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Changing Lanes (2002)

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The story of what happens one day in New York City, when a young lawyer and a businessman share a small automobile accident on F.D.R. Drive, and their mutual road rage escalates into a feud.

Director:

Roger Michell

Writers:

Chap Taylor (story), Chap Taylor (screenplay) | 1 more credit »
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Popularity
4,985 ( 5,848)
7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ben Affleck ... Gavin Banek
Samuel L. Jackson ... Doyle Gipson
Kim Staunton ... Valerie Gipson
Toni Collette ... Michelle
Sydney Pollack ... Stephen Delano
Tina Sloan ... Mrs. Delano
Richard Jenkins ... Walter Arnell
Akil Walker Akil Walker ... Stephen Gipson
Cole Hawkins Cole Hawkins ... Danny Gipson
Ileen Getz ... Ellen
Jennifer Dundas ... Mina Dunne (as Jennifer Dundas Lowe)
Matt Malloy ... Ron Cabot
Amanda Peet ... Cynthia Delano Banek
Myra Lucretia Taylor Myra Lucretia Taylor ... Judge Frances Abarbanel
Bruce Altman ... Terry Kaufman
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Storyline

The story of what happens one day in New York City, when a young lawyer and a businessman share a small automobile accident on F.D.R. Drive, and their mutual road rage escalates into a feud.

Plot Summary | Add Synopsis

Taglines:

One Wrong Turn Deserves Another See more »

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

12 April 2002 (USA) See more »

Also Known As:

Fuera de control See more »

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Box Office

Budget:

$45,000,000 (estimated)

Opening Weekend USA:

$17,128,062, 14 April 2002

Gross USA:

$66,818,548

Cumulative Worldwide Gross:

$94,935,764
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (TV)

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Toni Collette and Samuel L. Jackson appeared in M. Night Shyamalan films. Collette in The Sixth Sense (1999), and Jackson in Unbreakable (2000) and Glass (2019). See more »

Goofs

At the bar the level of bourbon, position of lemon on the glass, and the napkin shape change from initial pouring to Doyle's phone call to his sponsor. See more »

Quotes

[first lines]
Doyle Gipson: Think I'll make this the boys' room.
See more »

Crazy Credits

Thanks to the staff and Militia Force members and veterans at the Marcy Avenue Armory, Brooklyn, New York. See more »

Alternate Versions

There was an early review of the movie that contained a spoiler of the ending. The ending that was originally used involved Ben Affleck and Samuel L. Jackson getting into a fist fight that leads onto the balcony. They talk about right and wrong and Affleck takes the file and tears it up and the movie fades to credits. This ending was most likely cut because test audiences did not like it. It will most likely appear on the DVD. Also a small clip shown in the TV ads shows Affleck and Jackson fighting on the balcony. This was part of the original ending which explains why it was cut. See more »

Connections

Featured in The Making of 'Changing Lanes' (2002) See more »

Soundtracks

Ode to Joy
(1826)
by Ludwig van Beethoven (as L. Beethoven)
Arranged by Sidney Carlin
See more »

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User Reviews

 
Surprisingly Good
14 March 2005 | by bajan13kSee all my reviews

This movie was surprisingly good, for many reasons. The most obvious is probably that the characters develop before, during, and after the presented story, as the film opens at a critical time for both of them and closes with them having changed major parts in their lives.

I expected this to be a glorified version of Madd's Spy vs. Spy, or something of that nature, given the hype. However, it is not at the same pace at all... the violence is not cartoonish, its realistic. The characters are not simple, they are complex. They "have issues" and are both trying to find a better sense of balance in their lives, both do things which they regret... all in all, this is one of the most "human" movies I've ever watched.

Even though the characters are deep, the movie does not try to emphasis it with drawn out scenes with dramatic music or anything, which actually makes it more like watching real people than watching a movie. It also makes for a more powerful effect overall because it is up to the watcher to notice the subtleties.

The acting and directing are very well done, and there is some writing which surprised me in that it showed more about the characters rather than relating directly to the main conflict (I don't want to give too much detail and spoil it). The pacing is good and kept me interested throughout, partially to see what the main characters would do next and partially to see what, if anything, they would learn from the experience.

It is not as "epic" as something like Shawshank Redeption, and doesn't deal with esoteric themes such as Meet Joe Black or ominous themes such as Equilibirum or 1984(the novel), but in a way it is more epic because it deals with normal people who struggle to be beneficial humans despite major mistakes, pressures, and conflicts.


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