right by me, every mistake or unforeseen event had me on the edge of my seat with stress and anger. I felt as though I had been transported to Mogadishu for 2.5 hours and plopped in the middle of the ambush faced by the 100 or so U.S. Rangers and Delta Force Troops as they set about to capture a Somalian warlord responsible for stealing Red Cross food shipments in his starvation-ravaged country. I really felt this movie, it was tangible to me; the confusion, the fear, the sense of dislocation and horror the soldiers must have faced. At the end I was emotionally and mentally drained.
Ahh emotions, a subject of much debate where this movie is concerned, at least among some critics. While the reviews for Black Hawk Down have on average ranged from "Good to Excellent," there has been persistent and growing criticism over the lack of clearly drawn out characters that the audience could connect with, the lack of historical context, and the fact that movie is all action, with no heart, with no point-of-view. Well I think those who criticize the movie on these grounds, have completely missed the point of the movie, and are flat-out wrong. It is a movie told from the soldiers point-of-view, pure and simple. This is not a political movie, this is not a movie that needs cheap sentimentality or conventional emotional "hooks" for the characters. As much as I liked Saving Private Ryan, the overly sentimental framing device used by Spielberg, really annoyed me. It felt like he was pandering to the audience just a little bit, and it wasn't necessary. Well, there's no pandering here, no cheap sentimentality in Black Hawk Down, just the horrible, gruesome, disorienting reality of modern combat. I didn't know anyone who worked in the World Trade Center, but I was moved to tears by what happened to them on Sept. 11 and that's the way I felt today in the movie.
As far as I am concerned there was plenty of emotion in Black Hawk Down, plenty of "choke-up" moments, or moments when I was moved by the unbelievable courage shown by the soldiers as they faced an almost hopeless situation. I'm not sure how anyone could not be moved by seeing these 18-25 year-old men trapped in the horror of a Civil War that had no bearing on U.S. National Security. As portrayed by the amazing ensemble cast, these men (really boys in many cases) showed the full range of emotions that our soldiers must have gone through, not to mention the fear and confusion of their situation. To me the cast standouts were Josh Hartnett (boy has he got BIG FUTURE STAR written all over him) as Staff Sgt Eversmann and Australian actor Eric Bana as Sgt 1st Class "Hoot."
Black Hawk Down is a great movie, and it is an important movie. It is the story of courage and heroism against nearly insurmountable odds. What happened in Somalia was a foreign policy failure for the U.S., but the actions of the soldiers sent into battle that October day were anything but failure. That there were not more casualties is a credit to them and ultimately a credit to all of us.
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