Black Hawk Down (2001)

160 elite U.S. soldiers drop into Somalia to capture two top lieutenants of a renegade warlord and find themselves in a desperate battle with a large force of heavily-armed Somalis.

Director:

Ridley Scott

Writers:

Mark Bowden (book), Ken Nolan (screenplay)

Stars:

Josh Hartnett, Ewan McGregor, Tom Sizemore

Won 2 Oscars. Another 8 wins & 37 nominations.

Cast

Cast overview, first billed only:
Josh Hartnett	...	Eversmann
Ewan McGregor	...	Grimes
Tom Sizemore	...	McKnight
Eric Bana	...	Hoot
William Fichtner	...	Sanderson
Ewen Bremner	...	Nelson
Sam Shepard	...	Garrison
Gabriel Casseus	...	Kurth
Kim Coates	...	Wex
Hugh Dancy	...	Schmid
Ron Eldard	...	Durant
Ioan Gruffudd	...	Beales
Tom Guiry	...	Yurek (as Thomas Guiry)
Charlie Hofheimer	...	Smith
Danny Hoch	...	Pilla

Storyline

Action/war drama based on the best-selling book detailing a near-disastrous mission in Somalia on October 3, 1993. On this date nearly 100 U.S. Army Rangers, commanded by Capt. Mike Steele, were dropped by helicopter deep into the capital city of Mogadishu to capture two top lieutenants of a Somali warlord. This led to a large and drawn-out firefight between the Army Ranges, US Special Forces, and hundreds of Somali gunmen; resulting in the destruction of two U.S. Black Hawk helicopters. The film focuses on the heroic efforts of various Rangers to get to the downed black hawks, centering on SSG Eversmann, leading the Ranger unit Chalk Four to the first black hawk crash site, Chief Warrant Officer Durant who was captured after being the only survivor of the second black hawk crash, as well as many others who were involved.

---

Plot Keywords:

somalia | u.s. soldier | u.s. army | gunfight | street shootout | 

---

Taglines:

Rangers Lead the Way.

---

Genres:

Drama | History | War

---

Motion Picture Rating (MPAA)

Rated R for intense, realistic, graphic war violence, and for language

Details

Official Sites:

Official Facebook Official site

Country:

USA UK

Language:

English Somali Arabic

Release Date:

18 January 2002 (USA)

Also Known As:

Black Hawk Down

Filming Locations:

Morocco

Box Office

Budget:

$92,000,000 (estimated)

Opening Weekend USA:

$274,347, 30 December 2001, Limited Release

Gross USA:

$108,638,745

Cumulative Worldwide Gross:

$172,989,651

Company Credits

Production Co:

Revolution Studios,Jerry Bruckheimer Films,Scott Free Productions

Technical Specs

Runtime:

144 min 152 min (extended)

Sound Mix:

DTS Dolby Digital SDDS (8 channels)

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1

Did You Know?

Trivia

As the soldiers prepare to take off, Wolcott plays a version of "Voodoo Child" (slight return) in the helicopter. This version was performed by Stevie Ray Vaughan, who died in a helicopter crash.

---

Goofs

As Mike Durant's chopper is crashing, the gunners disappear and reappear between shots.

---

Quotes

[first lines]
Dan Busch: There. Technicals, nine o'clock.

---

Crazy Credits

There are no studio logos at the beginning and the only opening credit is the title.

---

Connections

Referenced in Friday Night with Jonathan Ross: Episode #14.6 (2008)

---

Soundtracks

Voodoo Child (Slight Return)
Written by Jimi Hendrix
Performed by Stevie Ray Vaughan
Courtesy of Epic Records
By Arrangement with Sony Music Licensing

User Reviews

A very American war story directed by an Englishman

I've been watching this movie and its accompanying extras on DVD this week for the first time and I thought is ironic that this very American war story should be directed and produced by an Englishman (Ridley Scott) and have a large number of British actors cast as the American servicemen (Ewan McGregor, Jasson Issacs, Hugh Dancy, Euan Bremner, Orlando Bloom.) I suppose it's the equivalent of Steven Spielberg directing a film about the Battle of Goose Green during the Falklands War and casting Americans as members of the Parachute Regiment.

Scott's movie is quite brave in that it has no major stars and no central character (unlike, say Tom Hanks in SAVING PRIVATE RYAN or Mel Gibson in WHEN WE WERE SOLDIERS). It's also largely free of the clichés of the genre: no soaring John Williams score accompanying shots of the flag fluttering in the sunlight; no scenes of the families back home. Instead its all about the logistics and the absolute horror of battle. This is the best combat footage since ZULU way back in 1964, a film which it resembles. In Scott's commentary description words, it is 'Anti-War but pro-military'.